- Drums are real Parts with full effects pipeline
- split=True creates kick/snare/hats/toms/cymbals/percussion Parts
- Sidechain triggers on kick only
- Score.from_midi() imports Standard MIDI Files
- Document split drums workflow
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Load any Standard MIDI File into a Score. Zero-dependency parser
handles Type 0 and Type 1 files. Each channel becomes a Part,
channel 10 becomes drum hits. Roundtrip with save_midi works.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Every page now ends on prose instead of a code block.
Chords, tones, scales, effects, drums, CLI, cookbook,
fretboard, playback, systems, theory — each with a
sentence that ties the page together.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Chord.figured_bass: classical inversion notation (6, 6/4, 7, 6/5, 4/3, 2)
- Chord.analyze_figured(): Roman numerals with figured bass (V6/5, ii6)
- Chord.pitch_classes, normal_form, prime_form, forte_number: set theory
- Scale.recommend(): ranked scale suggestions from note sets
- Forte catalog: all trichords and tetrachords
- Documented in chords and scales guides
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Covers the prompt, theory commands, composition flow, effects,
automation, LFOs, playback, export, and a full start-to-finish session.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Systems: fix "four" to "six", add cultural context for each system
(Indian ragas, Arabic maqam, Japanese koto, Blues Delta origins,
Gamelan's influence on Debussy). Each system feels alive now.
Fretboard: add scale_diagram chord highlighting, non-string instruments note.
Theory: warmer opening, cross-reference to composition guide.
Tones, scales, chords, cli: verified complete — no changes needed.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Two clear paths: theory (no audio needed) and composition.
Theory section expanded with tones, intervals, keys, chords,
analysis, modulation, 6 systems, guitar — all pure Python.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Quickstart: zero to arrangement in 5 minutes, pytheory demo, MIDI export.
CLI: add demo command docs at the top.
Cookbook: acid house, dub reggae, jazz ballad, song sections, MIDI export recipes.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Effects: sidechain pump with parameters, practical examples, tip
about not sidechaining everything.
Sequencing: song sections with verse/chorus/repeat workflow,
custom names, real songwriting analogy.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Values, use cases, combo with swing for realistic feel.
Convolution reverb was already documented in effects guide.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Sequencing: Score concept, time signatures for non-musicians, Parts as
DAW tracks, arpeggiator/legato/glide context with TB-303 and acid history.
Synths: synthesis philosophy, DX7/Juno/JP-8000 history, practical combos.
Effects: real-music context (The Edge, DJ knobs, shower reverb), why signal
chain order matters, automation as breathing, LFO as repeating automation.
Drums: drums-as-genre foundation, genre group cultural context, fills as
transition signals, drum synthesis as real drum machine techniques.
Playback: three output options context, MIDI as the working musician's path.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Part.arpeggio() with up/down/updown/downup/random patterns
- Octave spanning and division control for arps
- Document legato, glide, and arpeggiator in rhythm guide
- Rename docs page to "Sequencing: Rhythm and Scores"
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Comprehensive effects docs with signal chain diagram, per-effect
reference, and combination examples (dub, acid, Drake-style 808).
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Rhythm guide: full Part API docs with synths, envelopes, chaining,
raw float beats, headless rendering, complete bossa nova example
- Playback guide: rewrite intro with quick-start showing both simple
and expressive usage, update all Score examples to use named parts
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Duration enum (whole through sixteenth, dotted, triplet)
- TimeSignature with string parsing (4/4, 3/4, 6/8, 12/8)
- Score class with fluent .add()/.rest() chaining
- Measure-aware MIDI export with time signature meta events
- Rhythm guide documentation
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Chord.close_voicing(), open_voicing(), drop2(), drop3()
- Key.modulation_path() for pivot-chord modulation paths
- Scale.degree_name() for traditional function names
- Chord.extensions() for available 9th/11th/13th suggestions
- Tone.solfege for fixed-Do solfege syllables
- CLI identify and midi commands
- Comprehensive docs update covering all v0.9.0–v0.11.0 features
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
NamedChord.acceptable_tones now uses prefer_flats based on circle-of-fifths
conventions. Cm7 shows (C, Eb, G, Bb) instead of (C, D#, G, A#).
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Flat keys now display flats (Bb, Eb, Ab) instead of sharps (A#, D#, G#).
Uses the "no duplicate letter names" rule: if building a scale with
sharps produces two notes with the same letter (e.g. C and C# in C minor),
the scale is rebuilt with flat spellings instead.
- Tone.add() and Tone.from_index() accept prefer_flats parameter
- TonedScale detects flat vs sharp per-scale automatically
- F major: Bb (not A#), Eb major: Ab Bb (not G# A#), etc.
- All tests and docs updated to match
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- scale_diagram() showcased on homepage and quickstart
- New cookbook page: analyze a song, 12-bar blues, find chords in a key,
compare scales, guitar chord chart, explore intervals
- play_progression() for sequencing chord playback with gaps
- Scale and Note aliases exported
- Version bump to 0.8.0
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Fretboard.chord(), .tab(), .chart() convenience methods
- Fingering.tab() for rendering ASCII tablature
- Fingering algorithm now considers muting, fret span, root-in-bass,
and contiguous bass-side muting for idiomatic voicings
- All docs converted from code-block:: python to pycon with >>> prompts
- All doc outputs verified against actual library output
- Tests for new methods; version test no longer checks exact string
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
New `fb.chord("G")` API lets you look up fingerings by chord name
instead of knowing fret positions upfront. Updates all docs to use
REPL-style examples with verified output.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Dedicated section explaining symbolic=True with examples across
all three temperaments, showing exact SymPy expressions, arbitrary
precision evaluation, and why the math reveals temperament differences.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
TonedScale(tonic="Sa4", system="indian") now works — no need to
import SYSTEMS. Same for Key("C", "major", system="blues").
Updated README and all docs to use the cleaner string syntax,
removing 'from pytheory.systems import SYSTEMS' boilerplate.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
kennethreitz