- Drums are real Parts with full effects pipeline
- split=True creates kick/snare/hats/toms/cymbals/percussion Parts
- Sidechain triggers on kick only
- Score.from_midi() imports Standard MIDI Files
- Document split drums workflow
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Load any Standard MIDI File into a Score. Zero-dependency parser
handles Type 0 and Type 1 files. Each channel becomes a Part,
channel 10 becomes drum hits. Roundtrip with save_midi works.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Chord.figured_bass: classical inversion notation (6, 6/4, 7, 6/5, 4/3, 2)
- Chord.analyze_figured(): Roman numerals with figured bass (V6/5, ii6)
- Chord.pitch_classes, normal_form, prime_form, forte_number: set theory
- Scale.recommend(): ranked scale suggestions from note sets
- Forte catalog: all trichords and tetrachords
- Documented in chords and scales guides
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
All 15 drum sounds rewritten with inharmonic partials, proper
transients, multi-mode resonance, and saturation. Song #19:
Dance Party at the Reitz House — for Sarah and Malachi.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Different comb filter delay times per channel create natural stereo
width in the reverb tail. Effects chain skips mono reverb in favor
of stereo reverb applied in the mixer after panning.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Feed-forward compression (threshold=0.5, ratio=4:1) with envelope
following, makeup gain, and brick-wall limiter at 0.95. Replaces
simple normalization. Everything sounds louder and punchier.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
sounddevice is now only imported when actually playing audio through
speakers. All other functions (save_midi, render_score, save) work
without PortAudio installed. Fixes 9 test failures in CI.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- `pytheory demo` plays a randomly generated track (6 moods, different every time)
- README rewritten to showcase full feature set: composition, effects, drums,
sidechain, automation, MIDI export, AI collaboration
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Makes programmed parts feel like a real player. Random timing jitter
and velocity wobble applied at render time, score data stays clean.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Per-note velocity for dynamics and accents
- Swing/groove parameter on Score and per-Part override
- score.set_tempo() for mid-song tempo changes with tempo map engine
- Part.fade_in() and Part.fade_out() volume envelopes
- Arpeggiator velocity support
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Part.lfo() generates automation points from oscillator shapes
- 4 shapes: sine, triangle, saw, square
- Rate, range, duration, and resolution all configurable
- Stack LFOs on different params for complex modulation
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Part.arpeggio() with 5 patterns, octave spanning, division control
- Roman numeral parser handles bVI, bVII, bIII, #IV prefixes
- song_showoff.py: generative composition using every feature,
different every time (4 moods, matched keys/drums/effects)
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Part.arpeggio() with up/down/updown/downup/random patterns
- Octave spanning and division control for arps
- Document legato, glide, and arpeggiator in rhythm guide
- Rename docs page to "Sequencing: Rhythm and Scores"
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Part(legato=True) renders continuous waveform without per-note retriggering
- Part(glide=0.04) adds 303-style pitch slides between notes
- Phase-accumulating oscillator for smooth frequency changes
- Exponential pitch interpolation for perceptually linear slides
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Schroeder reverb (4 comb + 2 allpass filters) with mix/decay
- Tempo-synced delay with feedback
- 12 dB/oct biquad lowpass with resonance (Q) control
- Effects set at part creation, applied per-part before mixing
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Pattern.fill() with 11 presets: rock, jazz, salsa, samba, funk, metal, blast, buildup, breakdown
- Score.fill() inserts a fill at the current position
- Score.drums() auto-fill support: fill_every=4 replaces every 4th bar
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Square wave: chiptune / 8-bit (odd harmonics at 1/n)
- Pulse wave: variable duty cycle NES-style timbres
- FM synthesis: DX7-style carrier/modulator for bells, e-piano, brass
- Noise: white noise for percussion and texture
- Supersaw: 7 detuned saws for trance/EDM pads
- Refactor Synth enum to string-valued with callable dispatch
- All 8 waveforms available via API, Part strings, and CLI
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Duration enum (whole through sixteenth, dotted, triplet)
- TimeSignature with string parsing (4/4, 3/4, 6/8, 12/8)
- Score class with fluent .add()/.rest() chaining
- Measure-aware MIDI export with time signature meta events
- Rhythm guide documentation
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Chord.close_voicing(), open_voicing(), drop2(), drop3()
- Key.modulation_path() for pivot-chord modulation paths
- Scale.degree_name() for traditional function names
- Chord.extensions() for available 9th/11th/13th suggestions
- Tone.solfege for fixed-Do solfege syllables
- CLI identify and midi commands
- Comprehensive docs update covering all v0.9.0–v0.11.0 features
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Add Envelope enum with 8 ADSR presets (piano, organ, pluck, pad, strings, bell, staccato, none)
- Add Chord.from_symbol() to parse any standard chord symbol without lookup tables
- Add Key.pivot_chords() for finding modulation pivot chords between keys
- Add Scale.parallel_modes() to show all modes sharing the same notes
- Add Tone.cents_difference() for fine pitch comparison in cents
- Add --envelope flag to CLI play command
- Extract C_INDEX constant, removing hardcoded magic number
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Add Chord.symbol property for standard shorthand notation (Cmaj7, Dm, G7)
- Add Key.common_progressions() to realize all named progressions in a key
- Add CLI commands: modes, circle, progressions
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Dependencies were at the root level instead of under [project] — uv
ignored them entirely. This caused uv.lock to omit pytuning, scipy,
numpy, and sounddevice. API reference pages were blank because
autodoc couldn't import the modules.
Also adds [build-system] so uv treats the project as editable
instead of virtual.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Add pytest as dev dependency in pyproject.toml
- Fix sawtooth_wave: numpy.linspace requires int for num parameter
- Fix Scale.degree() lookup by name ("tonic", "dominant") was broken
- Add tests for: Tone.from_tuple, from_index, _index, error paths,
multi-octave arithmetic, descending chromatic walk, all pitch frequencies,
Pythagorean temperament, all scale degrees by Roman numeral and name,
Scale repr/slice/degrees mismatch, TonedScale repr/get/with-Tone-object,
D/F/A/E/B major/minor scales, D Dorian, G Mixolydian, octave boundary
crossing, all mode intervals including Phrygian/Aeolian/Locrian/Ionian,
chord intervals/beat_pulse/empty chord, Chord/Fretboard fingering errors,
all NamedChord qualities (m6/m9/maj9/9), fix_fingering, flat-to-sharp
conversion, charts total count, charts_for_fretboard, all wave generators,
wave output types, Synth with real pitches, circle of fifths/fourths,
relative minor equivalence, enharmonic equivalence in scales, I-IV-V
progression integration test
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
kennethreitz