Callback-based playback with raw terminal input. Single char keys
only — no escape sequences. The Interruption: reese sidechain 0.55.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Ghost Protocol: arp → drift (analog wobble)
Deep Time: shimmer → drift, added granular_pad grain layer
Voltage: added hard_sync part at bar 49
The Interruption: reese bass → drift (analog menace)
An Exception Occurred: added ring_mod during psychosis
Intrusive: thought → wavefold with organ envelope (uglier, harder)
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Breakbeat gets jungle echo delay panned left, reese gets reverb +
long delay panned right — DnB section has stereo width. Kick808
distortion. Sub and reese fadeouts as velocity lists. Harp shimmer.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Hat fills every 4 bars, bigger fills every 8. Play counter now shows
correct time when using --from-time.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Baroque flute soaring above the quartet, harp cascading arps.
Sub bass sidechain doubled for harder pump. Flute and harp both
play through the DnB interruption.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Violins panned wide (-0.35/+0.4), harpsichord with delay sparkle,
cello gets chorus, everything louder with more cathedral reverb.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Added separate 808 kick at volume 0.8, velocity 125 — four on the floor
layered under the breakbeat. Breakbeat bumped to 0.6, sub bass to 0.7.
Bar 33 should now feel like a wall hitting you.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Harpsichord opens with arpeggiated chords (baroque feel), returns for ending
- Chorus added to violin 1, violin 2, viola for richer sound
- Cathedral reverb bumped to 0.45 on all strings
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
D minor, 85 BPM (170 feel when DnB hits). Pure classical string quartet
for 32 bars — violin 1 melody, violin 2 harmony, viola chords, cello bass.
Bar 33: breakbeat SLAMS in with sub bass and reese. Strings keep playing
like nothing happened. Beat dissolves, strings win, play out alone.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
kennethreitz