- Mosaics submode: two-word phrases that rhyme with a word perfectly,
built by splitting its rime and searching both halves with reduced-
vowel squeezing (placement -> place meant, creation -> way shun)
- Definition cards show phonetic anatomy (/phones/ · syllables ·
stress dots · the rhyming tail) and what the word already rhymes
with in your draft
- Secondary pronunciations only claim partners within 4 lines, so the
verb pred-i-KATE can't hand predicate to a distant hook's "eight"
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
Words a draft uses 4+ times (niggas, bitch, Money) stop lighting up
mid-line — their line-end uses still rhyme. Consonance clusters break
on gaps over two lines: speech can't light keep from eight lines away.
Locks the swimmers/finisher/twist-her chain with a test.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
A phrase run with <2 full vowels can't barge into a word family
("Two bitches" -> the Tuna chain) but may pair with a structurally
parallel phrase (clock's ticking / stop tripping).
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
The -er weak key was claiming commissioner/finisher before the
multisyllabic pass could unite them with militia — Wayne's chain
split into two colors. Weak endings (infancy/see) now run dead last.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
AO merges into AA except before R (thought/lot, off/forgotten; car/
core stay apart). Line-ending phrases may rhyme on their pure vowel
run like end words always could — "forgotten" / "off of" lands.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
The weak-end key is now the full final-syllable rime in its own
keyspace, and groups advertise their founding rime's final syllable:
infancy still joins see/be/me (open IY), but screams (IY M Z) no
longer rides the divinity/entirety family.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
stasis (STAH-seez?!) and kinda (KIH-nda) get corrected primaries;
the dict entry stays as a secondary candidate. Oasis of stasis now
glows as the perfect rhyme it is.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
Feminine rhymes anchor on the unstressed final syllable: infancy
joins see/be/me (Lateralus). End-slant pass tries the bare final
vowel as a fallback key, with claiming.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
CMU's fear (IH R) now rhymes with hear/here (IY R) as it does in
every English dialect; same merge for UH/UW before R. "here" earns
back internal-rhyme rights — poets rhyme it constantly.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
Prufrock's "is it" / "visit" are phone-for-phone identical; identity
evidence overrides the anchor rule. Stopword-anchored phrases still
can't form groups among themselves.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
Groups advertise members' high-specificity mosaic keys (2+ full
vowels) for attachment, and a both-halves-taken phrase may join any
family except its anchor's own — Gambino's "pass the time" now ties
to mastermind/rind across the Mass/pass claim.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
Three-word vowel mosaics (mean to it / seen do it / theme music) now
group, gated hard: the mosaic must draw a full vowel beyond its anchor
word, and all-phrase buckets mirroring the same two word groups stay
suppressed. Scheme readout truncates at 16 letters; draft tabs cap at
170px with ellipsis.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
four-inch and door hinge join the orange/storage/porridge clan even
though four/door and inch/hinge each rhyme on their own — a phrase
whose target group differs from both halves' groups carries new
information. The full orange verse is now a test.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
When a slant group's founding key is vowel-only but 2+ members agree
on a coda (orange/pourage both AO-R-schwa), the consensus key is part
of the group's sound — door hinge joins from its own line now.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
beast mode / sleep though / seats though: the though half rhyming
shouldn't suppress the phrase that carries the beast/sleep/seats half.
Pure-redundancy phrases (oh my over oh+my) still yield.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
- V+schwa phrases now need their coda consonant to agree with the
family they join: door hinge keeps orange's R, sloth hugs no longer
rides over/shoulder. 3-vowel and full-vowel phrase runs unchanged.
- Synonyms lemmatize the query (keys -> key) and return sections:
synonyms, opposites, broader, related (antonyms, hypernyms,
satellites, derivational forms) — frequency-ranked, deduped.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
mode=rhyme now returns perfect rhymes plus a "near" list; the panel
shows them as one view with dashed chips for the slant side.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
KET-a-mine can now rhyme from its first primary stress, not just its
dictionary-final one, so it joins meth-am-PHET-a-mine's family; multi
buckets claim biggest-first since tokens carry several anchor keys.
The lookup panel grew a fourth mode: Dictionary.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
- mode=syn now served locally by NLTK WordNet (already a g2p-en dep),
sense-grouped by part of speech and frequency-ranked; Datamuse gone
- Double-clicking a word in the draft opens its definition card; the
card grew a Rhymes button for the old jump
- NLTK wordnet data baked into the Docker image and CI
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
Perfect subgroups (shoulder/older/colder, coaster/roaster/toaster) no
longer split colors with the slant family around them (soldier/
holster): groups with the same multisyllabic vowel projection merge,
perfect members keep strong styling, slant members keep their marks.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
- Clicking a lookup result now opens a dictionary definition card
(dictionaryapi.dev) with insertion as an explicit button
- Meter-break warnings live behind a "meter check" toolbar toggle
(persisted, off by default)
- Lines starting with #, ( or [ are annotations: never highlighted,
no scheme letter, and they don't split stanzas
- Removed stanza reordering
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
Phrases now compete in the perfect-rhyme pass anchored at their first
word's stressed vowel ("stir up" = ER AH P = "syrup"), render as
underlines while words render as fills, and can overlap in different
colors — the syrup/cup knot finally displays both schemes. Stopword-
anchored phrases attach only on exact rime identity. Segment-based
highlight renderer replaces the span-per-token one.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
When >=60% of a stanza's lines share a syllable count (+-1), outliers
get a wavy underline and the readout names the target count.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
militia (IH-AH) now catches commissioner (IH-AH-ER) — a trailing
reduced syllable falls off the beat. Phrase distinctness is checked by
anchor word so "fire burns" can't pose as a rhyme partner for "fire".
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
CMU stress markers -> stress string per line, scored against the
classical feet (iamb, trochee, anapest, dactyl, amphibrach) with
flexible monosyllables. Syllable count + best-fit meter shown in the
toolbar readout for the caret line.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
kennethreitz