kennethreitz.org/data/knowledge/trigrams/index.md

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Eight small figures of broken and unbroken lines — the smallest grammar with which the world can describe its own changing.	obsidian-knowledge

Trigrams

Eight small figures of broken and unbroken lines — the smallest grammar with which the world can describe its own changing.

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The eight trigrams — the bagua — are the elementary vocabulary of Chinese cosmology. Each is a stack of three lines, and every line is one of two things: an unbroken solid line (yang, the active, light, giving) or a broken line with a gap at its center (yin, the receptive, dark, yielding). Three lines, two possibilities each, yields exactly eight figures — no more, no less — and those eight are the building blocks from which the whole of the I Ching is assembled. Stack any two trigrams and you get one of the sixty-four hexagrams of the Book of Changes: eight times eight, the full alphabet of situations through which yin and yang can move in time.

Where the West divided nature into the four Elements plus a fifth essence, the East divided its permutations of yin and yang into these eight images — heaven and earth, thunder and wind, water and fire, mountain and lake. The two systems are cousins rather than translations: the elements are substances a thing is made of, while the trigrams are phases and forces a situation is doing. Still, each trigram leans toward a natural element, and reading them side by side lets one language check the other.

The bagua is traditionally laid out in two arrangements. The Earlier Heaven sequence, attributed to the mythic sage Fu Xi, is the ideal cosmos in perfect symmetry — heaven above and earth below, every trigram facing its exact opposite across the circle, a picture of the world before it began to move. The Later Heaven sequence, attributed to King Wen of the Zhou, is the world in motion — the trigrams arranged around the compass to describe the turning of the seasons and the flow of energy through actual time and space. The directions given in these notes follow the Later Heaven arrangement, the one used in feng shui and most divination.

The eight also form a single symbolic family: Qian the father and Kun the mother, and between them their six children — three sons (Zhen, Kan, Gen) and three daughters (Xun, Li, Dui) — each distinguished by which single line makes it different from the pure parent.

Read as a household, the eight fall into two parents and their six children:

flowchart TD
    QIAN["Qian — Father — Heaven"]
    KUN["Kun — Mother — Earth"]
    QIAN --> SONS["Three Sons"]
    KUN --> SONS
    QIAN --> DAUS["Three Daughters"]
    KUN --> DAUS
    SONS --> ZHEN["Zhen — eldest — Thunder"]
    SONS --> KAN["Kan — middle — Water"]
    SONS --> GEN["Gen — youngest — Mountain"]
    DAUS --> XUN["Xun — eldest — Wind"]
    DAUS --> LI["Li — middle — Fire"]
    DAUS --> DUI["Dui — youngest — Lake"]

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The Eight

Trigram	Symbol	Image	Attribute	Family	Direction
Qian	☰	Heaven	Creative, strong	Father	Northwest
Kun	☷	Earth	Receptive, yielding	Mother	Southwest
Zhen	☳	Thunder	Arousing, movement	Eldest son	East
Kan	☵	Water	Abysmal, danger	Middle son	North
Gen	☶	Mountain	Keeping still	Youngest son	Northeast
Xun	☴	Wind / Wood	Gentle, penetrating	Eldest daughter	Southeast
Li	☲	Fire	Clinging, light	Middle daughter	South
Dui	☱	Lake	Joyous, open	Youngest daughter	West

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Related

• Taoism — the tradition that reads these figures most naturally
• Elements — the Western four-element system, the trigrams' cousin
• Table of Correspondences — the full cross-tradition grid
• Qian, Kun, Zhen, Kan, Gen, Xun, Li, Dui
• Spirituality Hub