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Every page now ends on prose instead of a code block. Chords, tones, scales, effects, drums, CLI, cookbook, fretboard, playback, systems, theory — each with a sentence that ties the page together. Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
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Musical Systems
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===============
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PyTheory supports **six musical systems**, each with its own tone names,
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scale patterns, and centuries of tradition behind them. Every system
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maps onto the same 12-tone equal temperament backbone, so you can
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compare scales across cultures and even combine them in your own music.
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Western
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-------
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The standard 12-tone equal temperament system — the common language of
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European classical music, American popular music, and virtually all
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commercially recorded music since the early 20th century. Its
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major/minor tonality system, seven diatonic modes, and rich harmonic
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vocabulary form the foundation that most listeners around the world
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grew up hearing. If you've ever hummed along to a pop song, played
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piano, or picked up a guitar, you've been working within this system.
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.. code-block:: pycon
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>>> from pytheory import TonedScale
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>>> c = TonedScale(tonic="C4")
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>>> c["major"].note_names
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['C', 'D', 'E', 'F', 'G', 'A', 'B', 'C']
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>>> c["dorian"].note_names
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['C', 'D', 'Eb', 'F', 'G', 'A', 'Bb', 'C']
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**Scales:** major, minor, harmonic minor, ionian, dorian, phrygian,
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lydian, mixolydian, aeolian, locrian, chromatic
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Indian Classical (Hindustani)
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-----------------------------
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One of the oldest and most sophisticated musical traditions on earth,
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`Hindustani classical music <https://en.wikipedia.org/wiki/Hindustani_classical_music>`_
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dates back over two thousand years to the *Natya Shastra*. Where Western
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music emphasizes harmony (chords), Indian music emphasizes *raga* —
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melodic frameworks that evoke specific moods, times of day, and seasons.
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The sound is meditative, ornamental, and deeply expressive. You'll hear
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it in classical sitar and tabla performances, Bollywood film scores,
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and the improvisatory traditions that influenced musicians from
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George Harrison to John Coltrane.
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The Hindustani system uses **swaras** (Sa, Re, Ga, Ma, Pa, Dha, Ni) and
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organizes scales into `thaats <https://en.wikipedia.org/wiki/Thaat>`_ — the 10 parent scales from which `ragas <https://en.wikipedia.org/wiki/Raga>`_
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are derived.
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.. code-block:: pycon
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>>> from pytheory import TonedScale
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>>> sa = TonedScale(tonic="Sa4", system="indian")
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>>> sa["bilawal"].note_names # = major scale
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['Sa', 'Re', 'Ga', 'Ma', 'Pa', 'Dha', 'Ni', 'Sa']
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>>> sa["bhairav"].note_names # unique to Indian music
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['Sa', 'komal Re', 'Ga', 'Ma', 'Pa', 'komal Dha', 'Ni', 'Sa']
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>>> sa["todi"].note_names
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['Sa', 'komal Re', 'komal Ga', 'tivra Ma', 'Pa', 'komal Dha', 'Ni', 'Sa']
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**Thaats:** bilawal, khamaj, kafi, asavari, bhairavi, kalyan, bhairav,
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poorvi, marwa, todi
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**Swara notation:**
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- Uppercase = shuddha (natural): Sa, Re, Ga, Ma, Pa, Dha, Ni
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- ``komal`` prefix = flat: komal Re, komal Ga, komal Dha, komal Ni
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- ``tivra`` prefix = sharp: tivra Ma
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Arabic Maqam
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------------
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The `maqam <https://en.wikipedia.org/wiki/Arabic_maqam>`_ tradition spans
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the entire Arab world, Turkey, Iran, and Central Asia — a vast musical
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heritage stretching from medieval Andalusia to modern Cairo. Maqam music
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is melodically rich, often featuring microtonal inflections, elaborate
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ornamentation, and a sense of yearning that's unmistakable once you've
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heard it. Think of the oud-driven classical traditions of Umm Kulthum
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and Fairuz, the call to prayer, Sufi devotional music, and the
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underpinning of much Middle Eastern and North African popular music
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today.
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The Arabic system uses **solfège-based names** (Do, Re, Mi, Fa, Sol, La, Si)
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and organizes scales into **maqamat** (plural of `maqam <https://en.wikipedia.org/wiki/Maqam>`_).
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.. note::
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True maqam music uses quarter-tones that cannot be represented in
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12-tone equal temperament. These scales are the closest 12-TET
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approximations.
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.. code-block:: pycon
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>>> from pytheory import TonedScale
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>>> do = TonedScale(tonic="Do4", system="arabic")
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>>> do["ajam"].note_names # = major scale
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['Do', 'Re', 'Mi', 'Fa', 'Sol', 'La', 'Si', 'Do']
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>>> do["hijaz"].note_names # characteristic augmented 2nd
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['Do', 'Reb', 'Mi', 'Fa', 'Sol', 'Solb', 'Sib', 'Do']
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>>> do["nikriz"].note_names
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['Do', 'Re', 'Mib', 'Fa#', 'Sol', 'La', 'Sib', 'Do']
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**Maqamat:** ajam, nahawand, kurd, hijaz, nikriz, bayati, rast, saba,
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sikah, jiharkah
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Japanese
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--------
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Japan's traditional scales have a hauntingly beautiful quality that is
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immediately recognizable — dark, sparse, and full of tension. The
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pentatonic scales (especially *hirajoshi* and *in*) use semitone steps
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that give them an unmistakably Japanese character, distinct from the
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wider-spaced pentatonics found in Chinese and Western folk music.
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You'll hear these scales in `koto <https://en.wikipedia.org/wiki/Koto_(instrument)>`_
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and `shamisen <https://en.wikipedia.org/wiki/Shamisen>`_ music, the
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`gagaku <https://en.wikipedia.org/wiki/Gagaku>`_ court orchestra,
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Kabuki and Noh theater, taiko drumming, anime and video game
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soundtracks, and the compositions of Toru Takemitsu.
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The Japanese system uses Western note names with traditional pentatonic
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and heptatonic scales from Japanese music.
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.. code-block:: pycon
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>>> from pytheory import TonedScale
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>>> c = TonedScale(tonic="C4", system="japanese")
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>>> c["hirajoshi"].note_names # most iconic Japanese scale
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['C', 'D', 'Eb', 'G', 'Ab', 'C']
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>>> c["in"].note_names # Miyako-bushi, used in koto music
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['C', 'Db', 'F', 'G', 'Ab', 'C']
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>>> c["yo"].note_names # folk music scale
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['C', 'D', 'F', 'G', 'A#', 'C']
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>>> c["ritsu"].note_names # gagaku court music (= Dorian)
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['C', 'D', 'Eb', 'F', 'G', 'A', 'Bb', 'C']
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**Pentatonic scales:** hirajoshi, in, yo, iwato, kumoi, insen
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**Heptatonic scales:** ritsu, ryo
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Blues and Pentatonic
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--------------------
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The blues is America's deepest musical root — born from the African
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American experience in the Mississippi Delta, it gave rise to jazz,
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rock and roll, R&B, soul, funk, and hip-hop. The *blue note* (a
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flattened 5th that bends between major and minor) is the sound of
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emotional truth in music, from Robert Johnson to B.B. King to
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Jimi Hendrix.
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The blues system provides the scales foundational to blues, rock, jazz,
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and folk music worldwide. `Pentatonic scales <https://en.wikipedia.org/wiki/Pentatonic_scale>`_ (5 notes) are the oldest
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known musical scales, found independently in cultures across every
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continent.
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The `blues scale <https://en.wikipedia.org/wiki/Blues_scale>`_ adds the "`blue note <https://en.wikipedia.org/wiki/Blue_note>`_" (flat 5th / sharp 4th) to the
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minor pentatonic — this chromatic passing tone is the defining sound
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of the blues.
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.. code-block:: pycon
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>>> from pytheory import TonedScale
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>>> c = TonedScale(tonic="C4", system="blues")
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>>> c["major pentatonic"].note_names # the "happy" pentatonic
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['C', 'D', 'E', 'G', 'A', 'C']
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>>> c["minor pentatonic"].note_names # the "sad" pentatonic
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['C', 'D#', 'F', 'G', 'A#', 'C']
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>>> c["blues"].note_names # minor pentatonic + blue note
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['C', 'Eb', 'F', 'Gb', 'G', 'Bb', 'C']
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>>> c["major blues"].note_names # major pentatonic + blue note
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['C', 'D', 'Eb', 'E', 'G', 'A', 'C']
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**Pentatonic:** major pentatonic, minor pentatonic
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**Hexatonic:** blues, major blues
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**Heptatonic:** dominant (Mixolydian — the dominant 7th sound),
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minor (Dorian — the jazz minor sound)
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Javanese Gamelan
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----------------
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`Gamelan <https://en.wikipedia.org/wiki/Gamelan>`_ is the shimmering,
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interlocking percussion orchestra of Java and Bali — one of the most
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otherworldly sounds in all of music. Ensembles of bronze metallophones,
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gongs, drums, and bamboo flutes create waves of resonance that
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influenced Claude Debussy, Steve Reich, and countless ambient and
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electronic artists. Each gamelan is tuned uniquely, so no two
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ensembles sound exactly alike. The music is communal, ceremonial, and
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deeply tied to Javanese and Balinese culture — it accompanies
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shadow puppet theater (*wayang*), dance, and religious ritual.
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The gamelan system approximates the scales of the Javanese and Balinese
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gamelan orchestra in 12-tone equal temperament. True gamelan tuning is
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unique to each ensemble and does not conform to Western intonation —
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these are the closest 12-TET approximations.
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`Slendro <https://en.wikipedia.org/wiki/Slendro>`_ is a roughly equal 5-tone division of the octave, producing
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an ethereal, floating quality. `Pelog <https://en.wikipedia.org/wiki/Pelog>`_ is a 7-tone scale with unequal
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intervals, typically performed using 5-note subsets called *pathet*.
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.. code-block:: pycon
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>>> from pytheory import TonedScale
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>>> ji = TonedScale(tonic="ji4", system="gamelan")
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>>> ji["slendro"].note_names # the 5-tone equidistant scale
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['ji', 'ro', 'pat', 'mo', 'pi', 'ji']
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>>> ji["pelog"].note_names # full 7-tone pelog
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['ji', 'ro-', 'lu', 'pat', 'mo', 'nem-', 'barang', 'ji']
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>>> ji["pelog nem"].note_names # pathet nem subset
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['ji', 'ro-', 'lu', 'pat', 'mo', 'ji']
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**Pentatonic:** slendro, pelog nem, pelog barang, pelog lima
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**Heptatonic:** pelog (full 7-tone)
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.. note::
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Gamelan tone names follow Javanese numbering: ji (1), ro (2),
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lu (3), pat (4), mo (5), nem (6), pi/barang (7). Suffixes
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indicate microtonal variants approximated to the nearest semitone.
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Cross-System Comparison
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-----------------------
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Since all systems use 12-tone equal temperament, equivalent scales
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produce the same pitches:
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.. code-block:: pycon
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>>> from pytheory import TonedScale, Tone
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>>> # These are all the same scale with different names
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>>> western = TonedScale(tonic="C4")["major"]
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>>> indian = TonedScale(tonic="Sa4", system="indian")["bilawal"]
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>>> arabic = TonedScale(tonic="Do4", system="arabic")["ajam"]
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>>> # Same pitches
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>>> c4 = Tone.from_string("C4", system="western")
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>>> sa4 = Tone.from_string("Sa4", system="indian")
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>>> do4 = Tone.from_string("Do4", system="arabic")
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>>> c4.frequency
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261.6255653005986
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>>> sa4.frequency
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261.6255653005986
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>>> do4.frequency
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261.6255653005986
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Music is universal, but every culture hears it differently. These systems are different maps of the same territory -- explore one you've never played in before and see what you find.
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