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Added the original Spacks lisp code.
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;(load "spacks.lisp")
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CALLING SPACKS SCRIPT
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SPACKS SCRIPT
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IN ONE OF HIS POEMS, BARRY SPACKS HAS THE HAUNTING LINE:
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Is any heart In order after Belsen?
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I WOULD LIKE TO DISCUSS THIS LINE WITH YOU BRIEFLY.
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TO BEGIN WITH, WHERE IS BELSEN.
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> in Ireland
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BELSEN IS IN NORTHWEST GERMANY.
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WHAT EXISTED AT BELSEN TO WHICH SPACKS REFERS HERE.
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> a concentration camp
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RIGHT. THE CONCENTRATION CAMP AT BELSEN WAS TORN DOWN AFTER WORLD WAR TWO.
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WHAT ANSWER DOES SPACKS EXPECT TO HIS QUESTION:
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Is any heart in order after Belsen?
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> he knows what the answer is, namely no
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OF COURSE. THE QUESTION IS RHETORICAL.
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APPARENTLY, THEN, THE CONCENTRATION CAMP AT BELSEN
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SYMBOLIZES SOME SORT OF WATERSHED IN TIME.
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'BEFORE BELSEN' THERE WAS AT LEAST THE POSSIBILITY
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THAT THE HEART COULD BE 'IN ORDER'.
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IN WHAT WAY COULD THE HEART BE IN ORDER BEFORE BELSEN.
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people did not have to fear their own inhumanity to other humans
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WHAT ASPECT OR ASPECTS OF CONCENTRATION CAMP LIFE MADE
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IT DIFFICULT FOR ANY HEART TO BE 'IN ORDER' THEREAFTER.
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the sadistic cruelty and fear that it might happen again
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YES, THE SENSELESS CRUELTY VIOLATES THE HOPE THAT EVIL HAS LIMITS.
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WHY DO YOU SUPPOSE THE WORD 'HEART' IS USED RATHER THAN 'MIND'.
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heart has more effect on the emotions and connotes more of the horror of a concentration camp than the relatively emotionless world mind.
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RIGHT, 'HEART' SYMBOLIZES OUR INSTINCTIVE EMOTIONAL REACTION TO LIFE.
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BARRY SPACKS IS A PROFESSOR IN THE MIT HUMANITIES DEPARTMENT.
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THE POEM FROM WHICH THE LINE WE HAVE BEEN DISCUSSING CAME
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IS CALLED 'FRESHMEN' AND WAS PUBLISHED IN THE NEW YORKER MAGAZINE
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ON OCTOBER 1, 1966, PAGE 48.
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THE POEM CONSISTS OF 65 SHORT LINES.
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I CAN TYPE IT FOR YOU IN ABOUT 3 MINUTES.
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WOULD YOU LIKE ME TO DO SO. yes
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|#
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(defparameter *spacks-script*
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'((ask
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"IN ONE OF HIS POEMS, BARRY SPACKS HAS THE HAUNTING LINE:
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Is any heart In order after Belsen?
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I WOULD LIKE TO DISCUSS THIS LINE WITH YOU BRIEFLY.
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TO BEGIN WITH, WHERE IS BELSEN?"
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:expect "germany"
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:ifyes "CORRECT."
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:ifno "BELSEN IS IN NORTHWEST GERMANY."
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)
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(ask "WHAT EXISTED AT BELSEN TO WHICH SPACKS REFERS HERE?"
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:expect "concentration camp"
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:ifyes "RIGHT."
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:ifno "A CONCENTRATION CAMP WAS LOCATED AT BELSEN."
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)
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(ask "THE CONCENTRATION CAMP AT BELSEN WAS TORN DOWN AFTER WORLD WAR TWO.
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WHAT ANSWER DOES SPACKS EXPECT TO HIS QUESTION:
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Is any heart in order after Belsen?"
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:expect nil
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:ifyes nil
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:ifno nil
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)
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(ask "OF COURSE. THE QUESTION IS RHETORICAL.
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APPARENTLY, THEN, THE CONCENTRATION CAMP AT BELSEN
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SYMBOLIZES SOME SORT OF WATERSHED IN TIME.
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'BEFORE BELSEN' THERE WAS AT LEAST THE POSSIBILITY
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THAT THE HEART COULD BE 'IN ORDER'.
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IN WHAT WAY COULD THE HEART BE IN ORDER BEFORE BELSEN?"
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:expect nil
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:ifyes nil
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:ifno nil)
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(ask "WHAT ASPECT OR ASPECTS OF CONCENTRATION CAMP LIFE MADE
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IT DIFFICULT FOR ANY HEART TO BE 'IN ORDER' THEREAFTER?"
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:expect "curelty"
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:ifyes "YES, THE SENSELESS CRUELTY VIOLATES THE HOPE THAT EVIL HAS LIMITS."
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:ifno "THE SENSELESS CRUELTY VIOLATES THE HOPE THAT EVIL HAS LIMITS.")
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(ask "WHY DO YOU SUPPOSE THE WORD 'HEART' IS USED RATHER THAN 'MIND'?"
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:expect "emotion"
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:ifyes "RIGHT, 'HEART' SYMBOLIZES OUR INSTINCTIVE EMOTIONAL REACTION TO LIFE."
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:ifno "'HEART' SYMBOLIZES OUR INSTINCTIVE EMOTIONAL REACTION TO LIFE."
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)
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(ask "BARRY SPACKS IS A PROFESSOR IN THE MIT HUMANITIES DEPARTMENT.
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THE POEM FROM WHICH THE LINE WE HAVE BEEN DISCUSSING CAME
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IS CALLED 'FRESHMEN' AND WAS PUBLISHED IN THE NEW YORKER MAGAZINE
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ON OCTOBER 1, 1966, PAGE 48.
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THE POEM CONSISTS OF 65 SHORT LINES.
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I CAN TYPE IT FOR YOU IN ABOUT 3 MINUTES.
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WOULD YOU LIKE ME TO DO SO?"
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:expect "yes"
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:ifyes (print "[here's the whole poem]")
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:ifno (quit)
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)
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(quit)
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))
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(defun socrates (script)
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(loop for turn in script
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do (eval turn)))
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(defun dorprint (r)
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(if (stringp r)
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(format t "~a~%" r)
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(eval r)))
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(defun ask (q &key expect ifyes ifno)
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(format t "~a~%" q)
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(let ((input (read-line)))
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(if expect
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(if (search expect (string-downcase input))
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(dorprint ifyes)
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(dorprint ifno)))))
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(untrace)
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;(trace search)
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(socrates *spacks-script*)
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