From 9986e955fcfebd09a22f886b22e5fc3bb7101637 Mon Sep 17 00:00:00 2001 From: Kenneth Reitz Date: Sun, 29 Mar 2026 05:18:09 -0400 Subject: [PATCH] Simplify closing line Co-Authored-By: Claude Opus 4.6 (1M context) --- data/essays/2026-03-29-numpy_as_synth_engine.md | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/data/essays/2026-03-29-numpy_as_synth_engine.md b/data/essays/2026-03-29-numpy_as_synth_engine.md index 48b9512..2ad04a3 100644 --- a/data/essays/2026-03-29-numpy_as_synth_engine.md +++ b/data/essays/2026-03-29-numpy_as_synth_engine.md @@ -213,4 +213,4 @@ When everything is computed from math, the frequency is just a parameter. Change This is one of those accidental advantages of doing synthesis from scratch. I didn't plan it. But now I can hear what a Renaissance lute actually sounded like, tuned the way its player would have tuned it — and that's really fun. -I've written about [why PyTheory matters to me](/essays/2026-03-25-pytheory_is_awesome) and [how it grew into a mini DAW](/essays/2026-03-25-a_mini_daw_in_the_python_repl). This layer — the synthesis layer, the part where pure math becomes sound — is really fun. +I've written about [why PyTheory matters to me](/essays/2026-03-25-pytheory_is_awesome) and [how it grew into a mini DAW](/essays/2026-03-25-a_mini_daw_in_the_python_repl). The synthesis layer is really fun.