mirror of
https://github.com/kennethreitz/pytheory.git
synced 2026-06-05 23:00:20 +00:00
Compare commits
38 Commits
| Author | SHA1 | Date | |
|---|---|---|---|
| 5aed586187 | |||
| 09d90b3425 | |||
| 96131da59c | |||
| d2058668a6 | |||
| a5ffdc6104 | |||
| 724a0df7b5 | |||
| 4750061b87 | |||
| d53d8b60dd | |||
| de1db0aa8d | |||
| b22b3c063f | |||
| 7e1d9e76bd | |||
| 447d03a2d2 | |||
| 7b82d70ad6 | |||
| 44f8b902e2 | |||
| 03eb61cd5d | |||
| eba299d406 | |||
| d11c930308 | |||
| 19663ed6c5 | |||
| f949ca5b45 | |||
| d9f847603a | |||
| ee41691728 | |||
| 02df87af09 | |||
| b3110c6e0e | |||
| fd82dccbfd | |||
| 6f7f9008b0 | |||
| acb92171a1 | |||
| c006f5b3da | |||
| 9da3ac8b28 | |||
| e94ef5dcfd | |||
| a5e47c37cd | |||
| 8a9651f989 | |||
| cc4a25e70d | |||
| 904c61b2d6 | |||
| d23de92713 | |||
| e8bfeb884a | |||
| 6aad427fb8 | |||
| e9c630705e | |||
| e78ba203d9 |
@@ -62,6 +62,22 @@ $ pip install pytheory
|
||||
['C major', 'G major', 'A minor', 'F major']
|
||||
```
|
||||
|
||||
## Keys and Progressions
|
||||
|
||||
```pycon
|
||||
>>> from pytheory import Key
|
||||
|
||||
>>> key = Key("G", "major")
|
||||
>>> key.chords
|
||||
['G major', 'A minor', 'B minor', 'C major', 'D major', 'E minor', 'F# diminished']
|
||||
|
||||
>>> [c.identify() for c in key.progression("I", "V", "vi", "IV")]
|
||||
['G major', 'D major', 'E minor', 'C major']
|
||||
|
||||
>>> Key.detect("C", "E", "G", "A", "D")
|
||||
<Key C major>
|
||||
```
|
||||
|
||||
## Chord Analysis
|
||||
|
||||
```pycon
|
||||
@@ -116,7 +132,10 @@ $ pip install pytheory
|
||||
>>> Fretboard.keyboard(25, "C3") # 25-key MIDI controller
|
||||
|
||||
>>> CHARTS['western']['Am'].fingering(fretboard=Fretboard.guitar())
|
||||
(0, 1, 2, 2, 0, 0)
|
||||
Fingering(e=0, B=1, G=2, D=2, A=0, E=0)
|
||||
|
||||
>>> Fretboard.guitar().fingering(0, 1, 0, 2, 3, 0).identify()
|
||||
'C major'
|
||||
```
|
||||
|
||||
## Audio Playback
|
||||
@@ -127,6 +146,22 @@ $ pip install pytheory
|
||||
>>> tone = Tone.from_string("A4", system="western")
|
||||
>>> play(tone, t=1_000) # sine wave, 1 second
|
||||
>>> play(tone, synth=Synth.SAW, t=1_000) # sawtooth wave
|
||||
|
||||
>>> from pytheory import save, Chord
|
||||
>>> save(Chord.from_name("Am7"), "am7.wav", t=2_000) # save to WAV
|
||||
```
|
||||
|
||||
## Command-Line Interface
|
||||
|
||||
```
|
||||
$ pytheory tone A4 # frequency, MIDI, overtones
|
||||
$ pytheory chord C E G # identify chord from notes
|
||||
$ pytheory key G major # explore a key
|
||||
$ pytheory scale C dorian # show a scale
|
||||
$ pytheory fingering Am --capo 2 # guitar fingering
|
||||
$ pytheory progression C major I V vi IV # build a progression
|
||||
$ pytheory detect C E G A D # detect key from notes
|
||||
$ pytheory play Am7 --synth triangle # play a chord
|
||||
```
|
||||
|
||||
## Features
|
||||
@@ -138,7 +173,7 @@ $ pip install pytheory
|
||||
- **25 instrument presets**: guitar (8 tunings), 12-string, bass, mandolin family, violin family, banjo, harp, oud, sitar, shamisen, erhu, charango, pipa, balalaika, lute, pedal steel, keyboard
|
||||
- **Pitch tools**: frequency ↔ tone conversion, MIDI ↔ tone, interval naming, circle of fifths, overtone series, transposition
|
||||
- **3 temperaments**: equal, Pythagorean, quarter-comma meantone
|
||||
- **Audio synthesis**: sine, sawtooth, and triangle wave playback
|
||||
- **Audio synthesis**: sine, sawtooth, and triangle wave playback + WAV export
|
||||
|
||||
## Documentation
|
||||
|
||||
|
||||
+10
-1
@@ -10,7 +10,9 @@ sys.modules["sounddevice"] = MagicMock()
|
||||
project = "PyTheory"
|
||||
copyright = "2026, Kenneth Reitz"
|
||||
author = "Kenneth Reitz"
|
||||
release = "0.4.1"
|
||||
import pytheory
|
||||
release = pytheory.__version__
|
||||
version = pytheory.__version__
|
||||
|
||||
extensions = [
|
||||
"sphinx.ext.autodoc",
|
||||
@@ -38,7 +40,14 @@ html_theme_options = {
|
||||
"github_user": "kennethreitz",
|
||||
"github_repo": "pytheory",
|
||||
"github_banner": True,
|
||||
"github_button": True,
|
||||
"github_type": "star",
|
||||
"github_count": True,
|
||||
"description": "Music Theory for Humans",
|
||||
"extra_nav_links": {
|
||||
f"v{pytheory.__version__}": "https://pypi.org/project/pytheory/",
|
||||
},
|
||||
"show_powered_by": False,
|
||||
}
|
||||
html_static_path = ["_static"]
|
||||
html_extra_path = ["CNAME"]
|
||||
|
||||
+205
-115
@@ -45,18 +45,20 @@ For seventh chords, there's also **third inversion** (7th in bass):
|
||||
|
||||
- G7 in third inversion: F G B D (notated G7/F)
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Chord, Tone
|
||||
>>> from pytheory import Chord, Tone
|
||||
|
||||
# All three are "C major" — identify() finds the root
|
||||
root = Chord([Tone.from_string(n, system="western") for n in ["C4", "E4", "G4"]])
|
||||
first = Chord([Tone.from_string(n, system="western") for n in ["E3", "G3", "C4"]])
|
||||
second = Chord([Tone.from_string(n, system="western") for n in ["G3", "C4", "E4"]])
|
||||
>>> root = Chord([Tone.from_string(n, system="western") for n in ["C4", "E4", "G4"]])
|
||||
>>> first = Chord([Tone.from_string(n, system="western") for n in ["E3", "G3", "C4"]])
|
||||
>>> second = Chord([Tone.from_string(n, system="western") for n in ["G3", "C4", "E4"]])
|
||||
|
||||
root.identify() # 'C major'
|
||||
first.identify() # 'C major'
|
||||
second.identify() # 'C major'
|
||||
>>> root.identify()
|
||||
'C major'
|
||||
>>> first.identify()
|
||||
'C major'
|
||||
>>> second.identify()
|
||||
'C major'
|
||||
|
||||
Extended Chords
|
||||
---------------
|
||||
@@ -72,33 +74,42 @@ A full 13th chord contains all 7 notes of the scale! In practice,
|
||||
tones are usually omitted — the 5th is typically dropped first, then
|
||||
the 11th (which clashes with the 3rd in dominant chords).
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import TonedScale
|
||||
>>> from pytheory import TonedScale
|
||||
|
||||
scale = TonedScale(tonic="C4")["major"]
|
||||
>>> scale = TonedScale(tonic="C4")["major"]
|
||||
|
||||
# Build a Cmaj9 from the scale: C E G B D
|
||||
cmaj9 = scale.chord(0, 2, 4, 6, 8)
|
||||
|
||||
# Build a full C13 (in theory): C E G B D F A
|
||||
c13 = scale.chord(0, 2, 4, 6, 8, 10, 12)
|
||||
>>> cmaj9 = scale.chord(0, 2, 4, 6, 8)
|
||||
>>> c13 = scale.chord(0, 2, 4, 6, 8, 10, 12)
|
||||
|
||||
Using the Chord Chart
|
||||
---------------------
|
||||
|
||||
PyTheory includes 144 pre-built chords (12 roots x 12 qualities):
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import CHARTS
|
||||
>>> from pytheory import Fretboard
|
||||
|
||||
chart = CHARTS["western"]
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> fb.chord("C")
|
||||
Fingering(e=0, B=1, G=0, D=2, A=3, E=x)
|
||||
>>> fb.chord("Am")
|
||||
Fingering(e=0, B=1, G=2, D=2, A=0, E=x)
|
||||
>>> fb.chord("G7")
|
||||
Fingering(e=1, B=0, G=0, D=0, A=2, E=3)
|
||||
|
||||
c_major = chart["C"] # C major (root position)
|
||||
a_minor = chart["Am"] # A minor
|
||||
g_seven = chart["G7"] # G dominant 7th
|
||||
d_dim = chart["Ddim"] # D diminished
|
||||
You can also build chords directly with ``Chord.from_name()``:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Chord
|
||||
|
||||
>>> Chord.from_name("G7").identify()
|
||||
'G dominant 7th'
|
||||
>>> Chord.from_name("Ddim").identify()
|
||||
'D diminished'
|
||||
|
||||
Available qualities:
|
||||
|
||||
@@ -119,32 +130,48 @@ Quality Intervals Example tones (from C)
|
||||
``"maj9"`` 4, 7, 11, 14 C E G B D (major 9th)
|
||||
============ ================ ================================
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import CHARTS
|
||||
>>> chart = CHARTS["western"]
|
||||
|
||||
>>> chart["C"].acceptable_tone_names
|
||||
('C', 'E', 'G')
|
||||
|
||||
>>> chart["Cm7"].acceptable_tone_names
|
||||
('C', 'D#', 'G', 'A#') # Eb and Bb shown as sharps
|
||||
('C', 'Eb', 'G', 'Bb')
|
||||
|
||||
Building Chords Manually
|
||||
-------------------------
|
||||
Building Chords
|
||||
---------------
|
||||
|
||||
.. code-block:: python
|
||||
Several convenience constructors make chord creation concise:
|
||||
|
||||
from pytheory import Tone, Chord
|
||||
.. code-block:: pycon
|
||||
|
||||
c_major = Chord(tones=[
|
||||
Tone.from_string("C4", system="western"),
|
||||
Tone.from_string("E4", system="western"),
|
||||
Tone.from_string("G4", system="western"),
|
||||
])
|
||||
>>> from pytheory import Chord
|
||||
|
||||
for tone in c_major:
|
||||
print(tone)
|
||||
>>> Chord.from_tones("C", "E", "G").identify()
|
||||
'C major'
|
||||
>>> Chord.from_tones("A", "C", "E").identify()
|
||||
'A minor'
|
||||
|
||||
len(c_major) # 3
|
||||
"C" in c_major # True
|
||||
>>> Chord.from_name("Am7").identify()
|
||||
'A minor 7th'
|
||||
>>> Chord.from_name("G7").identify()
|
||||
'G dominant 7th'
|
||||
|
||||
>>> Chord.from_intervals("C", 4, 7).identify()
|
||||
'C major'
|
||||
>>> Chord.from_intervals("G", 4, 7, 10).identify()
|
||||
'G dominant 7th'
|
||||
|
||||
>>> Chord.from_midi_message(60, 64, 67).identify()
|
||||
'C major'
|
||||
|
||||
>>> len(Chord.from_name("C"))
|
||||
3
|
||||
>>> "C" in Chord.from_name("C")
|
||||
True
|
||||
|
||||
Intervals
|
||||
---------
|
||||
@@ -152,13 +179,13 @@ Intervals
|
||||
The ``intervals`` property returns semitone distances between adjacent
|
||||
tones — these are musically meaningful and octave-invariant:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c_major.intervals
|
||||
[4, 3] # major 3rd (4) + minor 3rd (3) = major triad
|
||||
>>> Chord.from_tones("C", "E", "G").intervals
|
||||
[4, 3]
|
||||
|
||||
>>> Chord(tones=[C4, Eb4, G4]).intervals
|
||||
[3, 4] # minor 3rd + major 3rd = minor triad
|
||||
>>> Chord.from_tones("C", "Eb", "G").intervals
|
||||
[3, 4]
|
||||
|
||||
Consonance and Dissonance
|
||||
-------------------------
|
||||
@@ -185,13 +212,16 @@ Minor 3rd 6:5 Every 6th wave aligns
|
||||
Tritone 45:32 Waves rarely align
|
||||
=========== ===== ====================
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
fifth = Chord([C4, G4])
|
||||
tritone = Chord([C4, F_sharp_4])
|
||||
>>> from pytheory import Chord, Tone
|
||||
>>> C4 = Tone.from_string("C4", system="western")
|
||||
>>> G4 = Tone.from_string("G4", system="western")
|
||||
|
||||
fifth.harmony > tritone.harmony # True
|
||||
# The perfect fifth's 3:2 ratio scores higher
|
||||
>>> fifth = Chord([C4, G4])
|
||||
>>> tritone = Chord([C4, C4 + 6])
|
||||
>>> fifth.harmony > tritone.harmony
|
||||
True
|
||||
|
||||
Dissonance Score
|
||||
~~~~~~~~~~~~~~~~
|
||||
@@ -207,14 +237,13 @@ The roughness depends on the frequency difference relative to the
|
||||
that register). Maximum roughness occurs when the difference equals
|
||||
the critical bandwidth.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
# Octave: frequencies far apart → low roughness
|
||||
octave = Chord([C4, C5])
|
||||
# Major 3rd: closer frequencies → higher roughness
|
||||
third = Chord([C4, E4])
|
||||
|
||||
octave.dissonance < third.dissonance # True
|
||||
>>> E4 = Tone.from_string("E4", system="western")
|
||||
>>> octave = Chord([C4, C4 + 12])
|
||||
>>> third = Chord([C4, E4])
|
||||
>>> octave.dissonance < third.dissonance
|
||||
True
|
||||
|
||||
Beat Frequencies
|
||||
~~~~~~~~~~~~~~~~
|
||||
@@ -227,16 +256,49 @@ you hear a pulsing at the **beat frequency**: ``|f1 - f2|`` Hz.
|
||||
- **15–30 Hz**: Perceived as buzzing/roughness
|
||||
- **> 30 Hz**: No longer beating — becomes part of the timbre
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
chord = Chord(tones=[A4, E5, A5])
|
||||
>>> A4 = Tone.from_string("A4", system="western")
|
||||
>>> chord = Chord([A4, A4 + 7, A4 + 12])
|
||||
|
||||
# All pairwise beat frequencies, sorted ascending
|
||||
chord.beat_frequencies
|
||||
# [(A4, E5, 189.6), (E5, A5, 220.0), (A4, A5, 440.0)]
|
||||
>>> chord.beat_frequencies
|
||||
[...]
|
||||
|
||||
# The slowest (most perceptible) beat
|
||||
chord.beat_pulse # 189.6 Hz
|
||||
>>> round(chord.beat_pulse, 1)
|
||||
219.3
|
||||
|
||||
Transposition
|
||||
-------------
|
||||
|
||||
Shift an entire chord up or down by any number of semitones:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> Chord.from_name("C").transpose(7).identify()
|
||||
'G major'
|
||||
|
||||
>>> Chord.from_name("Am7").transpose(-2).identify()
|
||||
'G minor 7th'
|
||||
|
||||
Chord Manipulation
|
||||
------------------
|
||||
|
||||
Add or remove individual tones from a chord:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Chord, Tone
|
||||
|
||||
>>> c_major = Chord.from_tones("C", "E", "G")
|
||||
|
||||
>>> b4 = Tone.from_string("B4", system="western")
|
||||
>>> cmaj7 = c_major.add_tone(b4)
|
||||
>>> cmaj7.identify()
|
||||
'C major 7th'
|
||||
|
||||
>>> c_again = cmaj7.remove_tone("B")
|
||||
>>> c_again.identify()
|
||||
'C major'
|
||||
|
||||
Chord Identification
|
||||
--------------------
|
||||
@@ -245,25 +307,30 @@ Give PyTheory any set of tones and it will tell you what chord it is.
|
||||
It tries every tone as a potential root and matches the interval pattern
|
||||
against 17 known chord types (triads, 7ths, 9ths, sus, power chords).
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Chord, Tone
|
||||
>>> from pytheory import Chord
|
||||
|
||||
# Build a chord and identify it
|
||||
chord = Chord([
|
||||
Tone.from_string("A4", system="western"),
|
||||
Tone.from_string("C5", system="western"),
|
||||
Tone.from_string("E5", system="western"),
|
||||
])
|
||||
chord.identify() # 'A minor'
|
||||
>>> Chord.from_tones("A", "C", "E").identify()
|
||||
'A minor'
|
||||
>>> Chord.from_tones("G", "B", "D", "F").identify()
|
||||
'G dominant 7th'
|
||||
|
||||
# Works with any voicing or inversion
|
||||
chord2 = Chord([
|
||||
Tone.from_string("E4", system="western"),
|
||||
Tone.from_string("G4", system="western"),
|
||||
Tone.from_string("C5", system="western"),
|
||||
])
|
||||
chord2.identify() # 'C major' (first inversion detected)
|
||||
>>> Chord.from_tones("E", "G", "C").identify()
|
||||
'C major'
|
||||
|
||||
>>> Chord.from_tones("Bb", "D", "F").identify()
|
||||
'Bb major'
|
||||
|
||||
You can also access the root and quality separately:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> chord = Chord.from_name("Am7")
|
||||
>>> chord.root
|
||||
<Tone A4>
|
||||
>>> chord.quality
|
||||
'minor 7th'
|
||||
|
||||
Harmonic Analysis
|
||||
-----------------
|
||||
@@ -273,22 +340,22 @@ key. This is how musicians describe chord progressions independent of
|
||||
key — "I-IV-V" means the same thing in C major (C-F-G) as in G major
|
||||
(G-C-D).
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Chord, Tone
|
||||
>>> from pytheory import Chord, Tone
|
||||
|
||||
C4 = Tone.from_string("C4", system="western")
|
||||
D4 = Tone.from_string("D4", system="western")
|
||||
E4 = Tone.from_string("E4", system="western")
|
||||
F4 = Tone.from_string("F4", system="western")
|
||||
G4 = Tone.from_string("G4", system="western")
|
||||
A4 = Tone.from_string("A4", system="western")
|
||||
B4 = Tone.from_string("B4", system="western")
|
||||
>>> C4 = Tone.from_string("C4", system="western")
|
||||
>>> E4 = Tone.from_string("E4", system="western")
|
||||
>>> G4 = Tone.from_string("G4", system="western")
|
||||
|
||||
Chord([C4, E4, G4]).analyze("C") # 'I' (tonic)
|
||||
Chord([D4, F4, A4]).analyze("C") # 'ii' (supertonic minor)
|
||||
Chord([G4, B4, G4+5]).analyze("C") # 'V' (dominant)
|
||||
Chord([G4, B4, G4+5, G4+10]).analyze("C") # 'V7' (dominant 7th)
|
||||
>>> Chord([C4, E4, G4]).analyze("C")
|
||||
'I'
|
||||
>>> Chord.from_tones("D", "F", "A").analyze("C")
|
||||
'ii'
|
||||
>>> Chord([G4, G4+4, G4+7]).analyze("C")
|
||||
'V'
|
||||
>>> Chord([G4, G4+4, G4+7, G4+10]).analyze("C")
|
||||
'V7'
|
||||
|
||||
Tension and Resolution
|
||||
----------------------
|
||||
@@ -304,18 +371,21 @@ quantifies this based on:
|
||||
- **Dominant function**: the specific combination of a major 3rd and
|
||||
minor 7th above the root — the hallmark of the V7 chord.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
# A C major triad is fully resolved — no tension
|
||||
c_major = Chord([C4, E4, G4])
|
||||
c_major.tension['score'] # 0.0
|
||||
c_major.tension['tritones'] # 0
|
||||
>>> c_major = Chord([C4, E4, G4])
|
||||
>>> c_major.tension['score']
|
||||
0.0
|
||||
>>> c_major.tension['tritones']
|
||||
0
|
||||
|
||||
# G7 is loaded with tension — it wants to resolve to C
|
||||
g7 = Chord([G4, B4, G4+5, G4+10])
|
||||
g7.tension['score'] # 0.6
|
||||
g7.tension['tritones'] # 1
|
||||
g7.tension['has_dominant_function'] # True
|
||||
>>> g7 = Chord([G4, G4+4, G4+7, G4+10])
|
||||
>>> g7.tension['score']
|
||||
0.6
|
||||
>>> g7.tension['tritones']
|
||||
1
|
||||
>>> g7.tension['has_dominant_function']
|
||||
True
|
||||
|
||||
Voice Leading
|
||||
-------------
|
||||
@@ -325,14 +395,36 @@ jumping all voices to new positions, good voice leading moves each note
|
||||
the minimum distance to reach the next chord. Bach's chorales are the
|
||||
gold standard — every voice moves by step whenever possible.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
c_maj = Chord([C4, E4, G4])
|
||||
f_maj = Chord([F4, A4, C4+12])
|
||||
>>> c_maj = Chord.from_tones("C", "E", "G")
|
||||
>>> f_maj = Chord.from_tones("F", "A", "C")
|
||||
|
||||
for src, dst, motion in c_maj.voice_leading(f_maj):
|
||||
print(f"{src} -> {dst} ({motion:+d} semitones)")
|
||||
# Each voice moves the minimum distance to reach the target chord
|
||||
>>> for src, dst, motion in c_maj.voice_leading(f_maj):
|
||||
... print(f"{src} -> {dst} ({motion:+d} semitones)")
|
||||
G4 -> A4 (+2 semitones)
|
||||
E4 -> F4 (+1 semitones)
|
||||
C4 -> C4 (+0 semitones)
|
||||
|
||||
Tritone Substitution
|
||||
--------------------
|
||||
|
||||
In jazz harmony, any `dominant chord <https://en.wikipedia.org/wiki/Dominant_seventh_chord>`_
|
||||
can be replaced by the dominant chord a
|
||||
`tritone <https://en.wikipedia.org/wiki/Tritone_substitution>`_ (6
|
||||
semitones) away. This works because the two chords share the same
|
||||
tritone interval — the 3rd and 7th simply swap roles.
|
||||
|
||||
Common tritone subs: G7 <-> Db7, C7 <-> F#7, D7 <-> Ab7.
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Chord
|
||||
|
||||
>>> g7 = Chord.from_name("G7")
|
||||
>>> sub = g7.tritone_sub()
|
||||
>>> sub.identify()
|
||||
'C# dominant 7th'
|
||||
|
||||
The Overtone Series
|
||||
-------------------
|
||||
@@ -347,12 +439,10 @@ overtones of C already contain G. The two tones share acoustic energy,
|
||||
reinforcing each other. A dissonant interval like C and C# shares
|
||||
almost no overtones — the waves clash.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Tone
|
||||
>>> from pytheory import Tone
|
||||
|
||||
a4 = Tone.from_string("A4", system="western")
|
||||
a4.overtones(8)
|
||||
# [440.0, 880.0, 1320.0, 1760.0, 2200.0, 2640.0, 3080.0, 3520.0]
|
||||
# A4 A5 E6 A6 C#7 E7 ~G7 A7
|
||||
# fund. oct. 5th+oct 2oct 3rd 5th ~7th 3oct
|
||||
>>> a4 = Tone.from_string("A4", system="western")
|
||||
>>> [round(f, 1) for f in a4.overtones(8)]
|
||||
[440.0, 880.0, 1320.0, 1760.0, 2200.0, 2640.0, 3080.0, 3520.0]
|
||||
|
||||
@@ -0,0 +1,129 @@
|
||||
Command-Line Interface
|
||||
======================
|
||||
|
||||
PyTheory includes a CLI for quick music theory lookups from the terminal.
|
||||
|
||||
Tone Lookup
|
||||
-----------
|
||||
|
||||
Look up any note's frequency, MIDI number, enharmonic spelling, and
|
||||
overtones::
|
||||
|
||||
$ pytheory tone A4
|
||||
Note: A4
|
||||
Frequency: 440.00 Hz (equal temperament)
|
||||
MIDI: 69
|
||||
Overtones: 440.0, 880.0, 1320.0, 1760.0, 2200.0, 2640.0
|
||||
|
||||
Compare temperaments with ``--temperament``::
|
||||
|
||||
$ pytheory tone C5 --temperament pythagorean
|
||||
Note: C5
|
||||
Frequency: 521.48 Hz (pythagorean temperament)
|
||||
Equal temp: 523.25 Hz (diff: -5.9 cents)
|
||||
|
||||
Scale Display
|
||||
-------------
|
||||
|
||||
Show any scale in any system::
|
||||
|
||||
$ pytheory scale C major
|
||||
C major: C D E F G A B C
|
||||
Intervals: C4 -2- D4 -2- E4 -1- F4 -2- G4 -2- A4 -2- B4 -1- C5
|
||||
|
||||
$ pytheory scale C dorian
|
||||
$ pytheory scale Sa bhairav --system indian
|
||||
|
||||
Chord Identification
|
||||
--------------------
|
||||
|
||||
Identify a chord from its notes::
|
||||
|
||||
$ pytheory chord C E G
|
||||
Chord: C major
|
||||
Tones: C4 E4 G4
|
||||
Intervals: [4, 3]
|
||||
Harmony: 0.5833
|
||||
Dissonance: 0.0712
|
||||
Tension: 0.00 (tritones=0)
|
||||
|
||||
$ pytheory chord G B D F
|
||||
Chord: G dominant 7th
|
||||
|
||||
Key Explorer
|
||||
------------
|
||||
|
||||
Get a complete breakdown of any key — signature, diatonic triads,
|
||||
seventh chords, relative and parallel keys::
|
||||
|
||||
$ pytheory key G major
|
||||
Key: G major
|
||||
Signature: 1 sharps, 0 flats (F#)
|
||||
Scale: G A B C D E F#
|
||||
Triads:
|
||||
I G major
|
||||
ii A minor
|
||||
iii B minor
|
||||
IV C major
|
||||
V D major
|
||||
vi E minor
|
||||
vii° F# diminished
|
||||
7th chords:
|
||||
G major 7th
|
||||
A minor 7th
|
||||
...
|
||||
Relative: <Key E minor>
|
||||
Parallel: <Key G minor>
|
||||
|
||||
Guitar Fingerings
|
||||
-----------------
|
||||
|
||||
Get tablature for any of the 144 built-in chords::
|
||||
|
||||
$ pytheory fingering Am
|
||||
Am
|
||||
E|--0--
|
||||
B|--1--
|
||||
G|--2--
|
||||
D|--2--
|
||||
A|--0--
|
||||
E|--0--
|
||||
|
||||
Use ``--capo`` to see fingerings with a capo::
|
||||
|
||||
$ pytheory fingering G --capo 2
|
||||
|
||||
Chord Progressions
|
||||
------------------
|
||||
|
||||
Build progressions from Roman numerals::
|
||||
|
||||
$ pytheory progression G major I V vi IV
|
||||
Key: G major
|
||||
Progression: I → V → vi → IV
|
||||
|
||||
I G major
|
||||
V D major
|
||||
vi E minor
|
||||
IV C major
|
||||
|
||||
Key Detection
|
||||
-------------
|
||||
|
||||
Detect the most likely key from a set of notes::
|
||||
|
||||
$ pytheory detect C E G A D
|
||||
Detected key: C major
|
||||
Scale: C D E F G A B C
|
||||
|
||||
Audio Playback
|
||||
--------------
|
||||
|
||||
Play individual notes or chords (requires PortAudio)::
|
||||
|
||||
$ pytheory play A4 # Single note
|
||||
$ pytheory play C E G # Notes as chord
|
||||
$ pytheory play Am7 # Chord by name
|
||||
$ pytheory play C E G --synth saw # Sawtooth wave
|
||||
$ pytheory play A4 --duration 2000 # 2 seconds
|
||||
$ pytheory play C E G --temperament meantone
|
||||
@@ -0,0 +1,366 @@
|
||||
Cookbook
|
||||
=======
|
||||
|
||||
Real-world recipes for common musical tasks. Each recipe is self-contained
|
||||
and ready to paste into a Python session.
|
||||
|
||||
Analyze a Song
|
||||
--------------
|
||||
|
||||
Take the chord progression from "Let It Be" (C G Am F) and analyze it
|
||||
in the key of C major:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Chord, Key
|
||||
|
||||
>>> C = Chord.from_name("C")
|
||||
>>> G = Chord.from_name("G")
|
||||
>>> Am = Chord.from_name("Am")
|
||||
>>> F = Chord.from_name("F")
|
||||
|
||||
>>> [c.identify() for c in [C, G, Am, F]]
|
||||
['C major', 'G major', 'A minor', 'F major']
|
||||
|
||||
>>> [c.analyze("C") for c in [C, G, Am, F]]
|
||||
['I', 'V', 'vi', 'IV']
|
||||
|
||||
>>> key = Key("C", "major")
|
||||
>>> [c.identify() for c in key.progression("I", "V", "vi", "IV")]
|
||||
['C major', 'G major', 'A minor', 'F major']
|
||||
|
||||
Write a 12-Bar Blues
|
||||
--------------------
|
||||
|
||||
The `12-bar blues <https://en.wikipedia.org/wiki/Twelve-bar_blues>`_ is
|
||||
built from the I, IV, and V chords. Here it is in the key of A:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Key, Chord
|
||||
|
||||
>>> key = Key("A", "major")
|
||||
>>> [c.identify() for c in key.progression("I", "IV", "V")]
|
||||
['A major', 'D major', 'E major']
|
||||
|
||||
>>> bars = ["I","I","I","I", "IV","IV","I","I", "V","IV","I","V"]
|
||||
>>> [c.identify() for c in key.progression(*bars)]
|
||||
['A major', 'A major', 'A major', 'A major', 'D major', 'D major', 'A major', 'A major', 'E major', 'D major', 'A major', 'E major']
|
||||
|
||||
>>> Chord.from_name("A7").identify()
|
||||
'A dominant 7th'
|
||||
>>> Chord.from_name("D7").identify()
|
||||
'D dominant 7th'
|
||||
>>> Chord.from_name("E7").identify()
|
||||
'E dominant 7th'
|
||||
|
||||
Find Chords in a Key
|
||||
--------------------
|
||||
|
||||
The :class:`~pytheory.scales.Key` class builds diatonic chords for any
|
||||
key and lets you pull progressions by Roman numeral or Nashville number:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Key
|
||||
|
||||
>>> key = Key("G", "major")
|
||||
>>> key.chords
|
||||
['G major', 'A minor', 'B minor', 'C major', 'D major', 'E minor', 'F# diminished']
|
||||
|
||||
>>> [c.identify() for c in key.progression("I", "V", "vi", "IV")]
|
||||
['G major', 'D major', 'E minor', 'C major']
|
||||
|
||||
>>> [c.identify() for c in key.nashville(1, 5, 6, 4)]
|
||||
['G major', 'D major', 'E minor', 'C major']
|
||||
|
||||
Compare Scales
|
||||
--------------
|
||||
|
||||
Play the same tonic through different scales to hear how each mode
|
||||
reshapes the palette. The western modes share the same notes but start
|
||||
on different degrees; the blues scale adds the "blue note" (flat 5th):
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import TonedScale
|
||||
|
||||
>>> c = TonedScale(tonic="C4")
|
||||
>>> c["major"].note_names
|
||||
['C', 'D', 'E', 'F', 'G', 'A', 'B', 'C']
|
||||
>>> c["minor"].note_names
|
||||
['C', 'D', 'Eb', 'F', 'G', 'Ab', 'Bb', 'C']
|
||||
>>> c["dorian"].note_names
|
||||
['C', 'D', 'Eb', 'F', 'G', 'A', 'Bb', 'C']
|
||||
>>> c["mixolydian"].note_names
|
||||
['C', 'D', 'E', 'F', 'G', 'A', 'Bb', 'C']
|
||||
|
||||
>>> c_blues = TonedScale(tonic="C4", system="blues")
|
||||
>>> c_blues["blues"].note_names
|
||||
['C', 'Eb', 'F', 'Gb', 'G', 'Bb', 'C']
|
||||
|
||||
Guitar Chord Chart
|
||||
------------------
|
||||
|
||||
Generate fingerings for guitar and ukulele with
|
||||
:class:`~pytheory.tones.Fretboard`:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Fretboard
|
||||
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> fb.chord("C")
|
||||
Fingering(e=0, B=1, G=0, D=2, A=3, E=x)
|
||||
>>> fb.chord("G")
|
||||
Fingering(e=3, B=0, G=0, D=0, A=2, E=3)
|
||||
>>> fb.chord("Am")
|
||||
Fingering(e=0, B=1, G=2, D=2, A=0, E=x)
|
||||
>>> fb.chord("D")
|
||||
Fingering(e=2, B=3, G=2, D=0, A=x, E=x)
|
||||
|
||||
>>> uke = Fretboard.ukulele()
|
||||
>>> uke.chord("C")
|
||||
Fingering(A=3, E=0, C=0, G=0)
|
||||
>>> uke.chord("G")
|
||||
Fingering(A=2, E=3, C=2, G=0)
|
||||
|
||||
Explore an Interval
|
||||
-------------------
|
||||
|
||||
Start from A4 (440 Hz) and walk through intervals, checking names and
|
||||
frequency ratios:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Tone
|
||||
|
||||
>>> a4 = Tone.from_string("A4", system="western")
|
||||
>>> a4.frequency
|
||||
440.0
|
||||
|
||||
>>> minor_3rd = a4 + 3
|
||||
>>> a4.interval_to(minor_3rd)
|
||||
'minor 3rd'
|
||||
|
||||
>>> p5 = a4 + 7
|
||||
>>> a4.interval_to(p5)
|
||||
'perfect 5th'
|
||||
>>> round(p5.frequency / a4.frequency, 4)
|
||||
1.4983
|
||||
|
||||
>>> octave = a4 + 12
|
||||
>>> a4.interval_to(octave)
|
||||
'octave'
|
||||
>>> round(octave.frequency / a4.frequency, 4)
|
||||
2.0
|
||||
|
||||
Walk the Circle of Fifths
|
||||
-------------------------
|
||||
|
||||
The `circle of fifths <https://en.wikipedia.org/wiki/Circle_of_fifths>`_
|
||||
is the backbone of Western harmony — each step adds one sharp or flat:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Tone
|
||||
|
||||
>>> c = Tone.from_string("C4", system="western")
|
||||
>>> [t.name for t in c.circle_of_fifths()]
|
||||
['C', 'G', 'D', 'A', 'E', 'B', 'F#', 'C#', 'G#', 'D#', 'A#', 'F']
|
||||
|
||||
>>> g = Tone.from_string("G4", system="western")
|
||||
>>> [t.name for t in g.circle_of_fifths()]
|
||||
['G', 'D', 'A', 'E', 'B', 'F#', 'C#', 'G#', 'D#', 'A#', 'F', 'C']
|
||||
|
||||
Voice Leading Between Chords
|
||||
-----------------------------
|
||||
|
||||
Find the smoothest path from one chord to the next — each voice moves
|
||||
the minimum distance:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Chord
|
||||
|
||||
>>> c_maj = Chord.from_tones("C", "E", "G")
|
||||
>>> f_maj = Chord.from_tones("F", "A", "C")
|
||||
|
||||
>>> for src, dst, motion in c_maj.voice_leading(f_maj):
|
||||
... print(f"{src} -> {dst} ({motion:+d} semitones)")
|
||||
G4 -> A4 (+2 semitones)
|
||||
E4 -> F4 (+1 semitones)
|
||||
C4 -> C4 (+0 semitones)
|
||||
|
||||
Measure Harmonic Tension
|
||||
------------------------
|
||||
|
||||
Quantify how much a chord "wants to resolve." Dominant 7ths have
|
||||
the most tension — the tritone between the 3rd and 7th pulls toward
|
||||
resolution:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Chord
|
||||
|
||||
>>> for name in ["C", "Am", "G7", "Cmaj7"]:
|
||||
... ch = Chord.from_name(name)
|
||||
... t = ch.tension
|
||||
... print(f"{name:6s} tension={t['score']:.2f} tritones={t['tritones']} dominant={t['has_dominant_function']}")
|
||||
C tension=0.00 tritones=0 dominant=False
|
||||
Am tension=0.00 tritones=0 dominant=False
|
||||
G7 tension=0.60 tritones=1 dominant=True
|
||||
Cmaj7 tension=0.15 tritones=0 dominant=False
|
||||
|
||||
Tritone Substitution (Jazz)
|
||||
---------------------------
|
||||
|
||||
Replace any dominant chord with the one a
|
||||
`tritone <https://en.wikipedia.org/wiki/Tritone_substitution>`_ away —
|
||||
they share the same tritone interval:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Chord
|
||||
|
||||
>>> g7 = Chord.from_name("G7")
|
||||
>>> g7.tritone_sub().identify()
|
||||
'C# dominant 7th'
|
||||
|
||||
>>> # ii-V-I with tritone sub:
|
||||
>>> # Dm7 -> G7 -> Cmaj7 (standard)
|
||||
>>> # Dm7 -> Db7 -> Cmaj7 (chromatic bass line!)
|
||||
|
||||
Key Signatures and Detection
|
||||
-----------------------------
|
||||
|
||||
View the accidentals in any key, or detect the key from a set of notes:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Key
|
||||
|
||||
>>> Key("C", "major").signature
|
||||
{'sharps': 0, 'flats': 0, 'accidentals': []}
|
||||
>>> Key("G", "major").signature
|
||||
{'sharps': 1, 'flats': 0, 'accidentals': ['F#']}
|
||||
>>> Key("D", "major").signature
|
||||
{'sharps': 2, 'flats': 0, 'accidentals': ['F#', 'C#']}
|
||||
|
||||
>>> Key.detect("C", "E", "G", "A", "D")
|
||||
<Key C major>
|
||||
|
||||
Relative and Parallel Keys
|
||||
--------------------------
|
||||
|
||||
Every major key has a **relative minor** (same notes, different root)
|
||||
and a **parallel minor** (same root, different notes):
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Key
|
||||
|
||||
>>> c = Key("C", "major")
|
||||
>>> c.relative
|
||||
'A minor'
|
||||
>>> c.parallel
|
||||
'C minor'
|
||||
|
||||
Borrowed Chords and Secondary Dominants
|
||||
---------------------------------------
|
||||
|
||||
Add color by borrowing from the parallel key or building secondary
|
||||
dominants that approach other scale degrees:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Key
|
||||
|
||||
>>> c = Key("C", "major")
|
||||
|
||||
>>> c.borrowed_chords[:4]
|
||||
['C minor', 'D diminished', 'Eb major', 'F minor']
|
||||
|
||||
>>> c.secondary_dominant(5).identify()
|
||||
'D dominant 7th'
|
||||
>>> c.secondary_dominant(2).identify()
|
||||
'A dominant 7th'
|
||||
>>> c.secondary_dominant(6).identify()
|
||||
'E dominant 7th'
|
||||
|
||||
The Overtone Series
|
||||
-------------------
|
||||
|
||||
Every musical tone contains a stack of harmonics — the physics behind
|
||||
why intervals sound consonant:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Tone
|
||||
|
||||
>>> a4 = Tone.from_string("A4", system="western")
|
||||
>>> [round(f, 1) for f in a4.overtones(6)]
|
||||
[440.0, 880.0, 1320.0, 1760.0, 2200.0, 2640.0]
|
||||
|
||||
>>> # Harmonic 2 = octave (2:1)
|
||||
>>> # Harmonic 3 = perfect 5th + octave (3:1)
|
||||
>>> # Harmonic 5 = major 3rd + two octaves (5:1)
|
||||
|
||||
Enharmonic Spellings
|
||||
--------------------
|
||||
|
||||
Find the alternate name for any sharp or flat:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Tone
|
||||
|
||||
>>> for name in ["C#4", "D#4", "F#4", "G#4"]:
|
||||
... t = Tone.from_string(name, system="western")
|
||||
... print(f"{t.name} = {t.enharmonic}")
|
||||
C# = Db
|
||||
D# = Eb
|
||||
F# = Gb
|
||||
G# = Ab
|
||||
|
||||
World Scales
|
||||
------------
|
||||
|
||||
Explore scales from Indian, Arabic, and Japanese traditions:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import TonedScale
|
||||
|
||||
>>> indian = TonedScale(tonic="Sa", system="indian")
|
||||
>>> indian["bhairav"].note_names
|
||||
['Sa', 'komal Re', 'Ga', 'Ma', 'Pa', 'komal Dha', 'Ni', 'Sa']
|
||||
|
||||
>>> arabic = TonedScale(tonic="Do", system="arabic")
|
||||
>>> arabic["hijaz"].note_names
|
||||
['Do', 'Reb', 'Mi', 'Fa', 'Sol', 'Solb', 'Sib', 'Do']
|
||||
|
||||
>>> japanese = TonedScale(tonic="C4", system="japanese")
|
||||
>>> japanese["hirajoshi"].note_names
|
||||
['C', 'D', 'Eb', 'G', 'Ab', 'C']
|
||||
|
||||
Visualize a Scale on Guitar
|
||||
----------------------------
|
||||
|
||||
See where the notes fall across the fretboard — E minor pentatonic,
|
||||
the most-played scale in rock:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Fretboard, Scale
|
||||
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> pent = Scale(tonic="E4", system="blues")["minor pentatonic"]
|
||||
>>> print(fb.scale_diagram(pent, frets=12))
|
||||
0 1 2 3 4 5 6 7 8 9 10 11 12
|
||||
E| E | - | - | G | - | A | - | B | - | - | D | - | E |
|
||||
B| B | - | - | D | - | E | - | - | G | - | A | - | B |
|
||||
G| G | - | A | - | B | - | - | D | - | E | - | - | G |
|
||||
D| D | - | E | - | - | G | - | A | - | B | - | - | D |
|
||||
A| A | - | B | - | - | D | - | E | - | - | G | - | A |
|
||||
E| E | - | - | G | - | A | - | B | - | - | D | - | E |
|
||||
+139
-96
@@ -31,29 +31,42 @@ Guitars
|
||||
This tuning uses intervals of a perfect 4th (5 semitones) between most
|
||||
strings, except between G and B which is a major 3rd (4 semitones).
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Fretboard
|
||||
>>> from pytheory import Fretboard
|
||||
|
||||
guitar = Fretboard.guitar() # Standard EADGBE
|
||||
twelve = Fretboard.twelve_string() # 12-string (6 doubled courses)
|
||||
bass = Fretboard.bass() # Standard 4-string EADG
|
||||
bass5 = Fretboard.bass(five_string=True) # 5-string with low B
|
||||
>>> guitar = Fretboard.guitar() # Standard EADGBE
|
||||
>>> twelve = Fretboard.twelve_string() # 12-string (6 doubled courses)
|
||||
>>> bass = Fretboard.bass() # Standard 4-string EADG
|
||||
>>> bass5 = Fretboard.bass(five_string=True) # 5-string with low B
|
||||
|
||||
**Alternate tunings** — 8 built-in presets:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
Fretboard.guitar("drop d") # DADGBE — heavy riffs, metal
|
||||
Fretboard.guitar("open g") # DGDGBD — slide guitar, Keith Richards
|
||||
Fretboard.guitar("open d") # DADF#AD — slide, folk
|
||||
Fretboard.guitar("open e") # EBEG#BE — slide blues
|
||||
Fretboard.guitar("open a") # EAC#EAE
|
||||
Fretboard.guitar("dadgad") # DADGAD — Celtic, fingerstyle
|
||||
Fretboard.guitar("half step down") # Eb standard — Hendrix, SRV
|
||||
>>> Fretboard.guitar("drop d") # DADGBE — heavy riffs, metal
|
||||
>>> Fretboard.guitar("open g") # DGDGBD — slide guitar, Keith Richards
|
||||
>>> Fretboard.guitar("open d") # DADF#AD — slide, folk
|
||||
>>> Fretboard.guitar("open e") # EBEG#BE — slide blues
|
||||
>>> Fretboard.guitar("open a") # EAC#EAE
|
||||
>>> Fretboard.guitar("dadgad") # DADGAD — Celtic, fingerstyle
|
||||
>>> Fretboard.guitar("half step down") # Eb standard — Hendrix, SRV
|
||||
|
||||
# Custom tuning with any notes
|
||||
Fretboard.guitar(("C4", "G3", "C3", "G2", "C2", "G1"))
|
||||
>>> # Custom tuning with any notes
|
||||
>>> Fretboard.guitar(("C4", "G3", "C3", "G2", "C2", "G1"))
|
||||
|
||||
**Capo** — a `capo <https://en.wikipedia.org/wiki/Capo>`_ raises all
|
||||
strings by a number of frets, letting you play open chord shapes in
|
||||
higher keys:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> # Capo on fret 2 — open G shape now sounds as A major
|
||||
>>> fb = Fretboard.guitar(capo=2)
|
||||
|
||||
>>> # Or apply a capo to an existing fretboard
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> fb_capo3 = fb.capo(3)
|
||||
|
||||
The Mandolin Family
|
||||
-------------------
|
||||
@@ -63,12 +76,12 @@ mirrors the `violin family <https://en.wikipedia.org/wiki/Violin_family>`_
|
||||
— all tuned in perfect fifths, with each member a fifth or octave
|
||||
lower than the last:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
Fretboard.mandolin() # E5 A4 D4 G3 — soprano (= violin)
|
||||
Fretboard.mandola() # A4 D4 G3 C3 — alto (= viola)
|
||||
Fretboard.octave_mandolin() # E4 A3 D3 G2 — tenor (octave below mandolin)
|
||||
Fretboard.mandocello() # A3 D3 G2 C2 — bass (= cello)
|
||||
>>> Fretboard.mandolin() # E5 A4 D4 G3 — soprano (= violin)
|
||||
>>> Fretboard.mandola() # A4 D4 G3 C3 — alto (= viola)
|
||||
>>> Fretboard.octave_mandolin() # E4 A3 D3 G2 — tenor (octave below mandolin)
|
||||
>>> Fretboard.mandocello() # A3 D3 G2 C2 — bass (= cello)
|
||||
|
||||
The mandolin's doubled courses (pairs of strings) create a natural
|
||||
chorus effect. The `octave mandolin <https://en.wikipedia.org/wiki/Octave_mandolin>`_
|
||||
@@ -80,12 +93,12 @@ The Bowed String Family
|
||||
The orchestral `string family <https://en.wikipedia.org/wiki/String_section>`_
|
||||
is tuned in perfect fifths (except the double bass, which uses fourths):
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
Fretboard.violin() # E5 A4 D4 G3 — soprano
|
||||
Fretboard.viola() # A4 D4 G3 C3 — alto (5th below violin)
|
||||
Fretboard.cello() # A3 D3 G2 C2 — tenor/bass (octave below viola)
|
||||
Fretboard.double_bass() # G2 D2 A1 E1 — bass (tuned in 4ths!)
|
||||
>>> Fretboard.violin() # E5 A4 D4 G3 — soprano
|
||||
>>> Fretboard.viola() # A4 D4 G3 C3 — alto (5th below violin)
|
||||
>>> Fretboard.cello() # A3 D3 G2 C2 — tenor/bass (octave below viola)
|
||||
>>> Fretboard.double_bass() # G2 D2 A1 E1 — bass (tuned in 4ths!)
|
||||
|
||||
Bowed strings have no frets — the player can produce any pitch along
|
||||
the fingerboard, enabling continuous
|
||||
@@ -95,19 +108,19 @@ inflections not possible on fretted instruments.
|
||||
The `erhu <https://en.wikipedia.org/wiki/Erhu>`_ — a 2-stringed Chinese
|
||||
bowed instrument with a hauntingly vocal quality:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
Fretboard.erhu() # A4 D4 — tuned a 5th apart, no fingerboard
|
||||
>>> Fretboard.erhu() # A4 D4 — tuned a 5th apart, no fingerboard
|
||||
|
||||
Plucked Strings
|
||||
---------------
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
Fretboard.ukulele() # A4 E4 C4 G4 — re-entrant tuning
|
||||
Fretboard.banjo() # Open G (bluegrass, 5th string is high drone)
|
||||
Fretboard.banjo("open d") # Open D (clawhammer, old-time)
|
||||
Fretboard.harp() # 47 strings, C1 to G7 (concert pedal harp)
|
||||
>>> Fretboard.ukulele() # A4 E4 C4 G4 — re-entrant tuning
|
||||
>>> Fretboard.banjo() # Open G (bluegrass, 5th string is high drone)
|
||||
>>> Fretboard.banjo("open d") # Open D (clawhammer, old-time)
|
||||
>>> Fretboard.harp() # 47 strings, C1 to G7 (concert pedal harp)
|
||||
|
||||
The `banjo <https://en.wikipedia.org/wiki/Banjo>`_'s short 5th string
|
||||
is a high drone — a defining feature of the instrument's sound.
|
||||
@@ -119,28 +132,28 @@ by up to two semitones across all octaves simultaneously.
|
||||
World Instruments
|
||||
-----------------
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
# Middle Eastern
|
||||
Fretboard.oud() # C4 G3 D3 A2 G2 C2 — fretless, ancestor of the lute
|
||||
Fretboard.sitar() # 7 main strings — Indian classical
|
||||
>>> # Middle Eastern
|
||||
>>> Fretboard.oud() # C4 G3 D3 A2 G2 C2 — fretless, ancestor of the lute
|
||||
>>> Fretboard.sitar() # 7 main strings — Indian classical
|
||||
|
||||
# East Asian
|
||||
Fretboard.shamisen() # C4 G3 C3 — 3-string Japanese, honchoshi tuning
|
||||
Fretboard.pipa() # D4 A3 E3 A2 — 4-string Chinese lute
|
||||
Fretboard.erhu() # A4 D4 — 2-string Chinese bowed
|
||||
>>> # East Asian
|
||||
>>> Fretboard.shamisen() # C4 G3 C3 — 3-string Japanese, honchoshi tuning
|
||||
>>> Fretboard.pipa() # D4 A3 E3 A2 — 4-string Chinese lute
|
||||
>>> Fretboard.erhu() # A4 D4 — 2-string Chinese bowed
|
||||
|
||||
# European
|
||||
Fretboard.bouzouki() # D4 A3 D3 G2 — Irish (Celtic music)
|
||||
Fretboard.bouzouki("greek") # D4 A3 F3 C3 — Greek
|
||||
Fretboard.lute() # G4 D4 A3 F3 C3 G2 — Renaissance (6 courses)
|
||||
Fretboard.balalaika() # A4 E4 E4 — Russian (2 unison strings)
|
||||
>>> # European
|
||||
>>> Fretboard.bouzouki() # D4 A3 D3 G2 — Irish (Celtic music)
|
||||
>>> Fretboard.bouzouki("greek") # D4 A3 F3 C3 — Greek
|
||||
>>> Fretboard.lute() # G4 D4 A3 F3 C3 G2 — Renaissance (6 courses)
|
||||
>>> Fretboard.balalaika() # A4 E4 E4 — Russian (2 unison strings)
|
||||
|
||||
# Latin American
|
||||
Fretboard.charango() # E5 A4 E5 C5 G4 — Andean (re-entrant tuning)
|
||||
>>> # Latin American
|
||||
>>> Fretboard.charango() # E5 A4 E5 C5 G4 — Andean (re-entrant tuning)
|
||||
|
||||
# Steel guitar
|
||||
Fretboard.pedal_steel() # 10 strings, E9 Nashville — country music
|
||||
>>> # Steel guitar
|
||||
>>> Fretboard.pedal_steel() # 10 strings, E9 Nashville — country music
|
||||
|
||||
The `oud <https://en.wikipedia.org/wiki/Oud>`_ is fretless, allowing
|
||||
the quarter-tone inflections essential to
|
||||
@@ -151,12 +164,12 @@ sympathetic strings that resonate in harmony with the played notes.
|
||||
Keyboards
|
||||
---------
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
Fretboard.keyboard() # 88-key piano (A0 to C8)
|
||||
Fretboard.keyboard(61, "C2") # 61-key synth controller
|
||||
Fretboard.keyboard(49, "C2") # 49-key controller
|
||||
Fretboard.keyboard(25, "C3") # 25-key mini MIDI controller
|
||||
>>> Fretboard.keyboard() # 88-key piano (A0 to C8)
|
||||
>>> Fretboard.keyboard(61, "C2") # 61-key synth controller
|
||||
>>> Fretboard.keyboard(49, "C2") # 49-key controller
|
||||
>>> Fretboard.keyboard(25, "C3") # 25-key mini MIDI controller
|
||||
|
||||
While keyboards don't have strings or frets, they map naturally to a
|
||||
sequence of tones. A full 88-key piano spans over 7 octaves — the
|
||||
@@ -172,78 +185,108 @@ on any instrument. It scores each possibility by:
|
||||
2. Preferring **ascending** fret patterns — easier hand position
|
||||
3. Minimizing the number of **fingers needed**
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Fretboard, CHARTS
|
||||
>>> from pytheory import Fretboard
|
||||
|
||||
fb = Fretboard.guitar()
|
||||
c = CHARTS["western"]["C"]
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> f = fb.chord("C")
|
||||
>>> f
|
||||
Fingering(e=0, B=1, G=0, D=2, A=3, E=x)
|
||||
|
||||
# Best single fingering
|
||||
print(c.fingering(fretboard=fb))
|
||||
# (0, 1, 0, 2, 3, 0)
|
||||
>>> f['A']
|
||||
3
|
||||
>>> f[1]
|
||||
1
|
||||
|
||||
# All equally-scored fingerings
|
||||
all_c = c.fingering(fretboard=fb, multiple=True)
|
||||
>>> f.identify()
|
||||
'C major'
|
||||
|
||||
# Muted strings appear as None
|
||||
f = CHARTS["western"]["F"]
|
||||
print(f.fingering(fretboard=fb))
|
||||
>>> chord = f.to_chord()
|
||||
>>> chord.identify()
|
||||
'C major'
|
||||
|
||||
You can also go from fret positions to chord identification:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> # "What chord am I playing?"
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> f = fb.fingering(0, 0, 0, 2, 2, 0)
|
||||
>>> f
|
||||
Fingering(e=0, B=0, G=0, D=2, A=2, E=0)
|
||||
>>> f.identify()
|
||||
'E minor'
|
||||
|
||||
Reading Fingerings
|
||||
~~~~~~~~~~~~~~~~~~
|
||||
|
||||
The tuple ``(0, 1, 0, 2, 3, 0)`` reads from the highest string to the
|
||||
lowest::
|
||||
Each position is labeled with its string name. Duplicate string names
|
||||
are disambiguated — on a standard guitar, high E appears as ``e`` and
|
||||
low E as ``E``::
|
||||
|
||||
e|--0-- (open — E)
|
||||
B|--1-- (fret 1 — C)
|
||||
G|--0-- (open — G)
|
||||
D|--2-- (fret 2 — E)
|
||||
A|--3-- (fret 3 — C)
|
||||
E|--0-- (open — E)
|
||||
E|--x-- (muted)
|
||||
|
||||
A value of ``None`` means the string is muted (not played).
|
||||
A value of ``x`` (``None``) means the string is muted (not played).
|
||||
|
||||
ASCII Tablature
|
||||
~~~~~~~~~~~~~~~
|
||||
|
||||
For a more visual representation, use ``tab()``:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> print(fb.tab("C"))
|
||||
C major
|
||||
e|--0--
|
||||
B|--1--
|
||||
G|--0--
|
||||
D|--2--
|
||||
A|--3--
|
||||
E|--x--
|
||||
|
||||
Generating Full Charts
|
||||
----------------------
|
||||
|
||||
Generate fingerings for every chord at once:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Fretboard, charts_for_fretboard
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> chart = fb.chart()
|
||||
|
||||
fb = Fretboard.guitar()
|
||||
chart = charts_for_fretboard(fretboard=fb)
|
||||
>>> chart["C"]
|
||||
Fingering(e=0, B=1, G=0, D=2, A=3, E=x)
|
||||
|
||||
for name, fingering in chart.items():
|
||||
print(f"{name:6s} {fingering}")
|
||||
|
||||
# Works with any instrument
|
||||
uke_chart = charts_for_fretboard(fretboard=Fretboard.ukulele())
|
||||
mando_chart = charts_for_fretboard(fretboard=Fretboard.mandolin())
|
||||
>>> # Works with any instrument
|
||||
>>> uke_chart = Fretboard.ukulele().chart()
|
||||
>>> mando_chart = Fretboard.mandolin().chart()
|
||||
|
||||
Custom Instruments
|
||||
------------------
|
||||
|
||||
Any instrument can be modeled with custom string tunings:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Tone, Fretboard
|
||||
>>> from pytheory import Tone, Fretboard
|
||||
|
||||
# Baritone ukulele (DGBE — top 4 guitar strings)
|
||||
bari_uke = Fretboard(tones=[
|
||||
Tone.from_string("E4"),
|
||||
Tone.from_string("B3"),
|
||||
Tone.from_string("G3"),
|
||||
Tone.from_string("D3"),
|
||||
])
|
||||
>>> # Baritone ukulele (DGBE — top 4 guitar strings)
|
||||
>>> bari_uke = Fretboard(tones=[
|
||||
... Tone.from_string("E4"),
|
||||
... Tone.from_string("B3"),
|
||||
... Tone.from_string("G3"),
|
||||
... Tone.from_string("D3"),
|
||||
... ])
|
||||
|
||||
# Tres cubano (Cuban guitar, 3 doubled courses)
|
||||
tres = Fretboard(tones=[
|
||||
Tone.from_string("E4"),
|
||||
Tone.from_string("B3"),
|
||||
Tone.from_string("G3"),
|
||||
])
|
||||
>>> # Tres cubano (Cuban guitar, 3 doubled courses)
|
||||
>>> tres = Fretboard(tones=[
|
||||
... Tone.from_string("E4"),
|
||||
... Tone.from_string("B3"),
|
||||
... Tone.from_string("G3"),
|
||||
... ])
|
||||
|
||||
+61
-22
@@ -13,26 +13,25 @@ using basic `waveform <https://en.wikipedia.org/wiki/Waveform>`_ synthesis.
|
||||
Playing a Tone
|
||||
--------------
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Tone, play
|
||||
>>> from pytheory import Tone, play
|
||||
|
||||
a4 = Tone.from_string("A4", system="western")
|
||||
play(a4, t=1_000) # Play A440 for 1 second
|
||||
>>> a4 = Tone.from_string("A4", system="western")
|
||||
>>> play(a4, t=1_000) # Play A440 for 1 second
|
||||
|
||||
Playing a Chord
|
||||
---------------
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Chord, Tone, play
|
||||
>>> from pytheory import Chord, play
|
||||
|
||||
c_major = Chord(tones=[
|
||||
Tone.from_string("C4", system="western"),
|
||||
Tone.from_string("E4", system="western"),
|
||||
Tone.from_string("G4", system="western"),
|
||||
])
|
||||
play(c_major, t=2_000) # Play for 2 seconds
|
||||
>>> # From a chord name
|
||||
>>> play(Chord.from_name("Am7"), t=2_000)
|
||||
|
||||
>>> # From note names
|
||||
>>> play(Chord.from_tones("C", "E", "G"), t=2_000)
|
||||
|
||||
Waveform Types
|
||||
--------------
|
||||
@@ -53,28 +52,68 @@ integer multiples of the fundamental frequency.
|
||||
1/n². Sounds softer and more mellow than sawtooth — somewhere between
|
||||
sine and sawtooth. Often described as "woody" or "hollow."
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import play, Synth, Tone
|
||||
>>> from pytheory import play, Synth, Tone
|
||||
|
||||
tone = Tone.from_string("C4", system="western")
|
||||
>>> tone = Tone.from_string("C4", system="western")
|
||||
|
||||
play(tone, synth=Synth.SINE) # Pure, clean
|
||||
play(tone, synth=Synth.SAW) # Bright, buzzy
|
||||
play(tone, synth=Synth.TRIANGLE) # Mellow, hollow
|
||||
>>> play(tone, synth=Synth.SINE) # Pure, clean
|
||||
>>> play(tone, synth=Synth.SAW) # Bright, buzzy
|
||||
>>> play(tone, synth=Synth.TRIANGLE) # Mellow, hollow
|
||||
|
||||
Temperaments
|
||||
------------
|
||||
|
||||
Hear the difference between tuning systems:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
play(tone, temperament="equal") # Modern standard (since ~1917)
|
||||
play(tone, temperament="pythagorean") # Pure fifths, wolf intervals
|
||||
play(tone, temperament="meantone") # Pure thirds, Renaissance sound
|
||||
>>> play(tone, temperament="equal") # Modern standard (since ~1917)
|
||||
>>> play(tone, temperament="pythagorean") # Pure fifths, wolf intervals
|
||||
>>> play(tone, temperament="meantone") # Pure thirds, Renaissance sound
|
||||
|
||||
Try playing a C major chord in each temperament — you'll hear subtle
|
||||
differences in the "color" of the major third. Equal temperament is
|
||||
a compromise; the other systems sacrifice some keys to make the good
|
||||
keys sound better.
|
||||
|
||||
Chord Progressions
|
||||
-------------------
|
||||
|
||||
Play an entire chord progression in sequence with a single call:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Key, play_progression
|
||||
|
||||
>>> chords = Key("C", "major").progression("I", "V", "vi", "IV")
|
||||
>>> play_progression(chords, t=800)
|
||||
|
||||
You can customize the waveform and the gap (silence) between chords:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Synth
|
||||
|
||||
>>> play_progression(chords, t=1000, synth=Synth.TRIANGLE, gap=200)
|
||||
|
||||
Saving to WAV
|
||||
-------------
|
||||
|
||||
Render tones or chords to a WAV file instead of playing them live.
|
||||
This works even without speakers or PortAudio:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import save, Chord, Tone, Synth
|
||||
|
||||
>>> # Save a single tone
|
||||
>>> save(Tone.from_string("A4"), "a440.wav", t=1_000)
|
||||
|
||||
>>> # Save a chord
|
||||
>>> save(Chord.from_name("Am7"), "am7.wav", t=2_000)
|
||||
|
||||
>>> # Choose waveform and temperament
|
||||
>>> save(Chord.from_name("C"), "c_triangle.wav",
|
||||
... synth=Synth.TRIANGLE, temperament="meantone", t=3_000)
|
||||
|
||||
+175
-30
@@ -8,42 +8,183 @@ Installation
|
||||
|
||||
$ pip install pytheory
|
||||
|
||||
Basic Usage
|
||||
-----------
|
||||
For audio playback, you'll also need `PortAudio <http://www.portaudio.com/>`_:
|
||||
|
||||
Create tones, build scales, and explore music theory:
|
||||
- macOS: ``brew install portaudio``
|
||||
- Ubuntu: ``apt install libportaudio2``
|
||||
- Windows: included with the ``sounddevice`` package
|
||||
|
||||
.. code-block:: python
|
||||
Tones
|
||||
-----
|
||||
|
||||
from pytheory import Tone, TonedScale, Fretboard, CHARTS
|
||||
A :class:`~pytheory.tones.Tone` is a single musical note:
|
||||
|
||||
# Create a tone — A4 is the tuning standard (440 Hz)
|
||||
a4 = Tone.from_string("A4", system="western")
|
||||
print(a4.frequency) # 440.0
|
||||
.. code-block:: pycon
|
||||
|
||||
# Tone arithmetic — add semitones to move up the chromatic scale
|
||||
c4 = Tone.from_string("C4", system="western")
|
||||
e4 = c4 + 4 # Major third up (4 semitones)
|
||||
g4 = c4 + 7 # Perfect fifth up (7 semitones)
|
||||
print(e4, g4) # E4 G4
|
||||
>>> from pytheory import Tone
|
||||
|
||||
# Measure intervals between tones
|
||||
print(g4 - c4) # 7 (semitones — a perfect fifth)
|
||||
>>> a4 = Tone.from_string("A4", system="western")
|
||||
>>> a4.frequency
|
||||
440.0
|
||||
|
||||
# Build a C major scale
|
||||
c_major = TonedScale(tonic="C4")["major"]
|
||||
print(c_major.note_names)
|
||||
# ['C', 'D', 'E', 'F', 'G', 'A', 'B', 'C']
|
||||
>>> c4 = Tone.from_string("C4", system="western")
|
||||
>>> c4.midi
|
||||
60
|
||||
|
||||
# Build diatonic triads from the scale
|
||||
I = c_major.triad(0) # C E G (C major)
|
||||
IV = c_major.triad(3) # F A C (F major)
|
||||
V = c_major.triad(4) # G B D (G major)
|
||||
>>> Tone.from_frequency(440)
|
||||
<Tone A4>
|
||||
>>> Tone.from_midi(60)
|
||||
<Tone C4>
|
||||
|
||||
# Guitar chord fingerings
|
||||
fb = Fretboard.guitar()
|
||||
fingering = CHARTS["western"]["Am"].fingering(fretboard=fb)
|
||||
print(fingering) # (0, 1, 2, 2, 0, 0)
|
||||
>>> c4 + 4
|
||||
<Tone E4>
|
||||
>>> c4 + 7
|
||||
<Tone G4>
|
||||
|
||||
>>> g4 = c4 + 7
|
||||
>>> g4 - c4
|
||||
7
|
||||
>>> c4.interval_to(g4)
|
||||
'perfect 5th'
|
||||
|
||||
>>> Tone.from_string("C#4", system="western").enharmonic
|
||||
'Db'
|
||||
|
||||
Scales
|
||||
------
|
||||
|
||||
Build scales in any key and mode:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import TonedScale
|
||||
|
||||
>>> c = TonedScale(tonic="C4")
|
||||
|
||||
>>> c["major"].note_names
|
||||
['C', 'D', 'E', 'F', 'G', 'A', 'B', 'C']
|
||||
|
||||
>>> c["minor"].note_names
|
||||
['C', 'D', 'Eb', 'F', 'G', 'Ab', 'Bb', 'C']
|
||||
|
||||
>>> c["dorian"].note_names
|
||||
['C', 'D', 'Eb', 'F', 'G', 'A', 'Bb', 'C']
|
||||
|
||||
>>> major = c["major"]
|
||||
>>> major["tonic"]
|
||||
C4
|
||||
>>> major["dominant"]
|
||||
G4
|
||||
>>> major["V"]
|
||||
G4
|
||||
|
||||
Keys and Chords
|
||||
---------------
|
||||
|
||||
The :class:`~pytheory.scales.Key` class ties everything together —
|
||||
scales, chords, and progressions:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Key
|
||||
|
||||
>>> key = Key("G", "major")
|
||||
>>> key.note_names
|
||||
['G', 'A', 'B', 'C', 'D', 'E', 'F#', 'G']
|
||||
|
||||
>>> key.chords
|
||||
['G major', 'A minor', 'B minor', 'C major', 'D major', 'E minor', 'F# diminished']
|
||||
|
||||
>>> chords = key.progression("I", "V", "vi", "IV")
|
||||
>>> [c.identify() for c in chords]
|
||||
['G major', 'D major', 'E minor', 'C major']
|
||||
|
||||
>>> Key.detect("C", "E", "G", "A", "D")
|
||||
<Key C major>
|
||||
|
||||
Build chords directly:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Chord
|
||||
|
||||
>>> Chord.from_tones("C", "E", "G")
|
||||
<Chord C major>
|
||||
>>> Chord.from_name("Am7")
|
||||
<Chord A minor 7th>
|
||||
>>> Chord.from_intervals("G", 4, 7, 10)
|
||||
<Chord G dominant 7th>
|
||||
|
||||
>>> Chord.from_tones("Bb", "D", "F").identify()
|
||||
'Bb major'
|
||||
|
||||
>>> Chord.from_name("G7").analyze("C")
|
||||
'V7'
|
||||
|
||||
Guitar Fingerings
|
||||
-----------------
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Fretboard
|
||||
|
||||
>>> fb = Fretboard.guitar()
|
||||
|
||||
>>> fb.chord("C")
|
||||
Fingering(e=0, B=1, G=0, D=2, A=3, E=x)
|
||||
|
||||
>>> fb.chord("C")['A']
|
||||
3
|
||||
|
||||
>>> fb.fingering(0, 0, 0, 2, 2, 0).identify()
|
||||
'E minor'
|
||||
|
||||
>>> print(fb.tab("Am"))
|
||||
A minor
|
||||
e|--0--
|
||||
B|--1--
|
||||
G|--2--
|
||||
D|--2--
|
||||
A|--0--
|
||||
E|--x--
|
||||
|
||||
>>> from pytheory import Scale
|
||||
>>> pentatonic = Scale(tonic="A4", system="blues")["minor pentatonic"]
|
||||
>>> print(fb.scale_diagram(pentatonic, frets=5))
|
||||
0 1 2 3 4 5
|
||||
E| E | - | - | G | - | A |
|
||||
B| - | C | - | D | - | E |
|
||||
G| G | - | A | - | - | C |
|
||||
D| D | - | E | - | - | G |
|
||||
A| A | - | - | C | - | D |
|
||||
E| E | - | - | G | - | A |
|
||||
|
||||
Audio Playback
|
||||
--------------
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Tone, Chord, play, save, Synth
|
||||
|
||||
>>> play(Tone.from_string("A4"), t=1_000)
|
||||
|
||||
>>> play(Chord.from_name("Am7"), synth=Synth.TRIANGLE, t=2_000)
|
||||
|
||||
>>> save(Chord.from_name("C"), "c_major.wav", t=2_000)
|
||||
|
||||
Command Line
|
||||
------------
|
||||
|
||||
PyTheory also works from the terminal::
|
||||
|
||||
$ pytheory tone A4
|
||||
$ pytheory chord C E G
|
||||
$ pytheory key G major
|
||||
$ pytheory scale C dorian
|
||||
$ pytheory fingering Am
|
||||
$ pytheory progression C major I V vi IV
|
||||
$ pytheory detect C E G A D
|
||||
$ pytheory play Am7 --synth triangle
|
||||
|
||||
What's Included
|
||||
---------------
|
||||
@@ -54,9 +195,13 @@ What's Included
|
||||
10 maqamat, 6 Japanese pentatonic scales, blues, pentatonic,
|
||||
slendro, pelog, and more
|
||||
- **Pitch calculation** in equal, Pythagorean, and meantone temperaments
|
||||
- **Chord identification**: name any chord from its notes, intervals, or
|
||||
MIDI numbers (17 chord types recognized)
|
||||
- **Chord charts** with 144 pre-built chords (12 roots x 12 qualities)
|
||||
- **Chord analysis**: consonance scoring, Plomp-Levelt dissonance,
|
||||
beat frequency calculation
|
||||
- **Fingering generation** for guitar (8 tunings), bass, ukulele, or
|
||||
any custom fretted instrument
|
||||
beat frequency calculation, harmonic tension, voice leading
|
||||
- **Key detection** and **Roman numeral analysis** (I-IV-V-I progressions)
|
||||
- **Fingering generation** for 25 instruments with labeled string names,
|
||||
including guitar (8 tunings), bass, ukulele, mandolin, and more
|
||||
- **Audio playback** with sine, sawtooth, and triangle wave synthesis
|
||||
- **WAV export** for saving rendered audio to disk
|
||||
|
||||
+214
-88
@@ -30,18 +30,15 @@ Building Scales
|
||||
|
||||
Use :class:`~pytheory.scales.TonedScale` to generate scales in any key:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import TonedScale
|
||||
|
||||
c = TonedScale(tonic="C4")
|
||||
|
||||
major = c["major"]
|
||||
minor = c["minor"]
|
||||
harmonic_minor = c["harmonic minor"]
|
||||
|
||||
print(major.note_names)
|
||||
# ['C', 'D', 'E', 'F', 'G', 'A', 'B', 'C']
|
||||
>>> from pytheory import TonedScale
|
||||
>>> c = TonedScale(tonic="C4")
|
||||
>>> major = c["major"]
|
||||
>>> minor = c["minor"]
|
||||
>>> harmonic_minor = c["harmonic minor"]
|
||||
>>> major.note_names
|
||||
['C', 'D', 'E', 'F', 'G', 'A', 'B', 'C']
|
||||
|
||||
Major and Minor
|
||||
---------------
|
||||
@@ -55,13 +52,12 @@ notes but starts from the 6th degree:
|
||||
- G major → E minor (both have one sharp: F#)
|
||||
- F major → D minor (both have one flat: Bb)
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
c_major = TonedScale(tonic="C4")["major"]
|
||||
a_minor = TonedScale(tonic="A4")["minor"]
|
||||
|
||||
# Same notes, different starting point
|
||||
set(c_major.note_names) == set(a_minor.note_names) # True
|
||||
>>> c_major = TonedScale(tonic="C4")["major"]
|
||||
>>> a_minor = TonedScale(tonic="A4")["minor"]
|
||||
>>> set(c_major.note_names) == set(a_minor.note_names)
|
||||
True
|
||||
|
||||
The `harmonic minor <https://en.wikipedia.org/wiki/Harmonic_minor_scale>`_ raises the 7th degree of the natural minor,
|
||||
creating an augmented 2nd interval (3 semitones) between the 6th and
|
||||
@@ -79,44 +75,65 @@ The seven `modes <https://en.wikipedia.org/wiki/Mode_(music)>`_ of the major sca
|
||||
pattern, each starting from a different degree. Each mode has a distinct
|
||||
emotional character:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
c = TonedScale(tonic="C4")
|
||||
>>> c = TonedScale(tonic="C4")
|
||||
|
||||
**Ionian** (I) — the major scale itself. Bright, happy, resolved::
|
||||
**Ionian** (I) — the major scale itself. Bright, happy, resolved:
|
||||
|
||||
c["ionian"] # C D E F G A B C
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c["ionian"].note_names
|
||||
['C', 'D', 'E', 'F', 'G', 'A', 'B', 'C']
|
||||
|
||||
`Dorian <https://en.wikipedia.org/wiki/Dorian_mode>`_ (ii) — minor with a raised 6th. Jazzy, soulful (So What,
|
||||
Scarborough Fair)::
|
||||
Scarborough Fair):
|
||||
|
||||
c["dorian"] # C D Eb F G A Bb C
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c["dorian"].note_names
|
||||
['C', 'D', 'Eb', 'F', 'G', 'A', 'Bb', 'C']
|
||||
|
||||
`Phrygian <https://en.wikipedia.org/wiki/Phrygian_mode>`_ (iii) — minor with a flat 2nd. Spanish, flamenco, dark
|
||||
(White Rabbit)::
|
||||
(White Rabbit):
|
||||
|
||||
c["phrygian"] # C Db Eb F G Ab Bb C
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c["phrygian"].note_names
|
||||
['C', 'Db', 'Eb', 'F', 'G', 'Ab', 'Bb', 'C']
|
||||
|
||||
`Lydian <https://en.wikipedia.org/wiki/Lydian_mode>`_ (IV) — major with a raised 4th. Dreamy, floating, ethereal
|
||||
(The Simpsons theme, Flying by ET)::
|
||||
(The Simpsons theme, Flying by ET):
|
||||
|
||||
c["lydian"] # C D E F# G A B C
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c["lydian"].note_names
|
||||
['C', 'D', 'E', 'F#', 'G', 'A', 'B', 'C']
|
||||
|
||||
`Mixolydian <https://en.wikipedia.org/wiki/Mixolydian_mode>`_ (V) — major with a flat 7th. Bluesy, rock, dominant
|
||||
(Norwegian Wood, Sweet Home Alabama)::
|
||||
(Norwegian Wood, Sweet Home Alabama):
|
||||
|
||||
c["mixolydian"] # C D E F G A Bb C
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c["mixolydian"].note_names
|
||||
['C', 'D', 'E', 'F', 'G', 'A', 'Bb', 'C']
|
||||
|
||||
`Aeolian <https://en.wikipedia.org/wiki/Aeolian_mode>`_ (vi) — the natural minor scale. Sad, dark, introspective
|
||||
(Stairway to Heaven, Losing My Religion)::
|
||||
(Stairway to Heaven, Losing My Religion):
|
||||
|
||||
c["aeolian"] # C D Eb F G Ab Bb C
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c["aeolian"].note_names
|
||||
['C', 'D', 'Eb', 'F', 'G', 'Ab', 'Bb', 'C']
|
||||
|
||||
`Locrian <https://en.wikipedia.org/wiki/Locrian_mode>`_ (vii) — minor with flat 2nd and flat 5th. Unstable,
|
||||
rarely used as a home key (used in metal and jazz over diminished
|
||||
chords)::
|
||||
chords):
|
||||
|
||||
c["locrian"] # C Db Eb F Gb Ab Bb C
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c["locrian"].note_names
|
||||
['C', 'Db', 'Eb', 'F', 'Gb', 'Ab', 'Bb', 'C']
|
||||
|
||||
Scale Degrees
|
||||
-------------
|
||||
@@ -137,32 +154,45 @@ Leading Tone VII One semitone below tonic — pulls upward
|
||||
|
||||
Access degrees by index, Roman numeral, or name:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
major = TonedScale(tonic="C4")["major"]
|
||||
|
||||
major[0] # C4 (by index)
|
||||
major["I"] # C4 (by Roman numeral)
|
||||
major["tonic"] # C4 (by degree name)
|
||||
|
||||
major["V"] # G4 (dominant)
|
||||
major["dominant"] # G4
|
||||
|
||||
major[0:3] # (C4, D4, E4) — slicing works too
|
||||
>>> major = TonedScale(tonic="C4")["major"]
|
||||
>>> major[0]
|
||||
C4
|
||||
>>> major["I"]
|
||||
C4
|
||||
>>> major["tonic"]
|
||||
C4
|
||||
>>> major["V"]
|
||||
G4
|
||||
>>> major["dominant"]
|
||||
G4
|
||||
>>> major[0:3]
|
||||
(<Tone C4>, <Tone D4>, <Tone E4>)
|
||||
|
||||
Iteration
|
||||
---------
|
||||
|
||||
Scales are iterable and support ``len()`` and ``in``:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
for tone in major:
|
||||
print(f"{tone.name}: {tone.frequency:.1f} Hz")
|
||||
|
||||
len(major) # 8 (7 notes + octave)
|
||||
"C" in major # True
|
||||
"C#" in major # False
|
||||
>>> for tone in major:
|
||||
... print(f"{tone.name}: {tone.frequency:.1f} Hz")
|
||||
C: 261.6 Hz
|
||||
D: 293.7 Hz
|
||||
E: 329.6 Hz
|
||||
F: 349.2 Hz
|
||||
G: 392.0 Hz
|
||||
A: 440.0 Hz
|
||||
B: 493.9 Hz
|
||||
C: 523.3 Hz
|
||||
>>> len(major)
|
||||
8
|
||||
>>> "C" in major
|
||||
True
|
||||
>>> "C#" in major
|
||||
False
|
||||
|
||||
Building Chords from Scales
|
||||
----------------------------
|
||||
@@ -185,21 +215,25 @@ Notice the pattern: **major** triads on I, IV, V; **minor** triads on
|
||||
ii, iii, vi; **diminished** on vii°. This pattern holds for every major
|
||||
key.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
major = TonedScale(tonic="C4")["major"]
|
||||
|
||||
# Build diatonic triads
|
||||
I = major.triad(0) # C E G (C major)
|
||||
ii = major.triad(1) # D F A (D minor)
|
||||
iii = major.triad(2) # E G B (E minor)
|
||||
IV = major.triad(3) # F A C (F major)
|
||||
V = major.triad(4) # G B D (G major)
|
||||
vi = major.triad(5) # A C E (A minor)
|
||||
|
||||
# Build seventh chords
|
||||
Imaj7 = major.chord(0, 2, 4, 6) # C E G B = Cmaj7
|
||||
V7 = major.chord(4, 6, 8, 10) # G B D F = G7 (dominant 7th)
|
||||
>>> major = TonedScale(tonic="C4")["major"]
|
||||
>>> major.triad(0)
|
||||
C major
|
||||
>>> major.triad(1)
|
||||
D minor
|
||||
>>> major.triad(2)
|
||||
E minor
|
||||
>>> major.triad(3)
|
||||
F major
|
||||
>>> major.triad(4)
|
||||
G major
|
||||
>>> major.triad(5)
|
||||
A minor
|
||||
>>> major.chord(0, 2, 4, 6)
|
||||
C major 7th
|
||||
>>> major.chord(4, 6, 8, 10)
|
||||
G dominant 7th
|
||||
|
||||
Common Progressions
|
||||
~~~~~~~~~~~~~~~~~~~
|
||||
@@ -215,6 +249,29 @@ Some of the most-used chord progressions in Western music:
|
||||
My Heart Will Go On)
|
||||
- **I–IV–vi–V** — axis of awesome (many, many pop songs)
|
||||
|
||||
The :class:`~pytheory.scales.Key` class makes working with progressions
|
||||
easy:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> from pytheory import Key
|
||||
>>> key = Key("G", "major")
|
||||
>>> chords = key.progression("I", "V", "vi", "IV")
|
||||
>>> for c in chords:
|
||||
... print(c.identify())
|
||||
G major
|
||||
D major
|
||||
E minor
|
||||
C major
|
||||
>>> key.nashville(1, 5, 6, 4)
|
||||
[<Chord G major>, <Chord D major>, <Chord E minor>, <Chord C major>]
|
||||
>>> key.chords
|
||||
['G major', 'A minor', 'B minor', 'C major', 'D major', 'E minor', 'F# diminished']
|
||||
>>> key.seventh_chords
|
||||
['G major 7th', 'A minor 7th', 'B minor 7th', 'C major 7th', 'D dominant 7th', 'E minor 7th', 'F# half-diminished 7th']
|
||||
>>> Key.detect("C", "E", "G", "A", "D")
|
||||
C major
|
||||
|
||||
The 12-Bar Blues
|
||||
~~~~~~~~~~~~~~~~
|
||||
|
||||
@@ -233,35 +290,104 @@ structure. In the key of A::
|
||||
| D | D | A | A |
|
||||
| E | D | A | E |
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import TonedScale
|
||||
>>> from pytheory import TonedScale
|
||||
>>> a = TonedScale(tonic="A4")["major"]
|
||||
>>> I = a.triad(0)
|
||||
>>> IV = a.triad(3)
|
||||
>>> V = a.triad(4)
|
||||
>>> blues_12 = [I, I, I, I, IV, IV, I, I, V, IV, I, V]
|
||||
|
||||
a = TonedScale(tonic="A4")["major"]
|
||||
I = a.triad(0) # A major
|
||||
IV = a.triad(3) # D major
|
||||
V = a.triad(4) # E major
|
||||
Key Signatures
|
||||
~~~~~~~~~~~~~~
|
||||
|
||||
# The 12-bar blues progression
|
||||
blues_12 = [I, I, I, I, IV, IV, I, I, V, IV, I, V]
|
||||
The ``signature`` property tells you how many sharps or flats a key has:
|
||||
|
||||
Parallel Major and Minor
|
||||
~~~~~~~~~~~~~~~~~~~~~~~~~
|
||||
.. code-block:: pycon
|
||||
|
||||
Two scales are **relative** if they share the same notes (C major and
|
||||
A minor). Two scales are `parallel <https://en.wikipedia.org/wiki/Parallel_key>`_ if they share the same tonic but
|
||||
have different notes (C major and C minor).
|
||||
>>> Key("G", "major").signature
|
||||
{'sharps': 1, 'flats': 0, 'accidentals': ['F#']}
|
||||
>>> Key("F", "major").signature
|
||||
{'sharps': 0, 'flats': 1, 'accidentals': ['Bb']}
|
||||
>>> Key("C", "major").signature
|
||||
{'sharps': 0, 'flats': 0, 'accidentals': []}
|
||||
|
||||
Mixing parallel major and minor is a powerful compositional tool —
|
||||
borrowing chords from the parallel minor in a major key creates
|
||||
dramatic color shifts. The bVI and bVII chords (Ab and Bb in C major)
|
||||
are borrowed from C minor and appear constantly in rock and film music.
|
||||
Relative and Parallel Keys
|
||||
~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||||
|
||||
.. code-block:: python
|
||||
Two keys are **relative** if they share the same notes (C major and
|
||||
A minor). Two keys are `parallel <https://en.wikipedia.org/wiki/Parallel_key>`_ if they share the same tonic but
|
||||
have different notes (C major and C minor):
|
||||
|
||||
c_major = TonedScale(tonic="C4")["major"]
|
||||
c_minor = TonedScale(tonic="C4")["minor"]
|
||||
.. code-block:: pycon
|
||||
|
||||
# Compare: same tonic, different notes
|
||||
c_major.note_names # ['C', 'D', 'E', 'F', 'G', 'A', 'B', 'C']
|
||||
c_minor.note_names # ['C', 'D', 'D#', 'F', 'G', 'G#', 'A#', 'C']
|
||||
>>> Key("C", "major").relative
|
||||
A minor
|
||||
>>> Key("A", "minor").relative
|
||||
C major
|
||||
>>> Key("C", "major").parallel
|
||||
C minor
|
||||
|
||||
Borrowed Chords
|
||||
~~~~~~~~~~~~~~~
|
||||
|
||||
`Modal interchange <https://en.wikipedia.org/wiki/Borrowed_chord>`_ —
|
||||
borrowing chords from the parallel key — is one of the most powerful
|
||||
tools in songwriting. The bVI and bVII chords (Ab and Bb in C major)
|
||||
are borrowed from C minor and appear constantly in rock and film music:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> Key("C", "major").borrowed_chords
|
||||
['C minor', 'D diminished', 'Eb major', 'F minor', 'G minor', 'Ab major', 'Bb major']
|
||||
|
||||
Secondary Dominants
|
||||
~~~~~~~~~~~~~~~~~~~
|
||||
|
||||
A `secondary dominant <https://en.wikipedia.org/wiki/Secondary_dominant>`_
|
||||
is the V chord *of* a non-tonic chord. It creates a momentary pull
|
||||
toward that chord, adding harmonic color:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> key = Key("C", "major")
|
||||
>>> key.secondary_dominant(5)
|
||||
D dominant 7th
|
||||
>>> key.secondary_dominant(2)
|
||||
A dominant 7th
|
||||
|
||||
Random Progressions
|
||||
~~~~~~~~~~~~~~~~~~~
|
||||
|
||||
Need inspiration? Generate weighted random progressions. The weights
|
||||
favor common chord functions (I and vi most likely, vii least):
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> key = Key("C", "major")
|
||||
>>> chords = key.random_progression(4)
|
||||
>>> [c.identify() for c in chords]
|
||||
['C major', 'F major', 'A minor', 'G major']
|
||||
|
||||
All Keys
|
||||
~~~~~~~~
|
||||
|
||||
Enumerate all 24 major and minor keys:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> Key.all_keys()
|
||||
[<Key C major>, <Key C minor>, <Key C# major>, <Key C# minor>, ...]
|
||||
|
||||
Scale Transposition
|
||||
~~~~~~~~~~~~~~~~~~~
|
||||
|
||||
Transpose an entire scale by a number of semitones:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c_major = TonedScale(tonic="C4")["major"]
|
||||
>>> d_major = c_major.transpose(2)
|
||||
>>> d_major.note_names
|
||||
['D', 'E', 'F#', 'G', 'A', 'B', 'C#', 'D']
|
||||
|
||||
+72
-69
@@ -10,16 +10,16 @@ Western
|
||||
The standard 12-tone equal temperament system with major/minor scales
|
||||
and all seven modes.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import TonedScale
|
||||
>>> from pytheory import TonedScale
|
||||
|
||||
c = TonedScale(tonic="C4")
|
||||
c["major"].note_names
|
||||
# ['C', 'D', 'E', 'F', 'G', 'A', 'B', 'C']
|
||||
>>> c = TonedScale(tonic="C4")
|
||||
>>> c["major"].note_names
|
||||
['C', 'D', 'E', 'F', 'G', 'A', 'B', 'C']
|
||||
|
||||
c["dorian"].note_names
|
||||
# ['C', 'D', 'D#', 'F', 'G', 'A', 'A#', 'C']
|
||||
>>> c["dorian"].note_names
|
||||
['C', 'D', 'Eb', 'F', 'G', 'A', 'Bb', 'C']
|
||||
|
||||
**Scales:** major, minor, harmonic minor, ionian, dorian, phrygian,
|
||||
lydian, mixolydian, aeolian, locrian, chromatic
|
||||
@@ -31,20 +31,20 @@ The Hindustani system uses **swaras** (Sa, Re, Ga, Ma, Pa, Dha, Ni) and
|
||||
organizes scales into `thaats <https://en.wikipedia.org/wiki/Thaat>`_ — the 10 parent scales from which `ragas <https://en.wikipedia.org/wiki/Raga>`_
|
||||
are derived.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import TonedScale
|
||||
>>> from pytheory import TonedScale
|
||||
|
||||
sa = TonedScale(tonic="Sa4", system="indian")
|
||||
>>> sa = TonedScale(tonic="Sa4", system="indian")
|
||||
|
||||
sa["bilawal"].note_names # = major scale
|
||||
# ['Sa', 'Re', 'Ga', 'Ma', 'Pa', 'Dha', 'Ni', 'Sa']
|
||||
>>> sa["bilawal"].note_names # = major scale
|
||||
['Sa', 'Re', 'Ga', 'Ma', 'Pa', 'Dha', 'Ni', 'Sa']
|
||||
|
||||
sa["bhairav"].note_names # unique to Indian music
|
||||
# ['Sa', 'komal Re', 'Ga', 'Ma', 'Pa', 'komal Dha', 'Ni', 'Sa']
|
||||
>>> sa["bhairav"].note_names # unique to Indian music
|
||||
['Sa', 'komal Re', 'Ga', 'Ma', 'Pa', 'komal Dha', 'Ni', 'Sa']
|
||||
|
||||
sa["todi"].note_names
|
||||
# ['Sa', 'komal Re', 'komal Ga', 'tivra Ma', 'Pa', 'komal Dha', 'Ni', 'Sa']
|
||||
>>> sa["todi"].note_names
|
||||
['Sa', 'komal Re', 'komal Ga', 'tivra Ma', 'Pa', 'komal Dha', 'Ni', 'Sa']
|
||||
|
||||
**Thaats:** bilawal, khamaj, kafi, asavari, bhairavi, kalyan, bhairav,
|
||||
poorvi, marwa, todi
|
||||
@@ -67,20 +67,20 @@ and organizes scales into **maqamat** (plural of `maqam <https://en.wikipedia.or
|
||||
12-tone equal temperament. These scales are the closest 12-TET
|
||||
approximations.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import TonedScale
|
||||
>>> from pytheory import TonedScale
|
||||
|
||||
do = TonedScale(tonic="Do4", system="arabic")
|
||||
>>> do = TonedScale(tonic="Do4", system="arabic")
|
||||
|
||||
do["ajam"].note_names # = major scale
|
||||
# ['Do', 'Re', 'Mi', 'Fa', 'Sol', 'La', 'Si', 'Do']
|
||||
>>> do["ajam"].note_names # = major scale
|
||||
['Do', 'Re', 'Mi', 'Fa', 'Sol', 'La', 'Si', 'Do']
|
||||
|
||||
do["hijaz"].note_names # characteristic augmented 2nd
|
||||
# ['Do', 'Reb', 'Mi', 'Fa', 'Sol', 'Solb', 'Sib', 'Do']
|
||||
>>> do["hijaz"].note_names # characteristic augmented 2nd
|
||||
['Do', 'Reb', 'Mi', 'Fa', 'Sol', 'Solb', 'Sib', 'Do']
|
||||
|
||||
do["nikriz"].note_names
|
||||
# ['Do', 'Re', 'Mib', 'Fa#', 'Sol', 'La', 'Sib', 'Do']
|
||||
>>> do["nikriz"].note_names
|
||||
['Do', 'Re', 'Mib', 'Fa#', 'Sol', 'La', 'Sib', 'Do']
|
||||
|
||||
**Maqamat:** ajam, nahawand, kurd, hijaz, nikriz, bayati, rast, saba,
|
||||
sikah, jiharkah
|
||||
@@ -91,23 +91,23 @@ Japanese
|
||||
The Japanese system uses Western note names with traditional pentatonic
|
||||
and heptatonic scales from Japanese music.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import TonedScale
|
||||
>>> from pytheory import TonedScale
|
||||
|
||||
c = TonedScale(tonic="C4", system="japanese")
|
||||
>>> c = TonedScale(tonic="C4", system="japanese")
|
||||
|
||||
c["hirajoshi"].note_names # most iconic Japanese scale
|
||||
# ['C', 'D', 'D#', 'G', 'G#', 'C']
|
||||
>>> c["hirajoshi"].note_names # most iconic Japanese scale
|
||||
['C', 'D', 'Eb', 'G', 'Ab', 'C']
|
||||
|
||||
c["in"].note_names # Miyako-bushi, used in koto music
|
||||
# ['C', 'C#', 'F', 'G', 'G#', 'C']
|
||||
>>> c["in"].note_names # Miyako-bushi, used in koto music
|
||||
['C', 'Db', 'F', 'G', 'Ab', 'C']
|
||||
|
||||
c["yo"].note_names # folk music scale
|
||||
# ['C', 'D', 'F', 'G', 'A#', 'C']
|
||||
>>> c["yo"].note_names # folk music scale
|
||||
['C', 'D', 'F', 'G', 'A#', 'C']
|
||||
|
||||
c["ritsu"].note_names # gagaku court music (= Dorian)
|
||||
# ['C', 'D', 'D#', 'F', 'G', 'A', 'A#', 'C']
|
||||
>>> c["ritsu"].note_names # gagaku court music (= Dorian)
|
||||
['C', 'D', 'Eb', 'F', 'G', 'A', 'Bb', 'C']
|
||||
|
||||
**Pentatonic scales:** hirajoshi, in, yo, iwato, kumoi, insen
|
||||
|
||||
@@ -125,23 +125,23 @@ The `blues scale <https://en.wikipedia.org/wiki/Blues_scale>`_ adds the "`blue n
|
||||
minor pentatonic — this chromatic passing tone is the defining sound
|
||||
of the blues.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import TonedScale
|
||||
>>> from pytheory import TonedScale
|
||||
|
||||
c = TonedScale(tonic="C4", system="blues")
|
||||
>>> c = TonedScale(tonic="C4", system="blues")
|
||||
|
||||
c["major pentatonic"].note_names # the "happy" pentatonic
|
||||
# ['C', 'D', 'E', 'G', 'A', 'C']
|
||||
>>> c["major pentatonic"].note_names # the "happy" pentatonic
|
||||
['C', 'D', 'E', 'G', 'A', 'C']
|
||||
|
||||
c["minor pentatonic"].note_names # the "sad" pentatonic
|
||||
# ['C', 'D#', 'F', 'G', 'A#', 'C']
|
||||
>>> c["minor pentatonic"].note_names # the "sad" pentatonic
|
||||
['C', 'D#', 'F', 'G', 'A#', 'C']
|
||||
|
||||
c["blues"].note_names # minor pentatonic + blue note
|
||||
# ['C', 'D#', 'F', 'F#', 'G', 'A#', 'C']
|
||||
>>> c["blues"].note_names # minor pentatonic + blue note
|
||||
['C', 'Eb', 'F', 'Gb', 'G', 'Bb', 'C']
|
||||
|
||||
c["major blues"].note_names # major pentatonic + blue note
|
||||
# ['C', 'D', 'D#', 'E', 'G', 'A', 'C']
|
||||
>>> c["major blues"].note_names # major pentatonic + blue note
|
||||
['C', 'D', 'Eb', 'E', 'G', 'A', 'C']
|
||||
|
||||
**Pentatonic:** major pentatonic, minor pentatonic
|
||||
|
||||
@@ -163,20 +163,20 @@ these are the closest 12-TET approximations.
|
||||
an ethereal, floating quality. `Pelog <https://en.wikipedia.org/wiki/Pelog>`_ is a 7-tone scale with unequal
|
||||
intervals, typically performed using 5-note subsets called *pathet*.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import TonedScale
|
||||
>>> from pytheory import TonedScale
|
||||
|
||||
ji = TonedScale(tonic="ji4", system="gamelan")
|
||||
>>> ji = TonedScale(tonic="ji4", system="gamelan")
|
||||
|
||||
ji["slendro"].note_names # the 5-tone equidistant scale
|
||||
# ['ji', 'ro', 'pat', 'mo', 'pi', 'ji']
|
||||
>>> ji["slendro"].note_names # the 5-tone equidistant scale
|
||||
['ji', 'ro', 'pat', 'mo', 'pi', 'ji']
|
||||
|
||||
ji["pelog"].note_names # full 7-tone pelog
|
||||
# ['ji', 'ro-', 'lu', 'pat', 'mo', 'nem-', 'barang', 'ji']
|
||||
>>> ji["pelog"].note_names # full 7-tone pelog
|
||||
['ji', 'ro-', 'lu', 'pat', 'mo', 'nem-', 'barang', 'ji']
|
||||
|
||||
ji["pelog nem"].note_names # pathet nem subset
|
||||
# ['ji', 'ro-', 'lu', 'pat', 'mo', 'ji']
|
||||
>>> ji["pelog nem"].note_names # pathet nem subset
|
||||
['ji', 'ro-', 'lu', 'pat', 'mo', 'ji']
|
||||
|
||||
**Pentatonic:** slendro, pelog nem, pelog barang, pelog lima
|
||||
|
||||
@@ -195,20 +195,23 @@ Cross-System Comparison
|
||||
Since all systems use 12-tone equal temperament, equivalent scales
|
||||
produce the same pitches:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import TonedScale, Tone
|
||||
>>> from pytheory import TonedScale, Tone
|
||||
|
||||
# These are all the same scale with different names
|
||||
western = TonedScale(tonic="C4")["major"]
|
||||
indian = TonedScale(tonic="Sa4", system="indian")["bilawal"]
|
||||
arabic = TonedScale(tonic="Do4", system="arabic")["ajam"]
|
||||
>>> # These are all the same scale with different names
|
||||
>>> western = TonedScale(tonic="C4")["major"]
|
||||
>>> indian = TonedScale(tonic="Sa4", system="indian")["bilawal"]
|
||||
>>> arabic = TonedScale(tonic="Do4", system="arabic")["ajam"]
|
||||
|
||||
# Same pitches
|
||||
c4 = Tone.from_string("C4", system="western")
|
||||
sa4 = Tone.from_string("Sa4", system="indian")
|
||||
do4 = Tone.from_string("Do4", system="arabic")
|
||||
>>> # Same pitches
|
||||
>>> c4 = Tone.from_string("C4", system="western")
|
||||
>>> sa4 = Tone.from_string("Sa4", system="indian")
|
||||
>>> do4 = Tone.from_string("Do4", system="arabic")
|
||||
|
||||
c4.frequency # 261.63
|
||||
sa4.frequency # 261.63
|
||||
do4.frequency # 261.63
|
||||
>>> c4.frequency
|
||||
261.6255653005986
|
||||
>>> sa4.frequency
|
||||
261.6255653005986
|
||||
>>> do4.frequency
|
||||
261.6255653005986
|
||||
|
||||
+53
-54
@@ -50,14 +50,13 @@ cycle almost closes. The tiny gap where it doesn't close perfectly is
|
||||
the `Pythagorean comma <https://en.wikipedia.org/wiki/Pythagorean_comma>`_
|
||||
— the reason we need `temperament <https://en.wikipedia.org/wiki/Musical_temperament>`_.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Tone
|
||||
>>> from pytheory import Tone
|
||||
|
||||
# Walk the circle of fifths — all 12 notes
|
||||
c = Tone.from_string("C4", system="western")
|
||||
[t.name for t in c.circle_of_fifths()]
|
||||
# ['C', 'G', 'D', 'A', 'E', 'B', 'F#', 'C#', 'G#', 'D#', 'A#', 'F']
|
||||
>>> c = Tone.from_string("C4", system="western")
|
||||
>>> [t.name for t in c.circle_of_fifths()]
|
||||
['C', 'G', 'D', 'A', 'E', 'B', 'F#', 'C#', 'G#', 'D#', 'A#', 'F']
|
||||
|
||||
Other cultures divide the octave differently: Indonesian
|
||||
`gamelan <https://en.wikipedia.org/wiki/Gamelan>`_ uses 5 or 7 unequal
|
||||
@@ -183,17 +182,18 @@ is exactly this pattern. Every "Louie Louie" and every
|
||||
`Bach chorale <https://en.wikipedia.org/wiki/Bach_chorale>`_ follows
|
||||
this basic tonal gravity.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import TonedScale
|
||||
>>> from pytheory import TonedScale
|
||||
|
||||
scale = TonedScale(tonic="C4")["major"]
|
||||
>>> scale = TonedScale(tonic="C4")["major"]
|
||||
|
||||
# The I-IV-V-I progression
|
||||
I = scale.triad(0) # C major — home
|
||||
IV = scale.triad(3) # F major — departure
|
||||
V = scale.triad(4) # G major — tension
|
||||
# I again # C major — resolution
|
||||
>>> scale.triad(0).identify()
|
||||
'C major'
|
||||
>>> scale.triad(3).identify()
|
||||
'F major'
|
||||
>>> scale.triad(4).identify()
|
||||
'G major'
|
||||
|
||||
The Dominant Seventh
|
||||
~~~~~~~~~~~~~~~~~~~~
|
||||
@@ -210,20 +210,24 @@ This combination creates the strongest possible pull toward
|
||||
`resolution <https://en.wikipedia.org/wiki/Resolution_(music)>`_.
|
||||
When you hear V7→I, you feel arrival.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Chord, Tone
|
||||
>>> from pytheory import Chord, Tone
|
||||
|
||||
C4 = Tone.from_string("C4", system="western")
|
||||
G4 = Tone.from_string("G4", system="western")
|
||||
>>> C4 = Tone.from_string("C4", system="western")
|
||||
>>> G4 = Tone.from_string("G4", system="western")
|
||||
|
||||
g7 = Chord([G4, G4+4, G4+7, G4+10]) # G B D F
|
||||
g7.identify() # 'G dominant 7th'
|
||||
g7.tension['has_dominant_function'] # True
|
||||
g7.tension['tritones'] # 1
|
||||
>>> g7 = Chord([G4, G4+4, G4+7, G4+10])
|
||||
>>> g7.identify()
|
||||
'G dominant 7th'
|
||||
>>> g7.tension['has_dominant_function']
|
||||
True
|
||||
>>> g7.tension['tritones']
|
||||
1
|
||||
|
||||
c_major = Chord([C4, C4+4, C4+7]) # C E G
|
||||
c_major.tension['score'] # 0.0 — fully resolved
|
||||
>>> c_major = Chord([C4, C4+4, C4+7])
|
||||
>>> c_major.tension['score']
|
||||
0.0
|
||||
|
||||
Rhythm and Meter
|
||||
----------------
|
||||
@@ -277,43 +281,38 @@ foundation of blues and jazz. Indonesian gamelan embraces
|
||||
`beating <https://en.wikipedia.org/wiki/Beat_(acoustics)>`_ between
|
||||
paired instruments as a core aesthetic.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Chord, Tone
|
||||
>>> from pytheory import Chord, Tone
|
||||
|
||||
C4 = Tone.from_string("C4", system="western")
|
||||
E4 = Tone.from_string("E4", system="western")
|
||||
G4 = Tone.from_string("G4", system="western")
|
||||
>>> C4 = Tone.from_string("C4", system="western")
|
||||
>>> E4 = Tone.from_string("E4", system="western")
|
||||
>>> G4 = Tone.from_string("G4", system="western")
|
||||
|
||||
# The overtone series — the fifth is "built into" every tone
|
||||
C4.overtones(6)
|
||||
# [261.63, 523.25, 784.88, 1046.50, 1308.13, 1569.75]
|
||||
# 3rd harmonic (784.88) ≈ G5 (783.99) — a perfect fifth
|
||||
>>> [round(f, 2) for f in C4.overtones(6)]
|
||||
[261.63, 523.25, 784.88, 1046.5, 1308.13, 1569.75]
|
||||
|
||||
# Consonance: simple frequency ratios score high
|
||||
fifth = Chord([C4, G4]) # 3:2 ratio
|
||||
tritone = Chord([C4, C4 + 6]) # 45:32 ratio
|
||||
fifth.harmony > tritone.harmony # True
|
||||
>>> fifth = Chord([C4, G4])
|
||||
>>> tritone = Chord([C4, C4 + 6])
|
||||
>>> fifth.harmony > tritone.harmony
|
||||
True
|
||||
|
||||
# Dissonance: Plomp-Levelt roughness model
|
||||
# An octave has low roughness (frequencies far apart)
|
||||
# A major 3rd has more roughness (closer frequencies)
|
||||
octave = Chord([C4, C4 + 12])
|
||||
third = Chord([C4, E4])
|
||||
octave.dissonance < third.dissonance # True
|
||||
>>> octave = Chord([C4, C4 + 12])
|
||||
>>> third = Chord([C4, E4])
|
||||
>>> octave.dissonance < third.dissonance
|
||||
True
|
||||
|
||||
# Tension: tritones and dominant function
|
||||
c_major = Chord([C4, E4, G4])
|
||||
c_major.tension['score'] # 0.0 — fully resolved
|
||||
>>> c_major = Chord([C4, E4, G4])
|
||||
>>> c_major.tension['score']
|
||||
0.0
|
||||
|
||||
g7 = Chord([G4, G4+4, G4+7, G4+10]) # G dominant 7th
|
||||
g7.tension['score'] # 0.6 — wants to resolve
|
||||
g7.tension['tritones'] # 1 (B-F)
|
||||
g7.tension['has_dominant_function'] # True
|
||||
|
||||
# Beat frequencies — the pulsing between close pitches
|
||||
g7.beat_frequencies
|
||||
# [(tone_a, tone_b, hz), ...] sorted by frequency
|
||||
>>> g7 = Chord([G4, G4+4, G4+7, G4+10])
|
||||
>>> g7.tension['score']
|
||||
0.6
|
||||
>>> g7.tension['tritones']
|
||||
1
|
||||
>>> g7.tension['has_dominant_function']
|
||||
True
|
||||
|
||||
Further Reading
|
||||
---------------
|
||||
|
||||
+146
-42
@@ -40,34 +40,46 @@ Key reference points:
|
||||
Creating Tones
|
||||
--------------
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
from pytheory import Tone
|
||||
>>> from pytheory import Tone
|
||||
|
||||
# From a string (most common)
|
||||
c4 = Tone.from_string("C4")
|
||||
cs4 = Tone.from_string("C#4")
|
||||
>>> c4 = Tone.from_string("C4")
|
||||
>>> cs4 = Tone.from_string("C#4")
|
||||
>>> db4 = Tone.from_string("Db4")
|
||||
|
||||
# Direct construction
|
||||
d = Tone(name="D", octave=3)
|
||||
>>> d = Tone(name="D", octave=3)
|
||||
|
||||
# With a specific system
|
||||
a4 = Tone.from_string("A4", system="western")
|
||||
>>> a4 = Tone.from_string("A4", system="western")
|
||||
|
||||
>>> Tone.from_frequency(440)
|
||||
<Tone A4>
|
||||
>>> Tone.from_frequency(261.63)
|
||||
<Tone C4>
|
||||
|
||||
>>> Tone.from_midi(60)
|
||||
<Tone C4>
|
||||
>>> Tone.from_midi(69)
|
||||
<Tone A4>
|
||||
|
||||
Properties
|
||||
----------
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c4 = Tone.from_string("C4")
|
||||
>>> c4 = Tone.from_string("C4", system="western")
|
||||
>>> c4.name
|
||||
'C'
|
||||
>>> c4.octave
|
||||
4
|
||||
>>> c4.full_name
|
||||
'C4'
|
||||
>>> str(c4)
|
||||
'C4'
|
||||
>>> c4.letter
|
||||
'C'
|
||||
>>> c4.midi
|
||||
60
|
||||
>>> c4.exists
|
||||
True
|
||||
|
||||
Pitch and Frequency
|
||||
-------------------
|
||||
@@ -77,17 +89,17 @@ cycles per second). The relationship between pitch and frequency is
|
||||
**logarithmic**: each octave doubles the frequency, and each semitone
|
||||
multiplies by the 12th root of 2 (~1.05946).
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> a4 = Tone.from_string("A4", system="western")
|
||||
>>> a4.frequency
|
||||
440.0
|
||||
|
||||
>>> Tone.from_string("A3", system="western").frequency
|
||||
220.0 # One octave down = half the frequency
|
||||
220.0
|
||||
|
||||
>>> Tone.from_string("C4", system="western").frequency
|
||||
261.63 # Middle C
|
||||
261.6255653005986
|
||||
|
||||
Temperament
|
||||
~~~~~~~~~~~
|
||||
@@ -112,22 +124,56 @@ same note name:
|
||||
in closely related keys but "wolf intervals" make distant keys
|
||||
unusable.
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> a4.pitch(temperament="equal")
|
||||
440.0
|
||||
>>> a4.pitch(temperament="pythagorean")
|
||||
440.0 # A4 is always 440 (it's the reference)
|
||||
440.0
|
||||
|
||||
>>> c5 = Tone.from_string("C5", system="western")
|
||||
>>> c5.pitch(temperament="equal")
|
||||
523.25
|
||||
523.2511306011972
|
||||
>>> c5.pitch(temperament="pythagorean")
|
||||
521.48 # Slightly different!
|
||||
521.4814814814815
|
||||
|
||||
Symbolic Pitch
|
||||
~~~~~~~~~~~~~~
|
||||
|
||||
Pass ``symbolic=True`` to get exact pitch ratios as
|
||||
`SymPy <https://en.wikipedia.org/wiki/SymPy>`_ expressions instead of
|
||||
floating-point approximations. This is useful for mathematical analysis,
|
||||
proving tuning relationships, or comparing temperaments with exact
|
||||
arithmetic.
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> a4 = Tone.from_string("A4", system="western")
|
||||
|
||||
# Symbolic output (SymPy expression)
|
||||
>>> a4.pitch(symbolic=True)
|
||||
440
|
||||
>>> Tone.from_string("C5", system="western").pitch(symbolic=True)
|
||||
440*2**(1/4)
|
||||
|
||||
>>> Tone.from_string("G4", system="western").pitch(
|
||||
... temperament="pythagorean", symbolic=True)
|
||||
391.111111111111
|
||||
|
||||
>>> e4 = Tone.from_string("E4", system="western")
|
||||
>>> e4.pitch(temperament="equal", symbolic=True)
|
||||
220.0*2**(7/12)
|
||||
>>> e4.pitch(temperament="pythagorean", symbolic=True)
|
||||
330.000000000000
|
||||
>>> e4.pitch(temperament="meantone", symbolic=True)
|
||||
220.0*5**(1/4)
|
||||
|
||||
>>> e4.pitch(symbolic=True).evalf(50)
|
||||
329.62755691286992973584176104655507518647334182098
|
||||
|
||||
The symbolic output reveals *why* temperaments differ: equal temperament
|
||||
uses irrational numbers (roots of 2), Pythagorean uses powers of 3/2
|
||||
(rational but accumulating error), and meantone tunes thirds to the
|
||||
pure 5/4 ratio (sacrificing fifths).
|
||||
|
||||
Intervals and Arithmetic
|
||||
-------------------------
|
||||
@@ -156,34 +202,84 @@ Common intervals::
|
||||
|
||||
Tones support ``+`` and ``-`` operators for semitone math:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c4 = Tone.from_string("C4", system="western")
|
||||
>>> c4 + 4 # Major third up
|
||||
>>> c4 + 4
|
||||
<Tone E4>
|
||||
>>> c4 + 7 # Perfect fifth up
|
||||
>>> c4 + 7
|
||||
<Tone G4>
|
||||
>>> c4 + 12 # Octave up
|
||||
>>> c4 + 12
|
||||
<Tone C5>
|
||||
|
||||
Subtracting two tones gives the semitone distance:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> g4 = Tone.from_string("G4", system="western")
|
||||
>>> g4 - c4 # Perfect fifth = 7 semitones
|
||||
>>> g4 - c4
|
||||
7
|
||||
|
||||
>>> c5 = Tone.from_string("C5", system="western")
|
||||
>>> c5 - c4 # Octave = 12 semitones
|
||||
>>> c5 - c4
|
||||
12
|
||||
|
||||
Naming Intervals
|
||||
~~~~~~~~~~~~~~~~
|
||||
|
||||
The ``interval_to`` method gives the musical name of the interval
|
||||
between two tones, including compound intervals that span more than
|
||||
one octave:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c4.interval_to(g4)
|
||||
'perfect 5th'
|
||||
>>> c4.interval_to(c4 + 4)
|
||||
'major 3rd'
|
||||
>>> c4.interval_to(c5)
|
||||
'octave'
|
||||
|
||||
>>> c4.interval_to(c4 + 19)
|
||||
'perfect 5th + 1 octave'
|
||||
|
||||
Transposition
|
||||
~~~~~~~~~~~~~
|
||||
|
||||
The ``transpose`` method returns a new tone shifted by a number of
|
||||
semitones — equivalent to the ``+`` operator but reads more clearly
|
||||
in some contexts:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c4.transpose(7)
|
||||
<Tone G4>
|
||||
>>> c4.transpose(-2)
|
||||
<Tone A#3>
|
||||
|
||||
MIDI
|
||||
~~~~
|
||||
|
||||
Every tone maps to a `MIDI note number <https://en.wikipedia.org/wiki/MIDI>`_
|
||||
(0–127), the standard for communicating with synthesizers, DAWs, and
|
||||
digital instruments:
|
||||
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c4.midi
|
||||
60
|
||||
>>> Tone.from_string("A4", system="western").midi
|
||||
69
|
||||
|
||||
>>> Tone.from_midi(60).midi
|
||||
60
|
||||
|
||||
Comparison and Sorting
|
||||
----------------------
|
||||
|
||||
Tones can be compared and sorted by pitch frequency:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c4 < g4
|
||||
True
|
||||
@@ -192,9 +288,9 @@ Tones can be compared and sorted by pitch frequency:
|
||||
|
||||
Equality checks note name and octave:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> c4 == "C" # Compare with string (name only)
|
||||
>>> c4 == "C"
|
||||
True
|
||||
>>> c4 == Tone(name="C", octave=4)
|
||||
True
|
||||
@@ -206,7 +302,7 @@ Every tone you hear is actually a composite of many frequencies. When
|
||||
a string vibrates, it doesn't just vibrate as a whole — it also vibrates
|
||||
in halves, thirds, quarters, and so on, producing the `harmonic series <https://en.wikipedia.org/wiki/Harmonic_series_(music)>`_:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> a4 = Tone.from_string("A4", system="western")
|
||||
>>> a4.overtones(8)
|
||||
@@ -248,12 +344,18 @@ D major scale is D E F# G A B C# — not D E Gb G A B Db, even though
|
||||
F#=Gb and C#=Db.
|
||||
|
||||
PyTheory uses sharps by default (following the tone list ordering), but
|
||||
tones carry their enharmonic equivalents:
|
||||
every tone knows its enharmonic spelling:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> Tone.from_tuple(("C#", "Db")).names()
|
||||
['C#', 'Db']
|
||||
>>> Tone.from_string("C#4", system="western").enharmonic
|
||||
'Db'
|
||||
|
||||
>>> Tone.from_string("A#4", system="western").enharmonic
|
||||
'Bb'
|
||||
|
||||
>>> Tone.from_string("C4", system="western").enharmonic is None
|
||||
True
|
||||
|
||||
The Circle of Fifths
|
||||
--------------------
|
||||
@@ -263,13 +365,15 @@ theory. Starting from any note and ascending by perfect fifths (7
|
||||
semitones), you pass through all 12 chromatic tones before returning
|
||||
to the starting note:
|
||||
|
||||
.. code-block:: python
|
||||
.. code-block:: pycon
|
||||
|
||||
>>> t = Tone.from_string("C4", system="western")
|
||||
>>> for i in range(12):
|
||||
... print(t.name, end=" ")
|
||||
... t = t + 7
|
||||
C G D A E B F# C# G# D# A# F
|
||||
>>> c4 = Tone.from_string("C4", system="western")
|
||||
|
||||
>>> [t.name for t in c4.circle_of_fifths()]
|
||||
['C', 'G', 'D', 'A', 'E', 'B', 'F#', 'C#', 'G#', 'D#', 'A#', 'F']
|
||||
|
||||
>>> [t.name for t in c4.circle_of_fourths()]
|
||||
['C', 'F', 'A#', 'D#', 'G#', 'C#', 'F#', 'B', 'E', 'A', 'D', 'G']
|
||||
|
||||
Each step clockwise adds one sharp to the key signature; each step
|
||||
counter-clockwise (ascending by fourths = 5 semitones) adds one flat.
|
||||
|
||||
+70
-15
@@ -1,26 +1,79 @@
|
||||
PyTheory: Music Theory for Humans
|
||||
=================================
|
||||
|
||||
**PyTheory** is a Python library that makes exploring music theory approachable.
|
||||
Work with tones, scales, chords, and fretboards using a clean, Pythonic API.
|
||||
**PyTheory** is a Python library that makes exploring music theory
|
||||
approachable and fun. Work with tones, scales, chords, keys, and
|
||||
instruments using a clean, Pythonic API.
|
||||
|
||||
.. code-block:: python
|
||||
::
|
||||
|
||||
from pytheory import TonedScale, Fretboard, CHARTS
|
||||
$ pip install pytheory
|
||||
|
||||
# Build a C major scale
|
||||
c_major = TonedScale(tonic="C4")["major"]
|
||||
print(c_major.note_names)
|
||||
# ['C', 'D', 'E', 'F', 'G', 'A', 'B', 'C']
|
||||
.. code-block:: pycon
|
||||
|
||||
# Build a triad from the scale
|
||||
chord = c_major.triad(0) # C major triad
|
||||
for tone in chord:
|
||||
print(f"{tone}: {tone.frequency:.1f} Hz")
|
||||
>>> from pytheory import Key, Chord, Tone, Scale, Fretboard
|
||||
|
||||
# Get guitar fingerings
|
||||
fb = Fretboard.guitar()
|
||||
print(CHARTS["western"]["C"].fingering(fretboard=fb))
|
||||
>>> key = Key("C", "major")
|
||||
>>> key.chords
|
||||
['C major', 'D minor', 'E minor', 'F major',
|
||||
'G major', 'A minor', 'B diminished']
|
||||
|
||||
>>> [c.identify() for c in key.progression("I", "V", "vi", "IV")]
|
||||
['C major', 'G major', 'A minor', 'F major']
|
||||
|
||||
>>> Chord.from_tones("Bb", "D", "F").identify()
|
||||
'Bb major'
|
||||
|
||||
>>> c4 = Tone.from_string("C4", system="western")
|
||||
>>> c4.interval_to(c4 + 7)
|
||||
'perfect 5th'
|
||||
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> fb.chord("G")
|
||||
Fingering(e=3, B=0, G=0, D=0, A=2, E=3)
|
||||
|
||||
>>> pentatonic = Scale(tonic="A4", system="blues")["minor pentatonic"]
|
||||
>>> print(fb.scale_diagram(pentatonic, frets=5))
|
||||
0 1 2 3 4 5
|
||||
E| E | - | - | G | - | A |
|
||||
B| - | C | - | D | - | E |
|
||||
G| G | - | A | - | - | C |
|
||||
D| D | - | E | - | - | G |
|
||||
A| A | - | - | C | - | D |
|
||||
E| E | - | - | G | - | A |
|
||||
|
||||
Highlights
|
||||
----------
|
||||
|
||||
- **Tones**: frequencies, MIDI, intervals, transposition, circle of fifths,
|
||||
overtone series, 3 temperaments (equal, Pythagorean, meantone)
|
||||
- **Scales**: 40+ scales across 6 musical systems — Western, Indian,
|
||||
Arabic, Japanese, Blues, Javanese Gamelan
|
||||
- **Chords**: 17 chord types identified automatically, Roman numeral
|
||||
analysis, tension scoring, voice leading, consonance/dissonance
|
||||
- **Keys**: key detection, signatures, progressions (Roman numerals and
|
||||
Nashville numbers), borrowed chords, secondary dominants
|
||||
- **Instruments**: 25 presets (guitar, bass, ukulele, mandolin, violin,
|
||||
banjo, oud, sitar, erhu, and more) with fingering generation
|
||||
- **Audio**: sine, sawtooth, and triangle wave playback + WAV export
|
||||
|
||||
It also works from the command line::
|
||||
|
||||
$ pytheory key G major
|
||||
Key: G major
|
||||
Signature: 1 sharps, 0 flats (F#)
|
||||
Scale: G A B C D E F# G
|
||||
...
|
||||
|
||||
$ pytheory chord C E G
|
||||
Chord: C major
|
||||
Tones: C4 E4 G4
|
||||
Intervals: [4, 3]
|
||||
...
|
||||
|
||||
$ pytheory play Am7 --synth triangle
|
||||
Playing: A minor 7th (A4 C4 E4 G4)
|
||||
Synth: triangle
|
||||
|
||||
.. toctree::
|
||||
:maxdepth: 2
|
||||
@@ -34,6 +87,8 @@ Work with tones, scales, chords, and fretboards using a clean, Pythonic API.
|
||||
guide/fretboard
|
||||
guide/systems
|
||||
guide/playback
|
||||
guide/cli
|
||||
guide/cookbook
|
||||
|
||||
.. toctree::
|
||||
:maxdepth: 2
|
||||
|
||||
@@ -0,0 +1,46 @@
|
||||
"""Identify chords from notes or guitar fingerings."""
|
||||
|
||||
from pytheory import Chord, Fretboard
|
||||
|
||||
print("=== Chord Identification from Notes ===")
|
||||
print()
|
||||
|
||||
test_chords = [
|
||||
("C", "E", "G"),
|
||||
("A", "C", "E"),
|
||||
("G", "B", "D", "F"),
|
||||
("D", "F#", "A"),
|
||||
("Bb", "D", "F"),
|
||||
("E", "G#", "B"),
|
||||
("C", "Eb", "Gb"),
|
||||
("C", "G"),
|
||||
("C", "F", "G"),
|
||||
("C", "D", "G"),
|
||||
]
|
||||
|
||||
for notes in test_chords:
|
||||
chord = Chord.from_tones(*notes)
|
||||
name = chord.identify() or "Unknown"
|
||||
print(f" {', '.join(notes):20s} → {name}")
|
||||
|
||||
print()
|
||||
print("=== Chord Identification from Guitar Fingerings ===")
|
||||
print()
|
||||
|
||||
fb = Fretboard.guitar()
|
||||
|
||||
# Common guitar chord shapes
|
||||
shapes = [
|
||||
("Open C", (0, 1, 0, 2, 3, 0)),
|
||||
("Open G", (3, 0, 0, 0, 2, 3)),
|
||||
("Open D", (2, 3, 2, 0, 0, 0)),
|
||||
("Open Am", (0, 1, 2, 2, 0, 0)),
|
||||
("Open Em", (0, 0, 0, 2, 2, 0)),
|
||||
("Barre F", (1, 1, 2, 3, 3, 1)),
|
||||
("Power E5", (0, 0, 0, 0, 2, 0)),
|
||||
]
|
||||
|
||||
for label, positions in shapes:
|
||||
f = fb.fingering(*positions)
|
||||
name = f.identify() or "Unknown"
|
||||
print(f" {label:12s} {f} → {name}")
|
||||
@@ -0,0 +1,52 @@
|
||||
"""Analyze harmonic tension and resolution across chords."""
|
||||
|
||||
from pytheory import Chord
|
||||
|
||||
print("Chord Tension Analysis")
|
||||
print("=" * 70)
|
||||
print()
|
||||
print(f"{'Chord':>20s} {'Tension':>8s} {'Harmony':>8s} {'Dissonance':>11s} {'Notes'}")
|
||||
print(f"{'─' * 20} {'─' * 8} {'─' * 8} {'─' * 11} {'─' * 15}")
|
||||
|
||||
chords = [
|
||||
# Stable chords
|
||||
"C", "Am",
|
||||
# Moderate tension
|
||||
"Dm7", "Cmaj7",
|
||||
# High tension
|
||||
"G7", "Bdim",
|
||||
# Extended
|
||||
"Am7", "Cmaj9",
|
||||
]
|
||||
|
||||
for name in chords:
|
||||
chord = Chord.from_name(name)
|
||||
t = chord.tension
|
||||
tones = " ".join(tone.name for tone in chord.tones)
|
||||
print(
|
||||
f"{name:>20s} {t['score']:>8.2f} {chord.harmony:>8.4f}"
|
||||
f" {chord.dissonance:>11.4f} {tones}"
|
||||
)
|
||||
|
||||
# Show the V7 → I resolution
|
||||
print()
|
||||
print("─" * 70)
|
||||
print()
|
||||
print("The V7 → I resolution (the strongest pull in tonal music):")
|
||||
print()
|
||||
|
||||
g7 = Chord.from_name("G7")
|
||||
c = Chord.from_name("C")
|
||||
|
||||
print(f" G7 (dominant): tension={g7.tension['score']:.2f} "
|
||||
f"tritones={g7.tension['tritones']} "
|
||||
f"dominant_function={g7.tension['has_dominant_function']}")
|
||||
print(f" C (tonic): tension={c.tension['score']:.2f} "
|
||||
f"tritones={c.tension['tritones']} "
|
||||
f"dominant_function={c.tension['has_dominant_function']}")
|
||||
|
||||
print()
|
||||
print("Voice leading (G7 → C):")
|
||||
for src, dst, motion in g7.voice_leading(c):
|
||||
direction = "↑" if motion > 0 else "↓" if motion < 0 else "="
|
||||
print(f" {src.name:3s} → {dst.name:3s} ({direction} {abs(motion)} semitones)")
|
||||
@@ -0,0 +1,34 @@
|
||||
"""Visualize the circle of fifths with key signatures."""
|
||||
|
||||
from pytheory import Tone, Key
|
||||
|
||||
c = Tone.from_string("C4", system="western")
|
||||
|
||||
print("╔══════════════════════════════════════════════╗")
|
||||
print("║ THE CIRCLE OF FIFTHS ║")
|
||||
print("╠══════════════════════════════════════════════╣")
|
||||
print("║ Key Sig Accidentals ║")
|
||||
print("╠══════════════════════════════════════════════╣")
|
||||
|
||||
for tone in c.circle_of_fifths():
|
||||
key = Key(tone.name, "major")
|
||||
sig = key.signature
|
||||
relative = key.relative
|
||||
|
||||
if sig["sharps"]:
|
||||
mark = f'{sig["sharps"]}#'
|
||||
elif sig["flats"]:
|
||||
mark = f'{sig["flats"]}b'
|
||||
else:
|
||||
mark = "--"
|
||||
|
||||
accidentals = ", ".join(sig["accidentals"]) if sig["accidentals"] else "none"
|
||||
print(f"║ {tone.name:3s} {mark:3s} {accidentals:20s} rel: {relative.tonic_name} {relative.mode:5s} ║")
|
||||
|
||||
print("╚══════════════════════════════════════════════╝")
|
||||
|
||||
# Show that 12 fifths returns to the start
|
||||
print()
|
||||
print("Proof: 12 perfect fifths cycle through all 12 tones")
|
||||
names = [t.name for t in c.circle_of_fifths()]
|
||||
print(f" {' → '.join(names)} → {names[0]}")
|
||||
@@ -0,0 +1,74 @@
|
||||
"""Explore instruments, tunings, and chord fingerings."""
|
||||
|
||||
from pytheory import Fretboard, CHARTS
|
||||
|
||||
# ── Compare Instruments ─────────────────────────────────────────────────
|
||||
|
||||
print("Instrument Tunings")
|
||||
print("=" * 55)
|
||||
|
||||
instruments = [
|
||||
("Guitar (standard)", Fretboard.guitar()),
|
||||
("Guitar (drop D)", Fretboard.guitar("drop d")),
|
||||
("Guitar (open G)", Fretboard.guitar("open g")),
|
||||
("Guitar (DADGAD)", Fretboard.guitar("dadgad")),
|
||||
("Bass", Fretboard.bass()),
|
||||
("Ukulele", Fretboard.ukulele()),
|
||||
("Mandolin", Fretboard.mandolin()),
|
||||
("Violin", Fretboard.violin()),
|
||||
("Banjo", Fretboard.banjo()),
|
||||
("Bouzouki (Irish)", Fretboard.bouzouki()),
|
||||
]
|
||||
|
||||
for name, fb in instruments:
|
||||
tuning = " ".join(t.full_name for t in fb.tones)
|
||||
print(f" {name:22s} {tuning}")
|
||||
|
||||
# ── Guitar Chord Chart ──────────────────────────────────────────────────
|
||||
|
||||
print()
|
||||
print("Guitar Chord Chart (standard tuning)")
|
||||
print("=" * 55)
|
||||
|
||||
fb = Fretboard.guitar()
|
||||
chart = CHARTS["western"]
|
||||
|
||||
for chord_name in ["C", "G", "D", "Am", "Em", "F", "A", "E", "Dm", "G7", "C7", "Am7"]:
|
||||
f = chart[chord_name].fingering(fretboard=fb)
|
||||
print(f" {chord_name:5s} {f}")
|
||||
|
||||
# ── Capo Magic ──────────────────────────────────────────────────────────
|
||||
|
||||
print()
|
||||
print("Capo Transposition")
|
||||
print("=" * 55)
|
||||
print(" Playing open chord shapes with a capo changes the key:")
|
||||
print()
|
||||
|
||||
open_shapes = ["C", "G", "D", "Am", "Em"]
|
||||
|
||||
for capo_fret in range(1, 6):
|
||||
fb_capo = Fretboard.guitar(capo=capo_fret)
|
||||
results = []
|
||||
for shape in open_shapes:
|
||||
f = chart[shape].fingering(fretboard=fb_capo)
|
||||
actual = f.identify() or "?"
|
||||
results.append(f"{shape}→{actual.split()[0]}")
|
||||
print(f" Capo {capo_fret}: {', '.join(results)}")
|
||||
|
||||
# ── Same Chord on Different Instruments ─────────────────────────────────
|
||||
|
||||
print()
|
||||
print("C Major on Different Instruments")
|
||||
print("=" * 55)
|
||||
|
||||
c_chord = chart["C"]
|
||||
for name, fb in [("Guitar", Fretboard.guitar()),
|
||||
("Ukulele", Fretboard.ukulele()),
|
||||
("Mandolin", Fretboard.mandolin()),
|
||||
("Banjo", Fretboard.banjo())]:
|
||||
try:
|
||||
f = c_chord.fingering(fretboard=fb)
|
||||
print(f" {name:12s} {f}")
|
||||
except Exception:
|
||||
print(f" {name:12s} (not available for this tuning)")
|
||||
@@ -0,0 +1,93 @@
|
||||
"""Learn intervals — names, sounds, and relationships."""
|
||||
|
||||
from pytheory import Tone, Chord, Interval
|
||||
|
||||
c4 = Tone.from_string("C4", system="western")
|
||||
|
||||
# ── Interval Reference ──────────────────────────────────────────────────
|
||||
|
||||
print("Interval Reference (from C4)")
|
||||
print("=" * 70)
|
||||
print()
|
||||
print(f"{'Semitones':>10s} {'Note':>5s} {'Interval Name':>18s} {'Sound / Song'}")
|
||||
print(f"{'─' * 10} {'─' * 5} {'─' * 18} {'─' * 30}")
|
||||
|
||||
songs = {
|
||||
0: "Same note",
|
||||
1: "Jaws",
|
||||
2: "Happy Birthday",
|
||||
3: "Greensleeves",
|
||||
4: "Here Comes the Sun",
|
||||
5: "Here Comes the Bride",
|
||||
6: "The Simpsons",
|
||||
7: "Star Wars (main theme)",
|
||||
8: "Love Story",
|
||||
9: "My Bonnie Lies Over the Ocean",
|
||||
10: "Somewhere (West Side Story)",
|
||||
11: "Take On Me (chorus)",
|
||||
12: "Somewhere Over the Rainbow",
|
||||
}
|
||||
|
||||
for semitones in range(13):
|
||||
tone = c4 + semitones
|
||||
name = c4.interval_to(tone)
|
||||
song = songs.get(semitones, "")
|
||||
print(f"{semitones:>10d} {tone.name:>5s} {name:>18s} {song}")
|
||||
|
||||
# ── Interval Constants ──────────────────────────────────────────────────
|
||||
|
||||
print()
|
||||
print("Interval Constants (pytheory.Interval)")
|
||||
print("=" * 40)
|
||||
|
||||
constants = [
|
||||
("UNISON", Interval.UNISON),
|
||||
("MINOR_SECOND", Interval.MINOR_SECOND),
|
||||
("MAJOR_SECOND", Interval.MAJOR_SECOND),
|
||||
("MINOR_THIRD", Interval.MINOR_THIRD),
|
||||
("MAJOR_THIRD", Interval.MAJOR_THIRD),
|
||||
("PERFECT_FOURTH", Interval.PERFECT_FOURTH),
|
||||
("TRITONE", Interval.TRITONE),
|
||||
("PERFECT_FIFTH", Interval.PERFECT_FIFTH),
|
||||
("MINOR_SIXTH", Interval.MINOR_SIXTH),
|
||||
("MAJOR_SIXTH", Interval.MAJOR_SIXTH),
|
||||
("MINOR_SEVENTH", Interval.MINOR_SEVENTH),
|
||||
("MAJOR_SEVENTH", Interval.MAJOR_SEVENTH),
|
||||
("OCTAVE", Interval.OCTAVE),
|
||||
]
|
||||
|
||||
for name, value in constants:
|
||||
print(f" Interval.{name:16s} = {value}")
|
||||
|
||||
# ── Compound Intervals ─────────────────────────────────────────────────
|
||||
|
||||
print()
|
||||
print("Compound Intervals (beyond one octave)")
|
||||
print("=" * 50)
|
||||
|
||||
for semitones in [13, 14, 15, 16, 19, 24]:
|
||||
tone = c4 + semitones
|
||||
name = c4.interval_to(tone)
|
||||
print(f" {semitones:2d} semitones {tone.full_name:5s} {name}")
|
||||
|
||||
# ── Consonance Ranking ──────────────────────────────────────────────────
|
||||
|
||||
print()
|
||||
print("Intervals Ranked by Consonance")
|
||||
print("=" * 50)
|
||||
|
||||
intervals = []
|
||||
for semitones in range(1, 13):
|
||||
tone = c4 + semitones
|
||||
dyad = Chord.from_tones("C", tone.name)
|
||||
name = c4.interval_to(tone)
|
||||
intervals.append((dyad.harmony, dyad.dissonance, semitones, name))
|
||||
|
||||
# Sort by harmony score (descending)
|
||||
intervals.sort(key=lambda x: x[0], reverse=True)
|
||||
|
||||
print(f"{'Rank':>5s} {'Interval':>18s} {'Harmony':>8s} {'Dissonance':>11s}")
|
||||
print(f"{'─' * 5} {'─' * 18} {'─' * 8} {'─' * 11}")
|
||||
|
||||
for rank, (harmony, dissonance, _, name) in enumerate(intervals, 1):
|
||||
print(f"{rank:>5d} {name:>18s} {harmony:>8.4f} {dissonance:>11.4f}")
|
||||
@@ -0,0 +1,64 @@
|
||||
"""Detect the key of a melody or chord progression."""
|
||||
|
||||
from pytheory import Key, Chord
|
||||
|
||||
print("Key Detection")
|
||||
print("=" * 55)
|
||||
print()
|
||||
|
||||
# ── Detect from Melody Notes ────────────────────────────────────────────
|
||||
|
||||
melodies = [
|
||||
("Twinkle Twinkle", ["C", "G", "A", "F", "E", "D"]),
|
||||
("Happy Birthday", ["G", "A", "B", "C", "D", "F#"]),
|
||||
("Yesterday", ["F", "E", "D", "C", "Bb", "A", "G"]),
|
||||
("Minor melody", ["A", "B", "C", "D", "E", "F", "G"]),
|
||||
("Blues lick", ["E", "G", "A", "B", "D"]),
|
||||
("Chromatic fragment", ["C", "C#", "D", "D#", "E"]),
|
||||
]
|
||||
|
||||
print("Detecting key from melody notes:")
|
||||
print()
|
||||
for label, notes in melodies:
|
||||
key = Key.detect(*notes)
|
||||
print(f" {label:22s} {', '.join(notes):30s} → {key}")
|
||||
|
||||
# ── Detect from Chord Progression ──────────────────────────────────────
|
||||
|
||||
print()
|
||||
print("Detecting key from chord tones:")
|
||||
print()
|
||||
|
||||
progressions = [
|
||||
("I-IV-V", [("C", "E", "G"), ("F", "A", "C"), ("G", "B", "D")]),
|
||||
("Pop in G", [("G", "B", "D"), ("D", "F#", "A"), ("E", "G", "B"), ("C", "E", "G")]),
|
||||
("Jazz ii-V-I", [("D", "F", "A"), ("G", "B", "D", "F"), ("C", "E", "G", "B")]),
|
||||
]
|
||||
|
||||
for label, chord_tones in progressions:
|
||||
# Collect all unique note names
|
||||
all_notes = set()
|
||||
for tones in chord_tones:
|
||||
all_notes.update(tones)
|
||||
|
||||
key = Key.detect(*all_notes)
|
||||
chord_names = [Chord.from_tones(*t).identify() for t in chord_tones]
|
||||
print(f" {label:15s} {' → '.join(chord_names):40s} → {key}")
|
||||
|
||||
# ── All 24 Keys ─────────────────────────────────────────────────────────
|
||||
|
||||
print()
|
||||
print("All 24 Major and Minor Keys")
|
||||
print("=" * 55)
|
||||
print()
|
||||
|
||||
for key in Key.all_keys():
|
||||
sig = key.signature
|
||||
acc = ", ".join(sig["accidentals"]) if sig["accidentals"] else "none"
|
||||
rel = key.relative
|
||||
print(
|
||||
f" {str(key):12s} "
|
||||
f"{sig['sharps']}# {sig['flats']}b "
|
||||
f"({acc:15s}) "
|
||||
f"rel: {rel}"
|
||||
)
|
||||
@@ -0,0 +1,58 @@
|
||||
"""Explore a key — its chords, progressions, and relationships."""
|
||||
|
||||
from pytheory import Key
|
||||
|
||||
def explore_key(tonic, mode="major"):
|
||||
key = Key(tonic, mode)
|
||||
sig = key.signature
|
||||
acc = ", ".join(sig["accidentals"]) or "none"
|
||||
|
||||
print(f"{'=' * 60}")
|
||||
print(f" {key}")
|
||||
print(f"{'=' * 60}")
|
||||
print()
|
||||
print(f" Scale: {' '.join(key.note_names)}")
|
||||
print(f" Signature: {sig['sharps']} sharps, {sig['flats']} flats ({acc})")
|
||||
print(f" Relative: {key.relative}")
|
||||
print(f" Parallel: {key.parallel}")
|
||||
print()
|
||||
|
||||
# Diatonic triads
|
||||
print(" Diatonic Triads:")
|
||||
for chord in key.scale.harmonize():
|
||||
numeral = chord.analyze(tonic, mode) or "?"
|
||||
print(f" {numeral:6s} {chord.identify()}")
|
||||
print()
|
||||
|
||||
# Seventh chords
|
||||
print(" Seventh Chords:")
|
||||
for name in key.seventh_chords:
|
||||
print(f" {name}")
|
||||
print()
|
||||
|
||||
# Common progressions
|
||||
print(" Common Progressions:")
|
||||
progressions = {
|
||||
"Pop": ("I", "V", "vi", "IV"),
|
||||
"Blues": ("I", "IV", "V"),
|
||||
"50s": ("I", "vi", "IV", "V"),
|
||||
"Jazz": ("ii", "V", "I"),
|
||||
}
|
||||
for label, numerals in progressions.items():
|
||||
chords = key.progression(*numerals)
|
||||
names = [c.identify() for c in chords]
|
||||
print(f" {label:8s} {' → '.join(numerals):20s} {' → '.join(names)}")
|
||||
print()
|
||||
|
||||
# Borrowed chords
|
||||
borrowed = key.borrowed_chords
|
||||
if borrowed:
|
||||
print(f" Borrowed from {key.parallel}:")
|
||||
for name in borrowed[:4]:
|
||||
print(f" {name}")
|
||||
print()
|
||||
|
||||
|
||||
# Explore several keys
|
||||
for tonic, mode in [("C", "major"), ("G", "major"), ("A", "minor"), ("E", "major")]:
|
||||
explore_key(tonic, mode)
|
||||
@@ -0,0 +1,35 @@
|
||||
"""Convert between MIDI note numbers, frequencies, and note names."""
|
||||
|
||||
from pytheory import Tone
|
||||
|
||||
print("MIDI ↔ Note ↔ Frequency Reference")
|
||||
print("=" * 50)
|
||||
print()
|
||||
print(f"{'MIDI':>5s} {'Note':>5s} {'Freq (Hz)':>10s} {'Octave':>6s}")
|
||||
print(f"{'─' * 5} {'─' * 5} {'─' * 10} {'─' * 6}")
|
||||
|
||||
# Show all notes from C2 to C7
|
||||
for midi in range(36, 97):
|
||||
tone = Tone.from_midi(midi)
|
||||
freq = tone.frequency
|
||||
print(f"{midi:>5d} {tone.full_name:>5s} {freq:>10.2f} {tone.octave:>6d}")
|
||||
|
||||
# Useful reference points
|
||||
print()
|
||||
print("Key Reference Points:")
|
||||
print(f" Lowest piano note: A0 = MIDI {Tone.from_string('A0', system='western').midi}")
|
||||
print(f" Middle C: C4 = MIDI {Tone.from_string('C4', system='western').midi}")
|
||||
print(f" Concert A: A4 = MIDI {Tone.from_string('A4', system='western').midi}")
|
||||
print(f" Highest piano note: C8 = MIDI {Tone.from_string('C8', system='western').midi}")
|
||||
|
||||
# Round-trip demo
|
||||
print()
|
||||
print("Round-trip conversions:")
|
||||
for start in ["C4", "A4", "F#3", "Bb5"]:
|
||||
tone = Tone.from_string(start, system="western")
|
||||
midi = tone.midi
|
||||
freq = tone.frequency
|
||||
from_midi = Tone.from_midi(midi)
|
||||
from_freq = Tone.from_frequency(freq)
|
||||
print(f" {start:4s} → MIDI {midi} → {from_midi.full_name:4s} | "
|
||||
f"{start:4s} → {freq:.2f} Hz → {from_freq.full_name}")
|
||||
@@ -0,0 +1,68 @@
|
||||
"""Explore the overtone series — nature's chord."""
|
||||
|
||||
from pytheory import Tone, Chord
|
||||
|
||||
a4 = Tone.from_string("A4", system="western")
|
||||
|
||||
print("The Overtone Series")
|
||||
print("=" * 65)
|
||||
print()
|
||||
print("When you play a note, you're actually hearing many frequencies")
|
||||
print("at once. The fundamental plus its integer multiples:")
|
||||
print()
|
||||
print(f"{'Harmonic':>9s} {'Frequency':>10s} {'Nearest Note':>13s} {'Interval from Root'}")
|
||||
print(f"{'─' * 9} {'─' * 10} {'─' * 13} {'─' * 25}")
|
||||
|
||||
overtones = a4.overtones(16)
|
||||
|
||||
for i, hz in enumerate(overtones, 1):
|
||||
nearest = Tone.from_frequency(hz)
|
||||
if i == 1:
|
||||
interval = "Fundamental"
|
||||
else:
|
||||
interval = a4.interval_to(nearest)
|
||||
print(f"{i:>9d} {hz:>10.1f} {nearest.full_name:>13s} {interval}")
|
||||
|
||||
# ── Why Chords Sound Good ───────────────────────────────────────────────
|
||||
|
||||
print()
|
||||
print("Why the Major Triad Sounds 'Natural'")
|
||||
print("=" * 65)
|
||||
print()
|
||||
print("The first 6 harmonics contain: root, octave, 5th, 2nd octave, 3rd, 5th")
|
||||
print("That's a major triad! The major chord is literally embedded in physics.")
|
||||
print()
|
||||
|
||||
c4 = Tone.from_string("C4", system="western")
|
||||
harmonics = c4.overtones(6)
|
||||
harmonic_names = [Tone.from_frequency(hz).name for hz in harmonics]
|
||||
unique = []
|
||||
for n in harmonic_names:
|
||||
if n not in unique:
|
||||
unique.append(n)
|
||||
print(f" First 6 harmonics of C: {', '.join(harmonic_names)}")
|
||||
print(f" Unique pitch classes: {', '.join(unique)}")
|
||||
print(f" C major triad: C, E, G")
|
||||
print()
|
||||
|
||||
# ── Shared Overtones = Consonance ───────────────────────────────────────
|
||||
|
||||
print("Shared Overtones Between Intervals")
|
||||
print("=" * 65)
|
||||
print()
|
||||
print("The more overtones two notes share, the more consonant they sound.")
|
||||
print()
|
||||
|
||||
root = Tone.from_string("C4", system="western")
|
||||
root_overtones = set(round(h, 1) for h in root.overtones(12))
|
||||
|
||||
for semitones, label in [(7, "Perfect 5th (C→G)"),
|
||||
(4, "Major 3rd (C→E)"),
|
||||
(5, "Perfect 4th (C→F)"),
|
||||
(3, "Minor 3rd (C→Eb)"),
|
||||
(6, "Tritone (C→F#)"),
|
||||
(1, "Minor 2nd (C→C#)")]:
|
||||
other = root + semitones
|
||||
other_overtones = set(round(h, 1) for h in other.overtones(12))
|
||||
shared = root_overtones & other_overtones
|
||||
print(f" {label:25s} {len(shared):2d} shared overtones (of first 12)")
|
||||
@@ -0,0 +1,81 @@
|
||||
"""Build and analyze chord progressions in any key."""
|
||||
|
||||
from pytheory import Key, Chord
|
||||
|
||||
def show_progression(key, numerals, label=""):
|
||||
chords = key.progression(*numerals)
|
||||
if label:
|
||||
print(f" {label}")
|
||||
print(f" Key: {key}")
|
||||
print(f" Progression: {' – '.join(numerals)}")
|
||||
print()
|
||||
for numeral, chord in zip(numerals, chords):
|
||||
t = chord.tension
|
||||
print(
|
||||
f" {numeral:6s} {chord.identify():20s} "
|
||||
f"tension={t['score']:.2f} "
|
||||
f"{'*** DOMINANT ***' if t['has_dominant_function'] else ''}"
|
||||
)
|
||||
print()
|
||||
|
||||
|
||||
# ── Famous Progressions ─────────────────────────────────────────────────
|
||||
|
||||
print("Famous Chord Progressions")
|
||||
print("=" * 65)
|
||||
print()
|
||||
|
||||
key_c = Key("C", "major")
|
||||
|
||||
show_progression(key_c, ("I", "V", "vi", "IV"),
|
||||
"The Pop Progression (Let It Be, No Woman No Cry, Someone Like You)")
|
||||
|
||||
show_progression(key_c, ("I", "vi", "IV", "V"),
|
||||
"The 50s Progression (Stand By Me, Every Breath You Take)")
|
||||
|
||||
show_progression(key_c, ("ii", "V", "I"),
|
||||
"Jazz ii–V–I (the backbone of jazz harmony)")
|
||||
|
||||
show_progression(key_c, ("I", "IV", "V", "I"),
|
||||
"The Three-Chord Trick (blues, rock, country)")
|
||||
|
||||
# ── Same Progression in Different Keys ──────────────────────────────────
|
||||
|
||||
print("─" * 65)
|
||||
print()
|
||||
print("I – V – vi – IV in every key:")
|
||||
print()
|
||||
|
||||
for tonic in ["C", "G", "D", "A", "E", "F", "Bb", "Eb"]:
|
||||
key = Key(tonic, "major")
|
||||
chords = key.progression("I", "V", "vi", "IV")
|
||||
names = [c.identify() for c in chords]
|
||||
print(f" {tonic} major: {' → '.join(names)}")
|
||||
|
||||
# ── Nashville Number System ─────────────────────────────────────────────
|
||||
|
||||
print()
|
||||
print("─" * 65)
|
||||
print()
|
||||
print("Nashville Number System:")
|
||||
print(" (Same thing as Roman numerals, but with integers)")
|
||||
print()
|
||||
|
||||
key_g = Key("G", "major")
|
||||
chords = key_g.nashville(1, 5, 6, 4)
|
||||
names = [c.identify() for c in chords]
|
||||
print(f" G major: 1 – 5 – 6 – 4 → {' → '.join(names)}")
|
||||
|
||||
# ── Random Progression Generator ────────────────────────────────────────
|
||||
|
||||
print()
|
||||
print("─" * 65)
|
||||
print()
|
||||
print("Random 8-bar progressions:")
|
||||
print()
|
||||
|
||||
for _ in range(3):
|
||||
key = Key("C", "major")
|
||||
chords = key.random_progression(8)
|
||||
names = [c.identify().split()[0] for c in chords] # Just root names
|
||||
print(f" | {' | '.join(names)} |")
|
||||
+201
-63
@@ -1,78 +1,216 @@
|
||||
from time import sleep
|
||||
"""Play melodies and chord progressions with PyTheory.
|
||||
|
||||
from pytheory import TonedScale, Tone, CHARTS, play
|
||||
Requires PortAudio: brew install portaudio (macOS)
|
||||
"""
|
||||
|
||||
from pytheory import Tone, Chord, Key, TonedScale, play, Synth
|
||||
|
||||
# ── Helpers ─────────────────────────────────────────────────────────────
|
||||
|
||||
BPM = 180
|
||||
BEAT = 60_000 // BPM # ms per beat
|
||||
|
||||
|
||||
# Add this constant at the top of the file, after the imports
|
||||
EIGHTH_NOTE = 0.25
|
||||
QUARTER_NOTE = 0.5
|
||||
|
||||
# Add scale definition after the constants
|
||||
C_MAJOR = TonedScale(tonic="C4")
|
||||
def play_melody(notes, synth=Synth.SINE):
|
||||
"""Play a sequence of (note_string, beats) tuples."""
|
||||
try:
|
||||
for note, beats in notes:
|
||||
if note == "REST":
|
||||
import time
|
||||
time.sleep(beats * BEAT / 1000)
|
||||
else:
|
||||
tone = Tone.from_string(note, system="western")
|
||||
play(tone, synth=synth, t=int(beats * BEAT))
|
||||
except KeyboardInterrupt:
|
||||
print("\n Stopped.")
|
||||
|
||||
|
||||
def play_note(note, t=0.1):
|
||||
# Convert scale degree (1-7) to note name (0-based index)
|
||||
scale_notes = ["C4", "D4", "E4", "F4", "G4", "A4", "B4"]
|
||||
note_name = scale_notes[note - 1] # Subtract 1 because scale degrees are 1-based
|
||||
tone = Tone(note_name)
|
||||
play(tone, t=t * 1_000)
|
||||
sleep(t)
|
||||
def play_progression(chords, beats_each=2, synth=Synth.SINE):
|
||||
"""Play a list of Chord objects."""
|
||||
try:
|
||||
for chord in chords:
|
||||
name = chord.identify() or "?"
|
||||
tones = " ".join(t.full_name for t in chord.tones)
|
||||
print(f" {name:20s} {tones}")
|
||||
play(chord, synth=synth, t=int(beats_each * BEAT))
|
||||
except KeyboardInterrupt:
|
||||
print("\n Stopped.")
|
||||
|
||||
|
||||
# Twinkle Twinkle Little Star in C major
|
||||
# C C G G A A G (first line)
|
||||
# F F E E D D C (second line)
|
||||
# G G F F E E D (third line)
|
||||
# G G F F E E D (fourth line)
|
||||
# C C G G A A G (fifth line)
|
||||
# F F E E D D C (sixth line)
|
||||
# ── Songs ───────────────────────────────────────────────────────────────
|
||||
|
||||
def twinkle_twinkle():
|
||||
"""Twinkle Twinkle Little Star — C major."""
|
||||
print("Twinkle Twinkle Little Star")
|
||||
print("=" * 40)
|
||||
|
||||
def play_twinkle():
|
||||
# Define the patterns using scale degrees instead of note names
|
||||
line1 = [
|
||||
(1, EIGHTH_NOTE), # C4
|
||||
(1, EIGHTH_NOTE), # C4
|
||||
(5, EIGHTH_NOTE), # G4
|
||||
(5, EIGHTH_NOTE), # G4
|
||||
(6, EIGHTH_NOTE), # A4
|
||||
(6, EIGHTH_NOTE), # A4
|
||||
(5, QUARTER_NOTE), # G4
|
||||
]
|
||||
line2 = [
|
||||
(4, EIGHTH_NOTE), # F4
|
||||
(4, EIGHTH_NOTE), # F4
|
||||
(3, EIGHTH_NOTE), # E4
|
||||
(3, EIGHTH_NOTE), # E4
|
||||
(2, EIGHTH_NOTE), # D4
|
||||
(2, EIGHTH_NOTE), # D4
|
||||
(1, QUARTER_NOTE), # C4
|
||||
]
|
||||
line3 = [
|
||||
(5, EIGHTH_NOTE), # G4
|
||||
(5, EIGHTH_NOTE), # G4
|
||||
(4, EIGHTH_NOTE), # F4
|
||||
(4, EIGHTH_NOTE), # F4
|
||||
(3, EIGHTH_NOTE), # E4
|
||||
(3, EIGHTH_NOTE), # E4
|
||||
(2, QUARTER_NOTE), # D4
|
||||
melody = [
|
||||
# Twinkle twinkle little star
|
||||
("C4", 1), ("C4", 1), ("G4", 1), ("G4", 1),
|
||||
("A4", 1), ("A4", 1), ("G4", 2),
|
||||
# How I wonder what you are
|
||||
("F4", 1), ("F4", 1), ("E4", 1), ("E4", 1),
|
||||
("D4", 1), ("D4", 1), ("C4", 2),
|
||||
# Up above the world so high
|
||||
("G4", 1), ("G4", 1), ("F4", 1), ("F4", 1),
|
||||
("E4", 1), ("E4", 1), ("D4", 2),
|
||||
# Like a diamond in the sky
|
||||
("G4", 1), ("G4", 1), ("F4", 1), ("F4", 1),
|
||||
("E4", 1), ("E4", 1), ("D4", 2),
|
||||
# Twinkle twinkle little star
|
||||
("C4", 1), ("C4", 1), ("G4", 1), ("G4", 1),
|
||||
("A4", 1), ("A4", 1), ("G4", 2),
|
||||
# How I wonder what you are
|
||||
("F4", 1), ("F4", 1), ("E4", 1), ("E4", 1),
|
||||
("D4", 1), ("D4", 1), ("C4", 2),
|
||||
]
|
||||
|
||||
# Construct the full melody using the patterns
|
||||
melody = (
|
||||
line1 # Twinkle twinkle little star
|
||||
+ line2 # How I wonder what you are
|
||||
+ line3 # Up above the world so high
|
||||
+ line3 # Like a diamond in the sky
|
||||
+ line1 # Twinkle twinkle little star
|
||||
+ line2 # How I wonder what you are
|
||||
)
|
||||
play_melody(melody)
|
||||
|
||||
print("Playing Twinkle Twinkle Little Star...")
|
||||
for note, duration in melody:
|
||||
play_note(note, duration)
|
||||
|
||||
def ode_to_joy():
|
||||
"""Ode to Joy — Beethoven's 9th Symphony, D major."""
|
||||
print("Ode to Joy (Beethoven)")
|
||||
print("=" * 40)
|
||||
|
||||
melody = [
|
||||
# Main theme
|
||||
("F#4", 1), ("F#4", 1), ("G4", 1), ("A4", 1),
|
||||
("A4", 1), ("G4", 1), ("F#4", 1), ("E4", 1),
|
||||
("D4", 1), ("D4", 1), ("E4", 1), ("F#4", 1),
|
||||
("F#4", 1.5), ("E4", 0.5), ("E4", 2),
|
||||
# Repeat with variation
|
||||
("F#4", 1), ("F#4", 1), ("G4", 1), ("A4", 1),
|
||||
("A4", 1), ("G4", 1), ("F#4", 1), ("E4", 1),
|
||||
("D4", 1), ("D4", 1), ("E4", 1), ("F#4", 1),
|
||||
("E4", 1.5), ("D4", 0.5), ("D4", 2),
|
||||
]
|
||||
|
||||
play_melody(melody)
|
||||
|
||||
|
||||
def happy_birthday():
|
||||
"""Happy Birthday — G major."""
|
||||
print("Happy Birthday")
|
||||
print("=" * 40)
|
||||
|
||||
melody = [
|
||||
# Happy birthday to you
|
||||
("G4", 0.75), ("G4", 0.25), ("A4", 1), ("G4", 1),
|
||||
("C5", 1), ("B4", 2),
|
||||
# Happy birthday to you
|
||||
("G4", 0.75), ("G4", 0.25), ("A4", 1), ("G4", 1),
|
||||
("D5", 1), ("C5", 2),
|
||||
# Happy birthday dear [name]
|
||||
("G4", 0.75), ("G4", 0.25), ("G5", 1), ("E5", 1),
|
||||
("C5", 1), ("B4", 1), ("A4", 2),
|
||||
# Happy birthday to you
|
||||
("F5", 0.75), ("F5", 0.25), ("E5", 1), ("C5", 1),
|
||||
("D5", 1), ("C5", 2),
|
||||
]
|
||||
|
||||
play_melody(melody)
|
||||
|
||||
|
||||
def fur_elise():
|
||||
"""Fur Elise — opening bars (A minor)."""
|
||||
print("Fur Elise (opening)")
|
||||
print("=" * 40)
|
||||
|
||||
melody = [
|
||||
("E5", 0.5), ("D#5", 0.5), ("E5", 0.5), ("D#5", 0.5),
|
||||
("E5", 0.5), ("B4", 0.5), ("D5", 0.5), ("C5", 0.5),
|
||||
("A4", 1), ("REST", 0.5),
|
||||
("C4", 0.5), ("E4", 0.5), ("A4", 0.5),
|
||||
("B4", 1), ("REST", 0.5),
|
||||
("E4", 0.5), ("G#4", 0.5), ("B4", 0.5),
|
||||
("C5", 1), ("REST", 0.5),
|
||||
("E4", 0.5), ("E5", 0.5), ("D#5", 0.5),
|
||||
("E5", 0.5), ("D#5", 0.5), ("E5", 0.5), ("B4", 0.5),
|
||||
("D5", 0.5), ("C5", 0.5),
|
||||
("A4", 1),
|
||||
]
|
||||
|
||||
play_melody(melody)
|
||||
|
||||
|
||||
def pop_progression():
|
||||
"""The I–V–vi–IV pop progression in C major."""
|
||||
print("Pop Progression (I-V-vi-IV in C)")
|
||||
print("=" * 40)
|
||||
print()
|
||||
|
||||
key = Key("C", "major")
|
||||
chords = key.progression("I", "V", "vi", "IV")
|
||||
|
||||
# Play it twice
|
||||
play_progression(chords * 2)
|
||||
|
||||
|
||||
def blues_in_a():
|
||||
"""12-bar blues in A."""
|
||||
print("12-Bar Blues in A")
|
||||
print("=" * 40)
|
||||
print()
|
||||
|
||||
key = Key("A", "major")
|
||||
I = key.triad(0)
|
||||
IV = key.triad(3)
|
||||
V = key.triad(4)
|
||||
|
||||
bars = [I, I, I, I, IV, IV, I, I, V, IV, I, V]
|
||||
|
||||
play_progression(bars, beats_each=1.5)
|
||||
|
||||
|
||||
def jazz_ii_v_i():
|
||||
"""Jazz ii–V–I turnaround through several keys."""
|
||||
print("Jazz ii-V-I Turnaround")
|
||||
print("=" * 40)
|
||||
print()
|
||||
|
||||
for tonic in ["C", "F", "Bb", "Eb"]:
|
||||
key = Key(tonic, "major")
|
||||
chords = key.progression("ii", "V", "I")
|
||||
print(f" Key of {tonic}:")
|
||||
play_progression(chords, beats_each=1.5)
|
||||
print()
|
||||
|
||||
|
||||
# ── Main ────────────────────────────────────────────────────────────────
|
||||
|
||||
SONGS = {
|
||||
"1": ("Twinkle Twinkle Little Star", twinkle_twinkle),
|
||||
"2": ("Ode to Joy", ode_to_joy),
|
||||
"3": ("Happy Birthday", happy_birthday),
|
||||
"4": ("Fur Elise (opening)", fur_elise),
|
||||
"5": ("Pop Progression (I-V-vi-IV)", pop_progression),
|
||||
"6": ("12-Bar Blues in A", blues_in_a),
|
||||
"7": ("Jazz ii-V-I Turnaround", jazz_ii_v_i),
|
||||
}
|
||||
|
||||
if __name__ == "__main__":
|
||||
play_twinkle()
|
||||
try:
|
||||
print("PyTheory Song Player")
|
||||
print("=" * 40)
|
||||
print()
|
||||
|
||||
for key, (name, _) in SONGS.items():
|
||||
print(f" {key}. {name}")
|
||||
|
||||
print()
|
||||
choice = input("Pick a song (1-7, or 'all'): ").strip()
|
||||
|
||||
if choice == "all":
|
||||
for _, (_, fn) in SONGS.items():
|
||||
fn()
|
||||
print()
|
||||
elif choice in SONGS:
|
||||
SONGS[choice][1]()
|
||||
else:
|
||||
print("Playing all melodies...")
|
||||
for _, (_, fn) in SONGS.items():
|
||||
fn()
|
||||
print()
|
||||
except KeyboardInterrupt:
|
||||
print("\n\nBye!")
|
||||
|
||||
@@ -0,0 +1,49 @@
|
||||
"""Compare equal, Pythagorean, and meantone temperaments."""
|
||||
|
||||
import math
|
||||
from pytheory import Tone
|
||||
|
||||
a4 = Tone.from_string("A4", system="western")
|
||||
|
||||
print("Temperament Comparison")
|
||||
print("=" * 75)
|
||||
print()
|
||||
print(f"{'Note':>5s} {'Equal (Hz)':>12s} {'Pythag (Hz)':>12s} {'Meantone (Hz)':>14s} {'P diff':>8s} {'M diff':>8s}")
|
||||
print(f"{'─' * 5} {'─' * 12} {'─' * 12} {'─' * 14} {'─' * 8} {'─' * 8}")
|
||||
|
||||
for semitones in range(13):
|
||||
tone = a4 + semitones
|
||||
|
||||
equal = tone.pitch(temperament="equal")
|
||||
pyth = tone.pitch(temperament="pythagorean")
|
||||
mean = tone.pitch(temperament="meantone")
|
||||
|
||||
# Difference in cents (1 cent = 1/100 of a semitone)
|
||||
pyth_cents = 1200 * math.log2(pyth / equal) if pyth > 0 else 0
|
||||
mean_cents = 1200 * math.log2(mean / equal) if mean > 0 else 0
|
||||
|
||||
print(
|
||||
f"{tone.name:>5s} {equal:>12.3f} {pyth:>12.3f} {mean:>14.3f}"
|
||||
f" {pyth_cents:>+7.1f}¢ {mean_cents:>+7.1f}¢"
|
||||
)
|
||||
|
||||
print()
|
||||
print("Key intervals to listen for:")
|
||||
print()
|
||||
|
||||
intervals = [
|
||||
(4, "Major 3rd", "Meantone is pure (5:4), equal is sharp, Pythagorean sharper still"),
|
||||
(7, "Perfect 5th", "Pythagorean is pure (3:2), equal is slightly flat, meantone flatter"),
|
||||
(6, "Tritone", "The 'devil's interval' — all three temperaments handle it differently"),
|
||||
]
|
||||
|
||||
for semitones, name, note in intervals:
|
||||
tone = a4 + semitones
|
||||
equal = tone.pitch(temperament="equal")
|
||||
pyth = tone.pitch(temperament="pythagorean")
|
||||
mean = tone.pitch(temperament="meantone")
|
||||
|
||||
print(f" {name} ({a4.name}→{tone.name}):")
|
||||
print(f" Equal: {equal:.3f} Hz | Pythagorean: {pyth:.3f} Hz | Meantone: {mean:.3f} Hz")
|
||||
print(f" {note}")
|
||||
print()
|
||||
@@ -0,0 +1,68 @@
|
||||
"""Explore scales from six musical traditions around the world."""
|
||||
|
||||
from pytheory import TonedScale
|
||||
|
||||
systems = [
|
||||
("western", "C4", [
|
||||
("major", "The foundation of Western tonal music"),
|
||||
("minor", "Natural minor — dark and introspective"),
|
||||
("harmonic minor", "Raised 7th — classical, Middle Eastern flavor"),
|
||||
("dorian", "Jazz, funk, soul (So What, Scarborough Fair)"),
|
||||
("mixolydian", "Blues, rock (Norwegian Wood, Sweet Home Alabama)"),
|
||||
("phrygian", "Flamenco, metal (White Rabbit)"),
|
||||
("lydian", "Dreamy, floating (The Simpsons theme)"),
|
||||
]),
|
||||
("indian", "Sa4", [
|
||||
("bilawal", "Equivalent to Western major scale"),
|
||||
("bhairav", "Morning raga — devotional, meditative"),
|
||||
("kafi", "Equivalent to Dorian mode — romantic, earthy"),
|
||||
("bhairavi", "Equivalent to Phrygian — melancholic, devotional"),
|
||||
("kalyan", "Equivalent to Lydian — serene, uplifting"),
|
||||
]),
|
||||
("arabic", "Do4", [
|
||||
("ajam", "Equivalent to Western major scale"),
|
||||
("hijaz", "The quintessential 'Middle Eastern' sound"),
|
||||
("bayati", "Contemplative, spiritual — most common maqam"),
|
||||
("rast", "Bright, festive — the 'mother' of maqamat"),
|
||||
("nahawand", "Equivalent to Western minor — melancholic"),
|
||||
]),
|
||||
("japanese", "C4", [
|
||||
("hirajoshi", "Haunting pentatonic — koto music"),
|
||||
("in", "Dark pentatonic — court music, Buddhist chant"),
|
||||
("yo", "Bright pentatonic — folk songs, festival music"),
|
||||
("iwato", "Sparse, mysterious — zen atmosphere"),
|
||||
("kumoi", "Gentle pentatonic — lyrical, nostalgic"),
|
||||
("ritsu", "Elegant heptatonic — gagaku court music"),
|
||||
]),
|
||||
("blues", "C4", [
|
||||
("blues", "The 6-note blues scale with the 'blue note'"),
|
||||
("minor pentatonic", "The backbone of rock guitar solos"),
|
||||
("major pentatonic", "Bright, open — country, folk, pop"),
|
||||
]),
|
||||
("gamelan", "nem4", [
|
||||
("slendro", "5-note near-equal division — metallic, shimmering"),
|
||||
("pelog", "7-note unequal — mysterious, otherworldly"),
|
||||
("pelog nem", "Pelog mode on nem — the most common mode"),
|
||||
("pelog barang", "Pelog mode on barang — bright, festive"),
|
||||
]),
|
||||
]
|
||||
|
||||
for system_name, tonic, scales in systems:
|
||||
print(f"{'═' * 65}")
|
||||
print(f" {system_name.upper()}")
|
||||
print(f"{'═' * 65}")
|
||||
|
||||
ts = TonedScale(tonic=tonic, system=system_name)
|
||||
|
||||
for scale_name, description in scales:
|
||||
try:
|
||||
scale = ts[scale_name]
|
||||
notes = " ".join(scale.note_names)
|
||||
print(f" {scale_name:20s} {notes}")
|
||||
print(f" {'':20s} {description}")
|
||||
print()
|
||||
except (KeyError, IndexError, ValueError):
|
||||
print(f" {scale_name:20s} (not available)")
|
||||
print()
|
||||
|
||||
print(f"{'═' * 65}")
|
||||
+4
-1
@@ -1,6 +1,6 @@
|
||||
[project]
|
||||
name = "pytheory"
|
||||
version = "0.4.1"
|
||||
version = "0.8.2"
|
||||
description = "Music Theory for Humans"
|
||||
readme = "README.md"
|
||||
license = "MIT"
|
||||
@@ -44,5 +44,8 @@ docs = ["sphinx"]
|
||||
requires = ["setuptools"]
|
||||
build-backend = "setuptools.build_meta"
|
||||
|
||||
[tool.pytest.ini_options]
|
||||
markers = ["slow: marks tests as slow (deselect with '-m \"not slow\"')"]
|
||||
|
||||
[tool.setuptools]
|
||||
packages = ["pytheory"]
|
||||
|
||||
@@ -1,25 +1,28 @@
|
||||
"""PyTheory: Music Theory for Humans."""
|
||||
|
||||
__version__ = "0.4.1"
|
||||
__version__ = "0.8.2"
|
||||
|
||||
from .tones import Tone, Interval
|
||||
from .systems import System, SYSTEMS
|
||||
from .scales import Scale, TonedScale, Key, PROGRESSIONS
|
||||
from .scales import TonedScale, Key, PROGRESSIONS
|
||||
from .chords import Chord, Fretboard, analyze_progression
|
||||
from .charts import CHARTS, charts_for_fretboard
|
||||
from .charts import CHARTS, Fingering, charts_for_fretboard
|
||||
|
||||
try:
|
||||
from .play import play, Synth
|
||||
from .play import play, save, play_progression, Synth
|
||||
except OSError:
|
||||
play = None
|
||||
save = None
|
||||
play_progression = None
|
||||
Synth = None
|
||||
|
||||
# Aliases for discoverability.
|
||||
Note = Tone
|
||||
Scale = TonedScale
|
||||
|
||||
__all__ = [
|
||||
"Tone", "Note", "Interval", "Scale", "TonedScale", "Key",
|
||||
"PROGRESSIONS", "Chord", "Fretboard", "analyze_progression",
|
||||
"PROGRESSIONS", "Chord", "Fretboard", "Fingering", "analyze_progression",
|
||||
"System", "SYSTEMS", "CHARTS", "charts_for_fretboard",
|
||||
"play", "Synth",
|
||||
"play", "save", "play_progression", "Synth",
|
||||
]
|
||||
|
||||
@@ -175,20 +175,6 @@ SCALES = {
|
||||
# "melodic minor": {"minor": True, "melodic": True, "hemitonic": True},
|
||||
},
|
||||
],
|
||||
# TODO: understand this
|
||||
# "hexatonic": (
|
||||
# 6,
|
||||
# {
|
||||
# # name, arguments to scale generator.
|
||||
# "wholetone": {},
|
||||
# "augmented": {},
|
||||
# "prometheus": {},
|
||||
# "blues": {},
|
||||
# },
|
||||
# ),
|
||||
# "pentatonic": (5, {}),
|
||||
# "tetratonic": (4, {}),
|
||||
# "monotonic": (1, {"monotonic": {"hemitonic": False}}),
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
+366
-36
@@ -1,4 +1,6 @@
|
||||
import functools
|
||||
import itertools
|
||||
from typing import Optional
|
||||
|
||||
from .systems import SYSTEMS
|
||||
from .tones import Tone
|
||||
@@ -6,6 +8,166 @@ from .tones import Tone
|
||||
QUALITIES = ("", "maj", "m", "5", "7", "9", "dim", "m6", "m7", "m9", "maj7", "maj9")
|
||||
MAX_FRET = 7
|
||||
|
||||
# Standard guitar tuning (high to low): E4 B3 G3 D3 A2 E2
|
||||
STANDARD_GUITAR_TUNING = ("E4", "B3", "G3", "D3", "A2", "E2")
|
||||
|
||||
# Curated override fingerings for common guitar chords in standard tuning.
|
||||
# Key: chord name, Value: tuple of fret positions (-1 = muted string).
|
||||
# Order is high-to-low (matching Fretboard.guitar() string order).
|
||||
GUITAR_OVERRIDES = {
|
||||
"C": (0, 1, 0, 2, 3, -1),
|
||||
"D": (2, 3, 2, 0, -1, -1),
|
||||
"Dm": (1, 3, 2, 0, -1, -1),
|
||||
"D7": (2, 1, 2, 0, -1, -1),
|
||||
"E": (0, 0, 1, 2, 2, 0),
|
||||
"Em": (0, 0, 0, 2, 2, 0),
|
||||
"F": (1, 1, 2, 3, 3, 1),
|
||||
"G": (3, 0, 0, 0, 2, 3),
|
||||
"G7": (1, 0, 0, 0, 2, 3),
|
||||
"A": (0, 2, 2, 2, 0, -1),
|
||||
"Am": (0, 1, 2, 2, 0, -1),
|
||||
"Am7": (0, 1, 0, 2, 0, -1),
|
||||
"B": (2, 4, 4, 4, 2, -1),
|
||||
"Bm": (2, 3, 4, 4, 2, -1),
|
||||
"B7": (2, 0, 2, 1, 2, -1),
|
||||
}
|
||||
|
||||
# Memoization cache for fingering lookups.
|
||||
# Key: (chord_name, fretboard_tuning_tuple)
|
||||
# Value: Fingering object (single) or tuple of Fingerings (multiple)
|
||||
# Bounded to _CACHE_MAX_SIZE entries; cleared entirely when full.
|
||||
_CACHE_MAX_SIZE = 1024
|
||||
_fingering_cache: dict[tuple, "Fingering"] = {}
|
||||
_fingering_multi_cache: dict[tuple, tuple] = {}
|
||||
_possible_cache: dict[tuple, tuple] = {}
|
||||
|
||||
|
||||
class Fingering:
|
||||
"""A chord fingering labeled with string names.
|
||||
|
||||
Provides both index and named access to fret positions, making it
|
||||
clear which string each position corresponds to.
|
||||
|
||||
Example::
|
||||
|
||||
>>> f = Fingering(positions=(0, 3, 2, 0, 1, 0),
|
||||
... string_names=('E', 'A', 'D', 'G', 'B', 'e'))
|
||||
>>> f
|
||||
Fingering(E=0, A=3, D=2, G=0, B=1, e=0)
|
||||
>>> f['A']
|
||||
3
|
||||
>>> f[1]
|
||||
3
|
||||
"""
|
||||
|
||||
def __init__(self, positions: tuple, string_names: tuple[str, ...], *, fretboard=None) -> None:
|
||||
self.positions = tuple(positions)
|
||||
self._fretboard = fretboard
|
||||
# Disambiguate duplicate names: for standard guitar tuning
|
||||
# (high-to-low), the first occurrence of a duplicate becomes
|
||||
# lowercase (e.g. high E → 'e') while the last keeps uppercase.
|
||||
from collections import Counter
|
||||
name_counts = Counter(string_names)
|
||||
seen: dict[str, int] = {}
|
||||
unique_names: list[str] = []
|
||||
for name in string_names:
|
||||
seen[name] = seen.get(name, 0) + 1
|
||||
if name_counts[name] > 1 and seen[name] < name_counts[name]:
|
||||
unique_names.append(name.lower())
|
||||
else:
|
||||
unique_names.append(name)
|
||||
|
||||
self.string_names = tuple(unique_names)
|
||||
self._map = dict(zip(self.string_names, self.positions))
|
||||
|
||||
def __repr__(self) -> str:
|
||||
pairs = ", ".join(
|
||||
f"{name}={'x' if pos is None else pos}"
|
||||
for name, pos in zip(self.string_names, self.positions)
|
||||
)
|
||||
return f"Fingering({pairs})"
|
||||
|
||||
def __getitem__(self, key):
|
||||
if isinstance(key, int):
|
||||
return self.positions[key]
|
||||
return self._map[key]
|
||||
|
||||
def __iter__(self):
|
||||
return iter(self.positions)
|
||||
|
||||
def __len__(self):
|
||||
return len(self.positions)
|
||||
|
||||
def __eq__(self, other):
|
||||
if isinstance(other, Fingering):
|
||||
return self.positions == other.positions and self.string_names == other.string_names
|
||||
if isinstance(other, tuple):
|
||||
return self.positions == other
|
||||
return NotImplemented
|
||||
|
||||
@property
|
||||
def tones(self):
|
||||
"""Return the sounding tones for this fingering.
|
||||
|
||||
Requires that the Fingering was created with a fretboard reference.
|
||||
Muted strings (``None``) are excluded.
|
||||
"""
|
||||
if self._fretboard is None:
|
||||
raise ValueError("Cannot resolve tones without a fretboard reference.")
|
||||
tones = []
|
||||
for pos, tone in zip(self.positions, self._fretboard.tones):
|
||||
if pos is not None:
|
||||
tones.append(tone.add(pos))
|
||||
return tones
|
||||
|
||||
def to_chord(self, fretboard=None) -> "Chord":
|
||||
"""Apply this fingering to a fretboard, returning a Chord.
|
||||
|
||||
Strings with ``None`` positions (muted) are excluded.
|
||||
If no fretboard is given, uses the one stored at creation time.
|
||||
"""
|
||||
from .chords import Chord
|
||||
|
||||
fb = fretboard or self._fretboard
|
||||
if fb is None:
|
||||
raise ValueError("No fretboard provided.")
|
||||
tones = []
|
||||
for pos, tone in zip(self.positions, fb.tones):
|
||||
if pos is not None:
|
||||
tones.append(tone.add(pos))
|
||||
return Chord(tones=tones)
|
||||
|
||||
def identify(self) -> Optional[str]:
|
||||
"""Identify the chord name from this fingering."""
|
||||
return self.to_chord().identify()
|
||||
|
||||
def tab(self) -> str:
|
||||
"""Render this fingering as ASCII guitar tablature.
|
||||
|
||||
Requires that the Fingering was created with a fretboard reference.
|
||||
|
||||
Example::
|
||||
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> print(fb.chord("C").tab())
|
||||
C
|
||||
e|--0--
|
||||
B|--1--
|
||||
G|--0--
|
||||
D|--2--
|
||||
A|--3--
|
||||
E|--0--
|
||||
"""
|
||||
if self._fretboard is None:
|
||||
raise ValueError("Cannot render tab without a fretboard reference.")
|
||||
name = self.identify() or "?"
|
||||
lines = [name]
|
||||
max_name = max(len(n) for n in self.string_names)
|
||||
for sname, fret in zip(self.string_names, self.positions):
|
||||
fret_str = "x" if fret is None else str(fret)
|
||||
lines.append(f"{sname:>{max_name}}|--{fret_str}--")
|
||||
return "\n".join(lines)
|
||||
|
||||
CHARTS = {}
|
||||
CHARTS["western"] = []
|
||||
|
||||
@@ -31,65 +193,108 @@ class NamedChord:
|
||||
def __repr__(self):
|
||||
return f"<NamedChord name={self.name!r}>"
|
||||
|
||||
@property
|
||||
def _prefer_flats(self):
|
||||
"""Determine whether this chord's tones should use flat spellings.
|
||||
|
||||
Uses the circle-of-fifths convention:
|
||||
- Flat-root notes (Bb, Eb, Ab, Db, Gb) always prefer flats.
|
||||
- Major-type qualities prefer flats for roots: F, Bb, Eb, Ab, Db, Gb.
|
||||
- Minor-type qualities prefer flats for roots: D, G, C, F, Bb, Eb, Ab.
|
||||
"""
|
||||
# Root is itself a flat note — always prefer flats
|
||||
if "b" in self.tone_name and self.tone_name != "B":
|
||||
return True
|
||||
|
||||
_FLAT_MAJOR_ROOTS = {"F", "Bb", "Eb", "Ab", "Db", "Gb"}
|
||||
_FLAT_MINOR_ROOTS = {"D", "G", "C", "F", "Bb", "Eb", "Ab"}
|
||||
# Dominant 7th/9th chords contain a minor 7th (b7), so they
|
||||
# follow the same flat-preference roots as minor chords.
|
||||
_FLAT_DOMINANT_ROOTS = {"C", "F", "G", "Bb", "Eb", "Ab", "Db", "Gb"}
|
||||
|
||||
minor_qualities = {"m", "m6", "m7", "m9", "dim"}
|
||||
dominant_qualities = {"7", "9"}
|
||||
major_qualities = {"", "maj", "5", "maj7", "maj9"}
|
||||
|
||||
if self.quality in minor_qualities and self.tone_name in _FLAT_MINOR_ROOTS:
|
||||
return True
|
||||
if self.quality in dominant_qualities and self.tone_name in _FLAT_DOMINANT_ROOTS:
|
||||
return True
|
||||
if self.quality in major_qualities and self.tone_name in _FLAT_MAJOR_ROOTS:
|
||||
return True
|
||||
|
||||
return False
|
||||
|
||||
@property
|
||||
def acceptable_tones(self):
|
||||
acceptable = [self.tone]
|
||||
flats = self._prefer_flats
|
||||
|
||||
if self.quality == "maj":
|
||||
# Major triad: root, major 3rd, perfect 5th
|
||||
acceptable += [self.tone.add(4), self.tone.add(7)]
|
||||
acceptable += [self.tone.add(4, prefer_flats=flats), self.tone.add(7, prefer_flats=flats)]
|
||||
|
||||
elif self.quality == "m":
|
||||
# Minor triad: root, minor 3rd, perfect 5th
|
||||
acceptable += [self.tone.add(3), self.tone.add(7)]
|
||||
acceptable += [self.tone.add(3, prefer_flats=flats), self.tone.add(7, prefer_flats=flats)]
|
||||
|
||||
elif self.quality == "5":
|
||||
# Power chord: root, perfect 5th
|
||||
acceptable += [self.tone.add(7)]
|
||||
acceptable += [self.tone.add(7, prefer_flats=flats)]
|
||||
|
||||
elif self.quality == "7":
|
||||
# Dominant 7th: root, major 3rd, perfect 5th, minor 7th
|
||||
acceptable += [self.tone.add(4), self.tone.add(7), self.tone.add(10)]
|
||||
acceptable += [self.tone.add(4, prefer_flats=flats), self.tone.add(7, prefer_flats=flats), self.tone.add(10, prefer_flats=flats)]
|
||||
|
||||
elif self.quality == "9":
|
||||
# Dominant 9th: root, major 3rd, perfect 5th, minor 7th, major 9th
|
||||
acceptable += [self.tone.add(4), self.tone.add(7), self.tone.add(10), self.tone.add(2)]
|
||||
acceptable += [self.tone.add(4, prefer_flats=flats), self.tone.add(7, prefer_flats=flats), self.tone.add(10, prefer_flats=flats), self.tone.add(2, prefer_flats=flats)]
|
||||
|
||||
elif self.quality == "dim":
|
||||
# Diminished: root, minor 3rd, diminished 5th
|
||||
acceptable += [self.tone.add(3), self.tone.add(6)]
|
||||
acceptable += [self.tone.add(3, prefer_flats=flats), self.tone.add(6, prefer_flats=flats)]
|
||||
|
||||
elif self.quality == "m6":
|
||||
# Minor 6th: root, minor 3rd, perfect 5th, major 6th
|
||||
acceptable += [self.tone.add(3), self.tone.add(7), self.tone.add(9)]
|
||||
acceptable += [self.tone.add(3, prefer_flats=flats), self.tone.add(7, prefer_flats=flats), self.tone.add(9, prefer_flats=flats)]
|
||||
|
||||
elif self.quality == "m7":
|
||||
# Minor 7th: root, minor 3rd, perfect 5th, minor 7th
|
||||
acceptable += [self.tone.add(3), self.tone.add(7), self.tone.add(10)]
|
||||
acceptable += [self.tone.add(3, prefer_flats=flats), self.tone.add(7, prefer_flats=flats), self.tone.add(10, prefer_flats=flats)]
|
||||
|
||||
elif self.quality == "m9":
|
||||
# Minor 9th: root, minor 3rd, perfect 5th, minor 7th, major 9th
|
||||
acceptable += [self.tone.add(3), self.tone.add(7), self.tone.add(10), self.tone.add(2)]
|
||||
acceptable += [self.tone.add(3, prefer_flats=flats), self.tone.add(7, prefer_flats=flats), self.tone.add(10, prefer_flats=flats), self.tone.add(2, prefer_flats=flats)]
|
||||
|
||||
elif self.quality == "maj7":
|
||||
# Major 7th: root, major 3rd, perfect 5th, major 7th
|
||||
acceptable += [self.tone.add(4), self.tone.add(7), self.tone.add(11)]
|
||||
acceptable += [self.tone.add(4, prefer_flats=flats), self.tone.add(7, prefer_flats=flats), self.tone.add(11, prefer_flats=flats)]
|
||||
|
||||
elif self.quality == "maj9":
|
||||
# Major 9th: root, major 3rd, perfect 5th, major 7th, major 9th
|
||||
acceptable += [self.tone.add(4), self.tone.add(7), self.tone.add(11), self.tone.add(2)]
|
||||
acceptable += [self.tone.add(4, prefer_flats=flats), self.tone.add(7, prefer_flats=flats), self.tone.add(11, prefer_flats=flats), self.tone.add(2, prefer_flats=flats)]
|
||||
|
||||
else:
|
||||
# Default (no quality): major triad
|
||||
acceptable += [self.tone.add(4), self.tone.add(7)]
|
||||
acceptable += [self.tone.add(4, prefer_flats=flats), self.tone.add(7, prefer_flats=flats)]
|
||||
|
||||
return tuple(acceptable)
|
||||
|
||||
@property
|
||||
def acceptable_tone_names(self):
|
||||
return tuple([tone.name for tone in self.acceptable_tones])
|
||||
names = [tone.name for tone in self.acceptable_tones]
|
||||
# The root tone is stored internally with sharp spelling (e.g. A#
|
||||
# for Bb) via flat_to_sharp mapping; restore the original flat name.
|
||||
if names and names[0] != self.tone_name:
|
||||
names[0] = self.tone_name
|
||||
return tuple(names)
|
||||
|
||||
def _possible_fingerings(self, *, fretboard):
|
||||
# Check the _possible_cache first
|
||||
key = self._cache_key(fretboard)
|
||||
if key in _possible_cache:
|
||||
return _possible_cache[key]
|
||||
|
||||
def find_fingerings(tone):
|
||||
fingerings = []
|
||||
for j in range(MAX_FRET):
|
||||
@@ -102,13 +307,21 @@ class NamedChord:
|
||||
|
||||
fingering = []
|
||||
for i, tone in enumerate(fretboard.tones):
|
||||
fingering.append(find_fingerings(tone))
|
||||
frets = find_fingerings(tone)
|
||||
# Always allow muting as an option
|
||||
if frets:
|
||||
fingering.append((*frets, -1))
|
||||
else:
|
||||
fingering.append((-1,))
|
||||
|
||||
for i, finger in enumerate(fingering):
|
||||
if finger == ():
|
||||
fingering[i] = (-1,)
|
||||
result = tuple(fingering)
|
||||
|
||||
return tuple(fingering)
|
||||
# Bounded cache: clear entirely if over limit
|
||||
if len(_possible_cache) >= _CACHE_MAX_SIZE:
|
||||
_possible_cache.clear()
|
||||
_possible_cache[key] = result
|
||||
|
||||
return result
|
||||
|
||||
@staticmethod
|
||||
def fix_fingering(fingering):
|
||||
@@ -121,38 +334,155 @@ class NamedChord:
|
||||
def fingerings(self, *, fretboard):
|
||||
return tuple(itertools.product(*self._possible_fingerings(fretboard=fretboard)))
|
||||
|
||||
def _cache_key(self, fretboard):
|
||||
"""Return a hashable key for memoization."""
|
||||
return (self.name, tuple(t.full_name for t in fretboard.tones))
|
||||
|
||||
def fingering(self, *, fretboard, multiple=False):
|
||||
# Check cache first
|
||||
key = self._cache_key(fretboard)
|
||||
if multiple:
|
||||
if key in _fingering_multi_cache:
|
||||
return _fingering_multi_cache[key]
|
||||
else:
|
||||
if key in _fingering_cache:
|
||||
return _fingering_cache[key]
|
||||
|
||||
# Check for curated guitar chord overrides in standard tuning
|
||||
tuning = tuple(t.full_name for t in fretboard.tones)
|
||||
if tuning == STANDARD_GUITAR_TUNING and self.name in GUITAR_OVERRIDES:
|
||||
string_names = tuple(t.name for t in fretboard.tones)
|
||||
override = GUITAR_OVERRIDES[self.name]
|
||||
if not multiple:
|
||||
result = Fingering(self.fix_fingering(override), string_names, fretboard=fretboard)
|
||||
if len(_fingering_cache) >= _CACHE_MAX_SIZE:
|
||||
_fingering_cache.clear()
|
||||
_fingering_cache[key] = result
|
||||
return result
|
||||
else:
|
||||
result = (Fingering(self.fix_fingering(override), string_names, fretboard=fretboard),)
|
||||
if len(_fingering_multi_cache) >= _CACHE_MAX_SIZE:
|
||||
_fingering_multi_cache.clear()
|
||||
_fingering_multi_cache[key] = result
|
||||
return result
|
||||
|
||||
MAX_SPAN = 4 # max fret span for a human hand
|
||||
|
||||
def fingering_score(fingering):
|
||||
def number_of_fingers(fingering):
|
||||
zeros = 0
|
||||
for finger in fingering:
|
||||
if finger == 0:
|
||||
zeros += 1
|
||||
return len(fingering) - zeros
|
||||
score = 0.0
|
||||
fretted = [f for f in fingering if f not in (0, -1)]
|
||||
muted = sum(1 for f in fingering if f == -1)
|
||||
sounding = len(fingering) - muted
|
||||
|
||||
def ascending(fingering):
|
||||
fingering = [f for f in fingering if f != 0]
|
||||
# Must have at least 2 sounding strings
|
||||
if sounding < 2:
|
||||
return -100.0
|
||||
|
||||
return sorted(fingering) == fingering
|
||||
# Hard constraint: fret span must be playable
|
||||
if fretted:
|
||||
span = max(fretted) - min(fretted)
|
||||
if span > MAX_SPAN:
|
||||
return -100.0
|
||||
else:
|
||||
span = 0
|
||||
|
||||
ascending = int(ascending(fingering))
|
||||
finger_count = number_of_fingers(fingering)
|
||||
return ascending + (1 / finger_count)
|
||||
# Check that all chord tones are present in the voicing
|
||||
sounding_names = set()
|
||||
for i, f in enumerate(fingering):
|
||||
if f != -1:
|
||||
sounding_names.add(fretboard.tones[i].add(f).name)
|
||||
required = set(t.name for t in self.acceptable_tones)
|
||||
missing = required - sounding_names
|
||||
score -= len(missing) * 5.0
|
||||
|
||||
# Reward open strings
|
||||
open_strings = sum(1 for f in fingering if f == 0)
|
||||
score += open_strings * 2.0
|
||||
|
||||
# Penalize muted strings, but only mildly
|
||||
score -= muted * 0.3
|
||||
|
||||
# Penalize fret span
|
||||
score -= span * 2.0
|
||||
|
||||
# Penalize high fret positions (prefer open position)
|
||||
if fretted:
|
||||
score -= (sum(fretted) / len(fretted)) * 0.8
|
||||
|
||||
# Barre chord detection: if multiple strings share the same
|
||||
# fret and it's the lowest fret in the shape, one finger can
|
||||
# cover them all — so they cost only 1 finger, not N.
|
||||
# Also check that barre strings are contiguous (no gaps).
|
||||
if fretted:
|
||||
min_fret = min(fretted)
|
||||
barre_indices = [i for i, f in enumerate(fingering) if f == min_fret and f > 0]
|
||||
barre_count = len(barre_indices)
|
||||
|
||||
if barre_count >= 2:
|
||||
unique_higher = len(set(f for f in fretted if f > min_fret))
|
||||
fingers_needed = unique_higher + 1 # 1 for barre
|
||||
# Mild reward for barre efficiency (saves fingers)
|
||||
score += (barre_count - 1) * 0.5
|
||||
else:
|
||||
fingers_needed = len(fretted)
|
||||
else:
|
||||
fingers_needed = 0
|
||||
|
||||
# Penalize fingers needed (max 4 on a guitar)
|
||||
score -= fingers_needed * 0.3
|
||||
if fingers_needed > 4:
|
||||
score -= (fingers_needed - 4) * 5.0
|
||||
|
||||
# Reward root in bass — the lowest sounding string
|
||||
for i in range(len(fingering) - 1, -1, -1):
|
||||
f = fingering[i]
|
||||
if f == -1:
|
||||
continue
|
||||
bass_tone = fretboard.tones[i].add(f)
|
||||
if bass_tone.name == self.tone.name:
|
||||
score += 4.0
|
||||
else:
|
||||
score -= 1.5
|
||||
break
|
||||
|
||||
# Prefer muting from the bass side (contiguous muting)
|
||||
# e.g. xx0232 is good, x0x232 is awkward
|
||||
mute_from_bass = 0
|
||||
for i in range(len(fingering) - 1, -1, -1):
|
||||
if fingering[i] == -1:
|
||||
mute_from_bass += 1
|
||||
else:
|
||||
break
|
||||
interior_mutes = muted - mute_from_bass
|
||||
score -= interior_mutes * 3.0
|
||||
|
||||
return score
|
||||
|
||||
def gen():
|
||||
fingerings = self.fingerings(fretboard=fretboard)
|
||||
score_map = tuple(map(fingering_score, fingerings))
|
||||
max_score = max(score_map)
|
||||
scored = [(fingering_score(f), f) for f in fingerings]
|
||||
max_score = max(s for s, _ in scored)
|
||||
|
||||
for possible_fingering in fingerings:
|
||||
if fingering_score(possible_fingering) == max_score:
|
||||
for s, possible_fingering in scored:
|
||||
if s == max_score:
|
||||
yield possible_fingering
|
||||
|
||||
string_names = tuple(t.name for t in fretboard.tones)
|
||||
best_fingerings = tuple([g for g in gen()])
|
||||
if not multiple:
|
||||
return self.fix_fingering(best_fingerings[0])
|
||||
result = Fingering(self.fix_fingering(best_fingerings[0]), string_names, fretboard=fretboard)
|
||||
# Bounded cache: clear entirely if over limit
|
||||
if len(_fingering_cache) >= _CACHE_MAX_SIZE:
|
||||
_fingering_cache.clear()
|
||||
_fingering_cache[key] = result
|
||||
return result
|
||||
else:
|
||||
return tuple([self.fix_fingering(f) for f in best_fingerings])
|
||||
result = tuple([Fingering(self.fix_fingering(f), string_names, fretboard=fretboard) for f in best_fingerings])
|
||||
# Bounded cache: clear entirely if over limit
|
||||
if len(_fingering_multi_cache) >= _CACHE_MAX_SIZE:
|
||||
_fingering_multi_cache.clear()
|
||||
_fingering_multi_cache[key] = result
|
||||
return result
|
||||
|
||||
def tab(self, *, fretboard):
|
||||
"""Render this chord as ASCII guitar tablature.
|
||||
|
||||
+100
-18
@@ -680,8 +680,8 @@ class Chord:
|
||||
"""
|
||||
return Chord(tones=[t for t in self.tones if t.name != tone_name])
|
||||
|
||||
def fingering(self, *positions: int) -> Chord:
|
||||
"""Apply fret positions to each tone, returning a new Chord.
|
||||
def fingering(self, *positions: int) -> "Fingering":
|
||||
"""Apply fret positions to each tone, returning a Fingering.
|
||||
|
||||
Each position value is added (in semitones) to the corresponding
|
||||
tone. The number of positions must match the number of tones.
|
||||
@@ -690,22 +690,21 @@ class Chord:
|
||||
*positions: One integer per tone indicating the fret offset.
|
||||
|
||||
Returns:
|
||||
A new :class:`Chord` with each tone shifted by its position.
|
||||
A :class:`Fingering` labeled with tone names.
|
||||
|
||||
Raises:
|
||||
ValueError: If the number of positions doesn't match the
|
||||
number of tones.
|
||||
"""
|
||||
from .charts import Fingering
|
||||
|
||||
if not len(positions) == len(self.tones):
|
||||
raise ValueError(
|
||||
"The number of positions must match the number of tones (strings)."
|
||||
)
|
||||
|
||||
tones = []
|
||||
for i, tone in enumerate(self.tones):
|
||||
tones.append(tone.add(positions[i]))
|
||||
|
||||
return Chord(tones=tones)
|
||||
string_names = tuple(t.name for t in self.tones)
|
||||
return Fingering(positions, string_names)
|
||||
|
||||
|
||||
class Fretboard:
|
||||
@@ -1235,8 +1234,15 @@ class Fretboard:
|
||||
max_name = max(len(t.name) for t in self.tones)
|
||||
lines = []
|
||||
|
||||
# Header with fret numbers
|
||||
header = " " * (max_name + 1) + " ".join(f"{f:<3d}" for f in range(frets + 1))
|
||||
# Each cell is " X |" where X is a note name or dash.
|
||||
# Cell content width is 3 chars (space + 2-char note/dash).
|
||||
# Full cell with separator: 4 chars.
|
||||
# Header must align fret numbers to the center of each cell.
|
||||
header_parts = []
|
||||
for f in range(frets + 1):
|
||||
header_parts.append(f"{f:>2} ")
|
||||
# Offset header to align with cell content (after "X|" prefix)
|
||||
header = " " * (max_name + 2) + " ".join(header_parts)
|
||||
lines.append(header)
|
||||
|
||||
for tone in self.tones:
|
||||
@@ -1252,8 +1258,84 @@ class Fretboard:
|
||||
|
||||
return "\n".join(lines)
|
||||
|
||||
def fingering(self, *positions: int) -> Chord:
|
||||
"""Apply fret positions to each string, returning a Chord.
|
||||
def chord(self, name: str, *, system: str = "western") -> "Fingering":
|
||||
"""Look up a chord by name and return its best fingering.
|
||||
|
||||
Args:
|
||||
name: Chord name like ``"G"``, ``"Am7"``, ``"Bb"``, ``"Dm"``.
|
||||
system: Tonal system to use (default ``"western"``).
|
||||
|
||||
Returns:
|
||||
A :class:`Fingering` for that chord on this fretboard.
|
||||
|
||||
Example::
|
||||
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> fb.chord("G")
|
||||
Fingering(e=3, B=0, G=0, D=0, A=2, E=3)
|
||||
"""
|
||||
from .charts import CHARTS
|
||||
return CHARTS[system][name].fingering(fretboard=self)
|
||||
|
||||
def __getitem__(self, name: str) -> "Fingering":
|
||||
"""Shorthand for :meth:`chord` — ``fb["G"]`` equals ``fb.chord("G")``.
|
||||
|
||||
Args:
|
||||
name: Chord name like ``"G"``, ``"Am7"``, ``"Bb"``.
|
||||
|
||||
Returns:
|
||||
A :class:`Fingering` for that chord on this fretboard.
|
||||
|
||||
Example::
|
||||
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> fb["G"]
|
||||
Fingering(e=3, B=0, G=0, D=0, A=2, E=3)
|
||||
"""
|
||||
return self.chord(name)
|
||||
|
||||
def tab(self, name: str, *, system: str = "western") -> str:
|
||||
"""Look up a chord by name and return its ASCII tablature.
|
||||
|
||||
Args:
|
||||
name: Chord name like ``"G"``, ``"Am7"``, ``"Bb"``.
|
||||
system: Tonal system to use (default ``"western"``).
|
||||
|
||||
Returns:
|
||||
A multi-line string showing the chord as tablature.
|
||||
|
||||
Example::
|
||||
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> print(fb.tab("Am"))
|
||||
A minor
|
||||
e|--0--
|
||||
B|--1--
|
||||
G|--2--
|
||||
D|--2--
|
||||
A|--0--
|
||||
E|--0--
|
||||
"""
|
||||
return self.chord(name, system=system).tab()
|
||||
|
||||
def chart(self, *, system: str = "western") -> dict:
|
||||
"""Generate fingerings for every chord in the given system.
|
||||
|
||||
Returns:
|
||||
A dict mapping chord names to :class:`Fingering` objects.
|
||||
|
||||
Example::
|
||||
|
||||
>>> fb = Fretboard.guitar()
|
||||
>>> chart = fb.chart()
|
||||
>>> chart["Am7"]
|
||||
Fingering(e=0, B=1, G=0, D=2, A=0, E=0)
|
||||
"""
|
||||
from .charts import charts_for_fretboard, CHARTS
|
||||
return charts_for_fretboard(chart=CHARTS[system], fretboard=self)
|
||||
|
||||
def fingering(self, *positions: int) -> "Fingering":
|
||||
"""Apply fret positions to each string, returning a Fingering.
|
||||
|
||||
Each position value is added (in semitones) to the corresponding
|
||||
open-string tone. The number of positions must match the number
|
||||
@@ -1263,22 +1345,22 @@ class Fretboard:
|
||||
*positions: One integer per string indicating the fret number.
|
||||
|
||||
Returns:
|
||||
A :class:`Chord` with each tone shifted by its fret position.
|
||||
A :class:`Fingering` labeled with string names. Call
|
||||
``.to_chord(fretboard)`` or use the resulting chord directly.
|
||||
|
||||
Raises:
|
||||
ValueError: If the number of positions doesn't match the
|
||||
number of strings.
|
||||
"""
|
||||
from .charts import Fingering
|
||||
|
||||
if not len(positions) == len(self.tones):
|
||||
raise ValueError(
|
||||
"The number of positions must match the number of tones (strings)."
|
||||
)
|
||||
|
||||
tones = []
|
||||
for i, tone in enumerate(self.tones):
|
||||
tones.append(tone.add(positions[i]))
|
||||
|
||||
return Chord(tones=tones)
|
||||
string_names = tuple(t.name for t in self.tones)
|
||||
return Fingering(positions, string_names, fretboard=self)
|
||||
|
||||
|
||||
def analyze_progression(chords: list[Chord], key: str = "C", mode: str = "major") -> list[str | None]:
|
||||
|
||||
@@ -91,6 +91,42 @@ def cmd_progression(args):
|
||||
print(f" {numeral:6s} {chord}")
|
||||
|
||||
|
||||
def cmd_play(args):
|
||||
from .tones import Tone
|
||||
from .chords import Chord
|
||||
from .play import play, Synth
|
||||
|
||||
synth_map = {"sine": Synth.SINE, "saw": Synth.SAW, "triangle": Synth.TRIANGLE}
|
||||
synth = synth_map[args.synth]
|
||||
duration = args.duration
|
||||
|
||||
# Try chord name first (e.g. "Am", "Cmaj7"), then fall back to individual notes.
|
||||
if len(args.notes) == 1:
|
||||
note = args.notes[0]
|
||||
# Try as chord name first (Am, G7, Cmaj7, etc.)
|
||||
try:
|
||||
target = Chord.from_name(note)
|
||||
name = target.identify() or note
|
||||
label = f"{name} ({' '.join(t.full_name for t in target.tones)})"
|
||||
except (ValueError, KeyError):
|
||||
# Fall back to single tone
|
||||
target = Tone.from_string(
|
||||
note if any(c.isdigit() for c in note) else f"{note}4",
|
||||
system="western")
|
||||
label = target.full_name
|
||||
else:
|
||||
tones = [Tone.from_string(n if any(c.isdigit() for c in n) else f"{n}4",
|
||||
system="western") for n in args.notes]
|
||||
target = Chord(tones=tones)
|
||||
name = target.identify() or "Custom"
|
||||
label = f"{name} ({' '.join(t.full_name for t in tones)})"
|
||||
|
||||
print(f" Playing: {label}")
|
||||
print(f" Synth: {args.synth}")
|
||||
print(f" Duration: {duration} ms")
|
||||
play(target, temperament=args.temperament, synth=synth, t=duration)
|
||||
|
||||
|
||||
def cmd_detect(args):
|
||||
from .scales import Key
|
||||
key = Key.detect(*args.notes)
|
||||
@@ -141,6 +177,18 @@ def main():
|
||||
p.add_argument("mode", help="Mode (e.g. major, minor)")
|
||||
p.add_argument("numerals", nargs="+", help="Roman numerals (e.g. I V vi IV)")
|
||||
|
||||
# play
|
||||
p = sub.add_parser("play", help="Play notes or chords (e.g. pytheory play C E G)")
|
||||
p.add_argument("notes", nargs="+", help="Note names, with optional octave (e.g. C4, A#3, or just C E G)")
|
||||
p.add_argument("--synth", "-s", default="sine",
|
||||
choices=["sine", "saw", "triangle"],
|
||||
help="Waveform (default: sine)")
|
||||
p.add_argument("--duration", "-d", type=int, default=1000,
|
||||
help="Duration in milliseconds (default: 1000)")
|
||||
p.add_argument("--temperament", "-t", default="equal",
|
||||
choices=["equal", "pythagorean", "meantone"],
|
||||
help="Tuning temperament (default: equal)")
|
||||
|
||||
# detect
|
||||
p = sub.add_parser("detect", help="Detect key from notes (e.g. pytheory detect C E G)")
|
||||
p.add_argument("notes", nargs="+", help="Note names")
|
||||
@@ -157,6 +205,7 @@ def main():
|
||||
"key": cmd_key,
|
||||
"fingering": cmd_fingering,
|
||||
"progression": cmd_progression,
|
||||
"play": cmd_play,
|
||||
"detect": cmd_detect,
|
||||
}
|
||||
commands[args.command](args)
|
||||
|
||||
+100
-33
@@ -1,12 +1,14 @@
|
||||
from enum import Enum
|
||||
import time
|
||||
|
||||
import numpy
|
||||
import scipy.signal
|
||||
import sounddevice as sd
|
||||
|
||||
from .tones import Tone
|
||||
|
||||
SAMPLE_RATE = 44_100
|
||||
SAMPLE_PEAK = 4_096
|
||||
SAMPLE_RATE = 44_100 # CD-quality sample rate (Hz)
|
||||
SAMPLE_PEAK = 4_096 # Peak amplitude for 16-bit integer samples
|
||||
|
||||
|
||||
def sine_wave(hz, peak=SAMPLE_PEAK, n_samples=SAMPLE_RATE):
|
||||
@@ -20,41 +22,33 @@ def sine_wave(hz, peak=SAMPLE_PEAK, n_samples=SAMPLE_RATE):
|
||||
return numpy.resize(onecycle, (n_samples,)).astype(numpy.int16)
|
||||
|
||||
|
||||
def sawtooth_wave(hz, peak=SAMPLE_PEAK, rising_ramp_width=1, n_samples=SAMPLE_RATE):
|
||||
"""Compute N samples of a sine wave with given frequency and peak amplitude.
|
||||
def sawtooth_wave(hz, peak=SAMPLE_PEAK, n_samples=SAMPLE_RATE):
|
||||
"""Compute N samples of a sawtooth wave with given frequency and peak amplitude.
|
||||
Defaults to one second.
|
||||
rising_ramp_width is the percentage of the ramp spend rising:
|
||||
.5 is a triangle wave with equal rising and falling times.
|
||||
"""
|
||||
t = numpy.linspace(0, 1, int(500 * 440 / hz), endpoint=False)
|
||||
wave = scipy.signal.sawtooth(2 * numpy.pi * 5 * t, width=rising_ramp_width)
|
||||
wave = numpy.resize(wave, (n_samples,))
|
||||
# Sawtooth waves sound very quiet, so multiply peak by 4.
|
||||
return peak * 6 * wave.astype(numpy.int16)
|
||||
length = SAMPLE_RATE / float(hz)
|
||||
omega = numpy.pi * 2 / length
|
||||
xvalues = numpy.arange(int(length)) * omega
|
||||
onecycle = scipy.signal.sawtooth(xvalues, width=1)
|
||||
onecycle = (peak * onecycle).astype(numpy.int16)
|
||||
return numpy.resize(onecycle, (n_samples,))
|
||||
|
||||
|
||||
def triangle_wave(hz, peak=SAMPLE_PEAK, rising_ramp_width=0.5, n_samples=SAMPLE_RATE):
|
||||
def triangle_wave(hz, peak=SAMPLE_PEAK, n_samples=SAMPLE_RATE):
|
||||
"""Compute N samples of a triangle wave with given frequency and peak amplitude.
|
||||
Defaults to one second.
|
||||
rising_ramp_width is the percentage of the ramp spend rising:
|
||||
.5 is a triangle wave with equal rising and falling times.
|
||||
"""
|
||||
hz_value = float(hz)
|
||||
num_samples = int(500 * 440 / hz_value)
|
||||
t = numpy.linspace(0, 1, num_samples, endpoint=False)
|
||||
wave = scipy.signal.sawtooth(2 * numpy.pi * 5 * t, width=rising_ramp_width)
|
||||
wave = numpy.resize(wave, (n_samples,))
|
||||
# Use same amplitude as sawtooth_wave for testing
|
||||
return peak * 6 * wave.astype(numpy.int16)
|
||||
length = SAMPLE_RATE / float(hz)
|
||||
omega = numpy.pi * 2 / length
|
||||
xvalues = numpy.arange(int(length)) * omega
|
||||
onecycle = scipy.signal.sawtooth(xvalues, width=0.5)
|
||||
onecycle = (peak * onecycle).astype(numpy.int16)
|
||||
return numpy.resize(onecycle, (n_samples,))
|
||||
|
||||
|
||||
def _play_for(sample_wave, ms):
|
||||
"""Play the given NumPy array, as a sound, for ms milliseconds."""
|
||||
|
||||
# sounddevice expects float32 samples between -1 and 1
|
||||
"""Play the given NumPy sample array through the speakers."""
|
||||
normalized_wave = sample_wave.astype(numpy.float32) / SAMPLE_PEAK
|
||||
|
||||
# Play the audio and wait
|
||||
sd.play(normalized_wave, SAMPLE_RATE)
|
||||
sd.wait()
|
||||
|
||||
@@ -65,18 +59,91 @@ class Synth(Enum):
|
||||
TRIANGLE = triangle_wave
|
||||
|
||||
|
||||
def play(tone_or_chord, temperament="equal", synth=Synth.SINE, t=1_000):
|
||||
"""Play a tone or chord."""
|
||||
def _render(tone_or_chord, temperament="equal", synth=Synth.SINE, t=1_000):
|
||||
"""Render a tone or chord to a NumPy sample array.
|
||||
|
||||
Args:
|
||||
tone_or_chord: A :class:`Tone` or :class:`Chord` to render.
|
||||
temperament: Tuning temperament (``"equal"``, ``"pythagorean"``,
|
||||
or ``"meantone"``).
|
||||
synth: Waveform type — ``Synth.SINE``, ``Synth.SAW``, or
|
||||
``Synth.TRIANGLE``.
|
||||
t: Duration in milliseconds.
|
||||
|
||||
Returns:
|
||||
A NumPy int16 array of audio samples.
|
||||
"""
|
||||
n_samples = int(SAMPLE_RATE * t / 1_000)
|
||||
|
||||
if isinstance(tone_or_chord, Tone):
|
||||
chord = [synth(tone_or_chord.pitch(temperament=temperament))]
|
||||
waves = [synth(tone_or_chord.pitch(temperament=temperament), n_samples=n_samples)]
|
||||
else:
|
||||
chord = [
|
||||
synth(tone.pitch(temperament=temperament))
|
||||
waves = [
|
||||
synth(tone.pitch(temperament=temperament), n_samples=n_samples)
|
||||
for tone in tone_or_chord.tones
|
||||
]
|
||||
|
||||
_play_for(sum(chord), ms=t)
|
||||
return sum(waves)
|
||||
|
||||
|
||||
# 69 + 12*np.log2(hz_nonneg/440.)
|
||||
def play(tone_or_chord, temperament="equal", synth=Synth.SINE, t=1_000):
|
||||
"""Play a tone or chord through the speakers.
|
||||
|
||||
Args:
|
||||
tone_or_chord: A :class:`Tone` or :class:`Chord` to play.
|
||||
temperament: Tuning temperament (``"equal"``, ``"pythagorean"``,
|
||||
or ``"meantone"``).
|
||||
synth: Waveform type — ``Synth.SINE``, ``Synth.SAW``, or
|
||||
``Synth.TRIANGLE``.
|
||||
t: Duration in milliseconds (default 1000).
|
||||
|
||||
Example::
|
||||
|
||||
>>> play(Tone.from_string("A4"), t=1_000)
|
||||
>>> play(Chord.from_name("Am7"), synth=Synth.TRIANGLE, t=2_000)
|
||||
"""
|
||||
_play_for(_render(tone_or_chord, temperament=temperament, synth=synth, t=t), ms=t)
|
||||
|
||||
|
||||
def save(tone_or_chord, path, temperament="equal", synth=Synth.SINE, t=1_000):
|
||||
"""Render a tone or chord and save it as a WAV file.
|
||||
|
||||
Args:
|
||||
tone_or_chord: A :class:`Tone` or :class:`Chord` to render.
|
||||
path: Output file path (e.g. ``"chord.wav"``).
|
||||
temperament: Tuning temperament.
|
||||
synth: Waveform type.
|
||||
t: Duration in milliseconds (default 1000).
|
||||
|
||||
Example::
|
||||
|
||||
>>> save(Chord.from_name("C"), "c_major.wav", t=2_000)
|
||||
"""
|
||||
import scipy.io.wavfile
|
||||
|
||||
samples = _render(tone_or_chord, temperament=temperament, synth=synth, t=t)
|
||||
normalized = samples.astype(numpy.float32) / SAMPLE_PEAK
|
||||
# Convert to 16-bit PCM
|
||||
pcm = (normalized * 32767).astype(numpy.int16)
|
||||
scipy.io.wavfile.write(path, SAMPLE_RATE, pcm)
|
||||
|
||||
|
||||
def play_progression(chords, *, t=1000, synth=Synth.SINE, gap=100):
|
||||
"""Play a list of chords in sequence.
|
||||
|
||||
Args:
|
||||
chords: List of Chord objects to play in order.
|
||||
t: Duration of each chord in milliseconds.
|
||||
synth: Waveform type (Synth.SINE, etc). Defaults to sine.
|
||||
gap: Silence between chords in milliseconds.
|
||||
|
||||
Example::
|
||||
|
||||
>>> from pytheory import Key, play_progression
|
||||
>>> chords = Key("C", "major").progression("I", "V", "vi", "IV")
|
||||
>>> play_progression(chords, t=800)
|
||||
"""
|
||||
for i, chord in enumerate(chords):
|
||||
play(chord, synth=synth, t=t)
|
||||
if gap > 0 and i < len(chords) - 1:
|
||||
time.sleep(gap / 1000.0)
|
||||
|
||||
+28
-5
@@ -236,7 +236,6 @@ class Scale:
|
||||
return [self.triad(i) for i in range(unique)]
|
||||
|
||||
def degree(self, item: Union[str, int, slice], major: Optional[bool] = None, minor: bool = False) -> Optional[Union[Tone, tuple[Tone, ...]]]:
|
||||
# TODO: cleanup degrees.
|
||||
|
||||
# Ensure that both major and minor aren't passed.
|
||||
if all((major, minor)):
|
||||
@@ -653,34 +652,58 @@ class TonedScale:
|
||||
try:
|
||||
return self._scales[scale]
|
||||
except KeyError:
|
||||
pass
|
||||
return None
|
||||
|
||||
@property
|
||||
def scales(self) -> tuple[str, ...]:
|
||||
"""Tuple of all available scale names in this system."""
|
||||
return tuple(self._scales.keys())
|
||||
|
||||
@staticmethod
|
||||
def _should_prefer_flats(tones: list) -> bool:
|
||||
"""Determine if a scale should use flat spellings.
|
||||
|
||||
Uses the "no duplicate letters" rule: build the scale with sharps
|
||||
first, and if any letter name appears twice (excluding the octave
|
||||
repeat at the end), try flats instead. This correctly handles all
|
||||
keys on the circle of fifths.
|
||||
"""
|
||||
# Exclude the last tone (octave repeat of the tonic)
|
||||
unique_tones = tones[:-1] if len(tones) > 1 else tones
|
||||
letters = [t.name[0] for t in unique_tones]
|
||||
return len(letters) != len(set(letters))
|
||||
|
||||
@property
|
||||
def _scales(self) -> dict[str, Scale]:
|
||||
"""Lazily computed (and cached) mapping of scale names to Scale objects."""
|
||||
if self._cached_scales is not None:
|
||||
return self._cached_scales
|
||||
|
||||
# Also check if tonic itself is a flat (always prefer flats then)
|
||||
tonic_is_flat = "b" in self.tonic.name and self.tonic.name != "B"
|
||||
|
||||
scales = {}
|
||||
|
||||
for scale_type in self.system.scales:
|
||||
for scale in self.system.scales[scale_type]:
|
||||
|
||||
working_scale = []
|
||||
reference_scale = self.system.scales[scale_type][scale]["intervals"]
|
||||
|
||||
# First pass: build with sharps (default)
|
||||
working_scale = [self.tonic]
|
||||
current_tone = self.tonic
|
||||
working_scale.append(current_tone)
|
||||
|
||||
for interval in reference_scale:
|
||||
current_tone = current_tone.add(interval)
|
||||
working_scale.append(current_tone)
|
||||
|
||||
# Check if we need flats (duplicate letter names)
|
||||
if tonic_is_flat or self._should_prefer_flats(working_scale):
|
||||
working_scale = [self.tonic]
|
||||
current_tone = self.tonic
|
||||
for interval in reference_scale:
|
||||
current_tone = current_tone.add(interval, prefer_flats=True)
|
||||
working_scale.append(current_tone)
|
||||
|
||||
scales[scale] = Scale(tones=tuple(working_scale))
|
||||
|
||||
self._cached_scales = scales
|
||||
|
||||
+10
-1
@@ -24,6 +24,16 @@ class System:
|
||||
from . import Tone
|
||||
return tuple([Tone.from_tuple(tone) for tone in self.tone_names])
|
||||
|
||||
def resolve_name(self, name: str) -> str | None:
|
||||
"""Resolve a note name (including flats) to the canonical name.
|
||||
|
||||
Returns the primary name if found, or None if not recognized.
|
||||
"""
|
||||
for names in self.tone_names:
|
||||
if name in names:
|
||||
return names[0]
|
||||
return None
|
||||
|
||||
|
||||
@property
|
||||
def scales(self):
|
||||
@@ -105,7 +115,6 @@ class System:
|
||||
yield step
|
||||
else:
|
||||
for i in range(tones):
|
||||
# TODO: figure out how to make this work with monotonic.
|
||||
yield 1
|
||||
|
||||
scale = [
|
||||
|
||||
+21
-7
@@ -71,7 +71,7 @@ class Tone:
|
||||
@property
|
||||
def exists(self) -> bool:
|
||||
"""True if this tone's name is found in the associated system."""
|
||||
return self.name in self.system.tones
|
||||
return self.system.resolve_name(self.name) is not None
|
||||
|
||||
@property
|
||||
def system(self) -> object:
|
||||
@@ -313,29 +313,41 @@ class Tone:
|
||||
return klass.from_index(index, octave=octave, system=system)
|
||||
|
||||
@classmethod
|
||||
def from_index(klass, i: int, *, octave: int, system: object) -> Tone:
|
||||
def from_index(klass, i: int, *, octave: int, system: object, prefer_flats: bool = False) -> Tone:
|
||||
"""Create a Tone from its index within a tuning system.
|
||||
|
||||
Args:
|
||||
i: The index of the tone in the system's tone list.
|
||||
octave: The octave number.
|
||||
system: The ``ToneSystem`` instance.
|
||||
prefer_flats: If True and the tone has a flat spelling,
|
||||
use it instead of the default sharp spelling.
|
||||
|
||||
Returns:
|
||||
A new ``Tone`` instance.
|
||||
"""
|
||||
tone = system.tones[i].name
|
||||
tone_names = system.tone_names[i]
|
||||
if prefer_flats and len(tone_names) > 1:
|
||||
tone = tone_names[1] # flat spelling (e.g. "Bb")
|
||||
else:
|
||||
tone = tone_names[0] # sharp spelling (e.g. "A#")
|
||||
return klass(name=tone, octave=octave, system=system)
|
||||
|
||||
@property
|
||||
def _index(self) -> int:
|
||||
"""The index of this tone within its associated system's tone list.
|
||||
|
||||
Resolves enharmonic names (e.g. 'Db' → 'C#') before lookup.
|
||||
|
||||
Raises:
|
||||
ValueError: If no system is associated with this tone.
|
||||
ValueError: If no system is associated with this tone or
|
||||
the name is not found.
|
||||
"""
|
||||
try:
|
||||
return self.system.tones.index(self.name)
|
||||
canonical = self.system.resolve_name(self.name)
|
||||
if canonical is None:
|
||||
raise ValueError(f"Tone {self.name!r} not found in system")
|
||||
return self.system.tones.index(canonical)
|
||||
except AttributeError:
|
||||
raise ValueError("Tone index cannot be referenced without a system!")
|
||||
|
||||
@@ -369,17 +381,19 @@ class Tone:
|
||||
|
||||
return (new_index, new_octave)
|
||||
|
||||
def add(self, interval: int) -> Tone:
|
||||
def add(self, interval: int, *, prefer_flats: bool = False) -> Tone:
|
||||
"""Return a new Tone that is *interval* semitones above this one.
|
||||
|
||||
Args:
|
||||
interval: Number of semitones to add (positive = up).
|
||||
prefer_flats: If True, use flat spellings (Bb, Eb) instead
|
||||
of sharp spellings (A#, D#) for accidentals.
|
||||
|
||||
Returns:
|
||||
A new ``Tone`` instance.
|
||||
"""
|
||||
index, octave = self._math(interval)
|
||||
return self.from_index(index, octave=octave, system=self.system)
|
||||
return self.from_index(index, octave=octave, system=self.system, prefer_flats=prefer_flats)
|
||||
|
||||
def subtract(self, interval: int) -> Tone:
|
||||
"""Return a new Tone that is *interval* semitones below this one.
|
||||
|
||||
+301
-25
@@ -238,8 +238,8 @@ def test_c_minor_scale():
|
||||
c = TonedScale(tonic="C4")
|
||||
minor = c["minor"]
|
||||
names = [t.name for t in minor.tones]
|
||||
# C D Eb F G Ab Bb C (using sharps: D#, G#, A#)
|
||||
assert names == ["C", "D", "D#", "F", "G", "G#", "A#", "C"]
|
||||
# C D Eb F G Ab Bb C (using flats for flat keys)
|
||||
assert names == ["C", "D", "Eb", "F", "G", "Ab", "Bb", "C"]
|
||||
|
||||
|
||||
def test_c_harmonic_minor_scale():
|
||||
@@ -247,7 +247,7 @@ def test_c_harmonic_minor_scale():
|
||||
hminor = c["harmonic minor"]
|
||||
names = [t.name for t in hminor.tones]
|
||||
# C D Eb F G Ab B C (raised 7th)
|
||||
assert names == ["C", "D", "D#", "F", "G", "G#", "B", "C"]
|
||||
assert names == ["C", "D", "Eb", "F", "G", "Ab", "B", "C"]
|
||||
|
||||
|
||||
def test_g_major_scale():
|
||||
@@ -308,7 +308,7 @@ def test_c_dorian():
|
||||
dorian = c["dorian"]
|
||||
names = [t.name for t in dorian.tones]
|
||||
# Dorian: W H W W W H W → C D Eb F G A Bb C
|
||||
assert names == ["C", "D", "D#", "F", "G", "A", "A#", "C"]
|
||||
assert names == ["C", "D", "Eb", "F", "G", "A", "Bb", "C"]
|
||||
|
||||
|
||||
def test_c_phrygian():
|
||||
@@ -316,7 +316,7 @@ def test_c_phrygian():
|
||||
phrygian = c["phrygian"]
|
||||
names = [t.name for t in phrygian.tones]
|
||||
# Phrygian: H W W W H W W → C Db Eb F G Ab Bb C
|
||||
assert names == ["C", "C#", "D#", "F", "G", "G#", "A#", "C"]
|
||||
assert names == ["C", "Db", "Eb", "F", "G", "Ab", "Bb", "C"]
|
||||
|
||||
|
||||
def test_c_lydian():
|
||||
@@ -332,7 +332,7 @@ def test_c_mixolydian():
|
||||
mixolydian = c["mixolydian"]
|
||||
names = [t.name for t in mixolydian.tones]
|
||||
# Mixolydian: W W H W W H W → C D E F G A Bb C
|
||||
assert names == ["C", "D", "E", "F", "G", "A", "A#", "C"]
|
||||
assert names == ["C", "D", "E", "F", "G", "A", "Bb", "C"]
|
||||
|
||||
|
||||
def test_c_locrian():
|
||||
@@ -340,7 +340,7 @@ def test_c_locrian():
|
||||
locrian = c["locrian"]
|
||||
names = [t.name for t in locrian.tones]
|
||||
# Locrian: H W W H W W W → C Db Eb F Gb Ab Bb C
|
||||
assert names == ["C", "C#", "D#", "F", "F#", "G#", "A#", "C"]
|
||||
assert names == ["C", "Db", "Eb", "F", "Gb", "Ab", "Bb", "C"]
|
||||
|
||||
|
||||
# ── Chords ───────────────────────────────────────────────────────────────────
|
||||
@@ -417,7 +417,7 @@ def test_named_chord_c_minor_tones():
|
||||
cm = NamedChord(tone_name="C", quality="m")
|
||||
names = cm.acceptable_tone_names
|
||||
assert "C" in names
|
||||
assert "D#" in names # Eb enharmonic
|
||||
assert "Eb" in names # minor 3rd
|
||||
assert "G" in names
|
||||
|
||||
|
||||
@@ -435,24 +435,24 @@ def test_named_chord_dominant_7th():
|
||||
assert "C" in names
|
||||
assert "E" in names # major 3rd
|
||||
assert "G" in names # perfect 5th
|
||||
assert "A#" in names # minor 7th (Bb)
|
||||
assert "Bb" in names # minor 7th
|
||||
|
||||
|
||||
def test_named_chord_diminished():
|
||||
cdim = NamedChord(tone_name="C", quality="dim")
|
||||
names = cdim.acceptable_tone_names
|
||||
assert "C" in names
|
||||
assert "D#" in names # minor 3rd (Eb)
|
||||
assert "F#" in names # diminished 5th (Gb)
|
||||
assert "Eb" in names # minor 3rd
|
||||
assert "Gb" in names # diminished 5th
|
||||
|
||||
|
||||
def test_named_chord_minor_7th():
|
||||
cm7 = NamedChord(tone_name="C", quality="m7")
|
||||
names = cm7.acceptable_tone_names
|
||||
assert "C" in names
|
||||
assert "D#" in names # minor 3rd
|
||||
assert "Eb" in names # minor 3rd
|
||||
assert "G" in names # perfect 5th
|
||||
assert "A#" in names # minor 7th
|
||||
assert "Bb" in names # minor 7th
|
||||
|
||||
|
||||
def test_named_chord_major_7th():
|
||||
@@ -525,6 +525,7 @@ def test_chord_fingering_em(guitar_fretboard):
|
||||
assert zeros >= 3
|
||||
|
||||
|
||||
@pytest.mark.slow
|
||||
def test_chord_fingering_all_western_chords(guitar_fretboard):
|
||||
"""Every chord in the western chart should produce a valid fingering."""
|
||||
for name, chord in CHARTS["western"].items():
|
||||
@@ -975,7 +976,7 @@ def test_f_major_scale():
|
||||
f = TonedScale(tonic="F4")
|
||||
major = f["major"]
|
||||
names = [t.name for t in major.tones]
|
||||
assert names == ["F", "G", "A", "A#", "C", "D", "E", "F"]
|
||||
assert names == ["F", "G", "A", "Bb", "C", "D", "E", "F"]
|
||||
|
||||
|
||||
def test_a_minor_scale():
|
||||
@@ -1257,7 +1258,7 @@ def test_named_chord_m6_tones():
|
||||
cm6 = NamedChord(tone_name="C", quality="m6")
|
||||
names = cm6.acceptable_tone_names
|
||||
assert "C" in names
|
||||
assert "D#" in names # minor 3rd
|
||||
assert "Eb" in names # minor 3rd
|
||||
assert "G" in names # perfect 5th
|
||||
assert "A" in names # major 6th
|
||||
assert len(names) == 4
|
||||
@@ -1267,9 +1268,9 @@ def test_named_chord_m9_tones():
|
||||
cm9 = NamedChord(tone_name="C", quality="m9")
|
||||
names = cm9.acceptable_tone_names
|
||||
assert "C" in names
|
||||
assert "D#" in names # minor 3rd
|
||||
assert "Eb" in names # minor 3rd
|
||||
assert "G" in names # perfect 5th
|
||||
assert "A#" in names # minor 7th
|
||||
assert "Bb" in names # minor 7th
|
||||
assert "D" in names # major 9th
|
||||
assert len(names) == 5
|
||||
|
||||
@@ -1291,7 +1292,7 @@ def test_named_chord_9_tones():
|
||||
assert "C" in names
|
||||
assert "E" in names # major 3rd
|
||||
assert "G" in names # perfect 5th
|
||||
assert "A#" in names # minor 7th
|
||||
assert "Bb" in names # minor 7th
|
||||
assert "D" in names # major 9th
|
||||
assert len(names) == 5
|
||||
|
||||
@@ -1330,6 +1331,7 @@ def test_charts_all_qualities_present():
|
||||
assert len(matching) > 0, f"No chords with quality '{quality}'"
|
||||
|
||||
|
||||
@pytest.mark.slow
|
||||
def test_charts_for_fretboard(guitar_fretboard):
|
||||
result = charts_for_fretboard(fretboard=guitar_fretboard)
|
||||
assert len(result) == len(CHARTS["western"])
|
||||
@@ -1337,6 +1339,7 @@ def test_charts_for_fretboard(guitar_fretboard):
|
||||
assert len(fingering) == 6, f"{name} has wrong fingering length"
|
||||
|
||||
|
||||
@pytest.mark.slow
|
||||
def test_charts_fingering_values_in_range(guitar_fretboard):
|
||||
"""All fret values should be 0-6 or None (muted)."""
|
||||
for name, chord in CHARTS["western"].items():
|
||||
@@ -2296,7 +2299,7 @@ def test_japanese_hirajoshi():
|
||||
c = TonedScale(tonic="C4", system=SYSTEMS["japanese"])
|
||||
h = c["hirajoshi"]
|
||||
names = [t.name for t in h]
|
||||
assert names == ["C", "D", "D#", "G", "G#", "C"]
|
||||
assert names == ["C", "D", "Eb", "G", "Ab", "C"]
|
||||
|
||||
|
||||
def test_japanese_in_scale():
|
||||
@@ -2304,7 +2307,7 @@ def test_japanese_in_scale():
|
||||
c = TonedScale(tonic="C4", system=SYSTEMS["japanese"])
|
||||
s = c["in"]
|
||||
names = [t.name for t in s]
|
||||
assert names == ["C", "C#", "F", "G", "G#", "C"]
|
||||
assert names == ["C", "Db", "F", "G", "Ab", "C"]
|
||||
|
||||
|
||||
def test_japanese_yo_scale():
|
||||
@@ -2320,7 +2323,7 @@ def test_japanese_iwato():
|
||||
c = TonedScale(tonic="C4", system=SYSTEMS["japanese"])
|
||||
s = c["iwato"]
|
||||
names = [t.name for t in s]
|
||||
assert names == ["C", "C#", "F", "F#", "A#", "C"]
|
||||
assert names == ["C", "Db", "F", "Gb", "Bb", "C"]
|
||||
|
||||
|
||||
def test_japanese_kumoi():
|
||||
@@ -2328,7 +2331,7 @@ def test_japanese_kumoi():
|
||||
c = TonedScale(tonic="C4", system=SYSTEMS["japanese"])
|
||||
s = c["kumoi"]
|
||||
names = [t.name for t in s]
|
||||
assert names == ["C", "D", "D#", "G", "A", "C"]
|
||||
assert names == ["C", "D", "Eb", "G", "A", "C"]
|
||||
|
||||
|
||||
def test_japanese_ritsu():
|
||||
@@ -2336,7 +2339,7 @@ def test_japanese_ritsu():
|
||||
c = TonedScale(tonic="C4", system=SYSTEMS["japanese"])
|
||||
s = c["ritsu"]
|
||||
names = [t.name for t in s]
|
||||
assert names == ["C", "D", "D#", "F", "G", "A", "A#", "C"]
|
||||
assert names == ["C", "D", "Eb", "F", "G", "A", "Bb", "C"]
|
||||
|
||||
|
||||
def test_japanese_all_scales_available():
|
||||
@@ -2382,7 +2385,7 @@ def test_blues_scale():
|
||||
c = TonedScale(tonic="C4", system=SYSTEMS["blues"])
|
||||
s = c["blues"]
|
||||
names = s.note_names
|
||||
assert names == ["C", "D#", "F", "F#", "G", "A#", "C"]
|
||||
assert names == ["C", "Eb", "F", "Gb", "G", "Bb", "C"]
|
||||
assert len(names) == 7 # 6 notes + octave
|
||||
|
||||
|
||||
@@ -2622,7 +2625,7 @@ def test_tension_empty():
|
||||
|
||||
def test_version():
|
||||
import pytheory
|
||||
assert pytheory.__version__ == "0.4.1"
|
||||
assert pytheory.__version__
|
||||
|
||||
|
||||
def test_all_exports():
|
||||
@@ -3647,3 +3650,276 @@ def test_charts_muted_string():
|
||||
nc = NamedChord(tone_name="C", quality="")
|
||||
fixed = nc.fix_fingering((0, -1, 2))
|
||||
assert fixed == (0, None, 2)
|
||||
|
||||
|
||||
def test_fretboard_chord_method():
|
||||
"""Fretboard.chord() looks up a chord by name."""
|
||||
fb = Fretboard.guitar()
|
||||
f = fb.chord("G")
|
||||
assert f.identify() == "G major"
|
||||
assert len(f) == 6
|
||||
|
||||
|
||||
def test_fretboard_chord_system_kwarg():
|
||||
"""Fretboard.chord() accepts a system keyword argument."""
|
||||
fb = Fretboard.guitar()
|
||||
f = fb.chord("Am", system="western")
|
||||
assert f.identify() == "A minor"
|
||||
|
||||
|
||||
def test_fretboard_tab_method():
|
||||
"""Fretboard.tab() returns ASCII tablature."""
|
||||
fb = Fretboard.guitar()
|
||||
tab = fb.tab("C")
|
||||
assert "C major" in tab
|
||||
assert "e|" in tab
|
||||
assert "E|" in tab
|
||||
|
||||
|
||||
@pytest.mark.slow
|
||||
def test_fretboard_chart_method():
|
||||
"""Fretboard.chart() generates all fingerings."""
|
||||
fb = Fretboard.guitar()
|
||||
chart = fb.chart()
|
||||
assert "C" in chart
|
||||
assert "Am7" in chart
|
||||
assert chart["C"].identify() == "C major"
|
||||
|
||||
|
||||
def test_fingering_tab_method():
|
||||
"""Fingering.tab() renders ASCII tablature."""
|
||||
fb = Fretboard.guitar()
|
||||
f = fb.chord("Em")
|
||||
tab = f.tab()
|
||||
assert "E minor" in tab
|
||||
assert "e|" in tab
|
||||
|
||||
|
||||
# ── Flat note support ─────────────────────────────────────────────────────────
|
||||
|
||||
def test_flat_tone_from_string():
|
||||
db = Tone.from_string("Db4", system="western")
|
||||
assert db.name == "Db"
|
||||
assert db.octave == 4
|
||||
|
||||
|
||||
def test_flat_tone_frequency_matches_sharp():
|
||||
db = Tone.from_string("Db4", system="western")
|
||||
cs = Tone.from_string("C#4", system="western")
|
||||
assert db.frequency == cs.frequency
|
||||
|
||||
|
||||
def test_flat_tone_frequency_all_enharmonics():
|
||||
pairs = [("Bb3", "A#3"), ("Eb4", "D#4"), ("Gb4", "F#4"), ("Ab4", "G#4")]
|
||||
for flat, sharp in pairs:
|
||||
f = Tone.from_string(flat, system="western").frequency
|
||||
s = Tone.from_string(sharp, system="western").frequency
|
||||
assert f == s, f"{flat} != {sharp}"
|
||||
|
||||
|
||||
def test_flat_tone_arithmetic():
|
||||
db = Tone.from_string("Db4", system="western")
|
||||
result = db + 2
|
||||
assert result.name == "D#"
|
||||
assert result.octave == 4
|
||||
|
||||
|
||||
def test_flat_tone_interval():
|
||||
c4 = Tone.from_string("C4", system="western")
|
||||
db4 = Tone.from_string("Db4", system="western")
|
||||
assert db4 - c4 == 1
|
||||
|
||||
|
||||
def test_flat_tone_exists():
|
||||
db = Tone.from_string("Db4", system="western")
|
||||
assert db.exists is True
|
||||
|
||||
|
||||
def test_flat_tone_index_resolves():
|
||||
db = Tone.from_string("Db4", system="western")
|
||||
cs = Tone.from_string("C#4", system="western")
|
||||
assert db._index == cs._index
|
||||
|
||||
|
||||
def test_flat_chord_from_tones():
|
||||
chord = Chord.from_tones("Db", "F", "Ab")
|
||||
assert chord.identify() == "Db major"
|
||||
|
||||
|
||||
def test_flat_chord_from_tones_minor():
|
||||
chord = Chord.from_tones("Bb", "Db", "F")
|
||||
assert chord.identify() == "Bb minor"
|
||||
|
||||
|
||||
def test_flat_chord_from_tones_seventh():
|
||||
chord = Chord.from_tones("Eb", "G", "Bb", "Db")
|
||||
assert chord.identify() == "Eb dominant 7th"
|
||||
|
||||
|
||||
def test_system_resolve_name_sharp():
|
||||
assert SYSTEMS["western"].resolve_name("C#") == "C#"
|
||||
|
||||
|
||||
def test_system_resolve_name_flat():
|
||||
assert SYSTEMS["western"].resolve_name("Db") == "C#"
|
||||
|
||||
|
||||
def test_system_resolve_name_natural():
|
||||
assert SYSTEMS["western"].resolve_name("C") == "C"
|
||||
|
||||
|
||||
def test_system_resolve_name_unknown():
|
||||
assert SYSTEMS["western"].resolve_name("X") is None
|
||||
|
||||
|
||||
# ── CLI tests ─────────────────────────────────────────────────────────────────
|
||||
|
||||
def test_cli_tone(capsys):
|
||||
from pytheory.cli import cmd_tone
|
||||
import argparse
|
||||
args = argparse.Namespace(note="A4", temperament="equal")
|
||||
cmd_tone(args)
|
||||
out = capsys.readouterr().out
|
||||
assert "440.00" in out
|
||||
assert "A4" in out
|
||||
assert "MIDI" in out
|
||||
|
||||
|
||||
def test_cli_tone_pythagorean(capsys):
|
||||
from pytheory.cli import cmd_tone
|
||||
import argparse
|
||||
args = argparse.Namespace(note="C5", temperament="pythagorean")
|
||||
cmd_tone(args)
|
||||
out = capsys.readouterr().out
|
||||
assert "Equal temp" in out
|
||||
assert "cents" in out
|
||||
|
||||
|
||||
def test_cli_scale(capsys):
|
||||
from pytheory.cli import cmd_scale
|
||||
import argparse
|
||||
args = argparse.Namespace(tonic="C", mode="major", system="western")
|
||||
cmd_scale(args)
|
||||
out = capsys.readouterr().out
|
||||
assert "C D E F G A B C" in out
|
||||
|
||||
|
||||
def test_cli_chord(capsys):
|
||||
from pytheory.cli import cmd_chord
|
||||
import argparse
|
||||
args = argparse.Namespace(notes=["C", "E", "G"])
|
||||
cmd_chord(args)
|
||||
out = capsys.readouterr().out
|
||||
assert "C major" in out
|
||||
assert "Harmony" in out
|
||||
assert "Tension" in out
|
||||
|
||||
|
||||
def test_cli_key(capsys):
|
||||
from pytheory.cli import cmd_key
|
||||
import argparse
|
||||
args = argparse.Namespace(tonic="G", mode="major")
|
||||
cmd_key(args)
|
||||
out = capsys.readouterr().out
|
||||
assert "G major" in out
|
||||
assert "Signature" in out
|
||||
assert "Relative" in out
|
||||
|
||||
|
||||
def test_cli_fingering(capsys):
|
||||
from pytheory.cli import cmd_fingering
|
||||
import argparse
|
||||
args = argparse.Namespace(chord="Am", capo=0)
|
||||
cmd_fingering(args)
|
||||
out = capsys.readouterr().out
|
||||
assert "Am" in out
|
||||
assert "|--" in out
|
||||
|
||||
|
||||
def test_cli_progression(capsys):
|
||||
from pytheory.cli import cmd_progression
|
||||
import argparse
|
||||
args = argparse.Namespace(tonic="C", mode="major", numerals=["I", "V", "vi", "IV"])
|
||||
cmd_progression(args)
|
||||
out = capsys.readouterr().out
|
||||
assert "C major" in out
|
||||
assert "I → V → vi → IV" in out
|
||||
|
||||
|
||||
def test_cli_detect(capsys):
|
||||
from pytheory.cli import cmd_detect
|
||||
import argparse
|
||||
args = argparse.Namespace(notes=["C", "E", "G", "A", "D"])
|
||||
cmd_detect(args)
|
||||
out = capsys.readouterr().out
|
||||
assert "C major" in out
|
||||
|
||||
|
||||
def test_cli_detect_no_match(capsys):
|
||||
from pytheory.cli import cmd_detect
|
||||
import argparse
|
||||
args = argparse.Namespace(notes=[])
|
||||
cmd_detect(args)
|
||||
out = capsys.readouterr().out
|
||||
assert "Could not detect" in out
|
||||
|
||||
|
||||
def test_cli_main_no_args(capsys):
|
||||
from pytheory.cli import main
|
||||
import sys
|
||||
old_argv = sys.argv
|
||||
sys.argv = ["pytheory"]
|
||||
try:
|
||||
main()
|
||||
except SystemExit:
|
||||
pass
|
||||
sys.argv = old_argv
|
||||
|
||||
|
||||
# ── Play module tests ─────────────────────────────────────────────────────────
|
||||
|
||||
@needs_portaudio
|
||||
def test_play_render():
|
||||
"""_render produces a numpy array of the right length."""
|
||||
from pytheory.play import _render, Synth, SAMPLE_RATE
|
||||
tone = Tone.from_string("A4", system="western")
|
||||
samples = _render(tone, synth=Synth.SINE, t=500)
|
||||
expected = int(SAMPLE_RATE * 500 / 1000)
|
||||
assert len(samples) == expected
|
||||
|
||||
|
||||
@needs_portaudio
|
||||
def test_play_render_chord():
|
||||
from pytheory.play import _render, Synth
|
||||
chord = Chord.from_tones("C", "E", "G")
|
||||
samples = _render(chord, synth=Synth.SINE, t=200)
|
||||
assert len(samples) > 0
|
||||
|
||||
|
||||
@needs_portaudio
|
||||
def test_play_render_all_synths():
|
||||
from pytheory.play import _render, Synth
|
||||
tone = Tone.from_string("C4", system="western")
|
||||
for synth in Synth:
|
||||
samples = _render(tone, synth=synth, t=100)
|
||||
assert len(samples) > 0
|
||||
|
||||
|
||||
@needs_portaudio
|
||||
def test_play_save(tmp_path):
|
||||
"""save() writes a valid WAV file."""
|
||||
from pytheory.play import save, Synth
|
||||
path = tmp_path / "test.wav"
|
||||
tone = Tone.from_string("A4", system="western")
|
||||
save(tone, str(path), synth=Synth.SINE, t=200)
|
||||
assert path.exists()
|
||||
assert path.stat().st_size > 44 # WAV header is 44 bytes
|
||||
|
||||
|
||||
@needs_portaudio
|
||||
def test_play_save_chord(tmp_path):
|
||||
from pytheory.play import save
|
||||
path = tmp_path / "chord.wav"
|
||||
chord = Chord.from_tones("C", "E", "G")
|
||||
save(chord, str(path), t=200)
|
||||
assert path.exists()
|
||||
|
||||
Reference in New Issue
Block a user