Add singing bowl synth (strike + ring) — v0.40.1

Two variants modeling Himalayan singing bowl acoustics:
- Strike: mallet hit with chirp from inharmonic partials, long ring
- Ring: rim-rubbed sustained tone with slow build and beating modes

Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>

CHANGELOG.md

@@ -2,6 +2,323 @@
 
 All notable changes to PyTheory are documented here.
 
+## 0.40.1
+
+- **Singing bowl synth** — two variants: strike (mallet hit with chirp
+  and long decay) and ring (rim-rubbed sustained tone with slow build).
+  Inharmonic partials beat against near-degenerate mode pairs for
+  authentic Himalayan bowl shimmer.
+- `singing_bowl` and `singing_bowl_ring` instrument presets
+- Audio demos in docs for both variants
+
+## 0.40.0
+
+- **Rhodes electric piano synth** — tine + tonebar + electromagnetic
+  pickup model. `electric_piano` preset now uses dedicated `rhodes_synth`
+  instead of FM
+- **73 audio demos in docs** — every synth, every drum pattern, every
+  code example with `play_score()` now has an embedded audio player
+- Idiomatic demos: harp arpeggiates, guitars strum, cello bows, sitar
+  drones, strings use ensemble
+- Trailing silence trimming on all audio exports
+- Raw waveform demos (no envelope) for classic waveforms
+
+## 0.39.3
+
+- **33 audio samples in documentation** — every `play_score()` example
+  now has an embedded stereo audio player. Covers quickstart, sequencing,
+  drums (all world percussion), playback, and cookbook.
+- **`docs/generate_audio.py`** — renders all doc examples to WAV
+- Numpy vectorization: cached time arrays, decay envelopes, drum hits;
+  vectorized piano harmonic synthesis
+- Fixed acid legato example (removed pad envelope, added proper 303 recipe)
+
+## 0.39.2
+
+- **Marching percussion** — snare, rimshot, and stick click sounds with
+  high-tension kevlar synthesis and woody-metallic rimshot crack
+- **`Part.flam()`**, **`Part.diddle()`**, **`Part.cheese()`** — marching
+  rudiment methods for any drum sound
+- **`Part ensemble=`** — duplicate voices with per-player timing tendencies
+  and micro pitch drift. Works on any Part (drumline, string section, choir).
+  `ensemble=20` for a full snare line, `ensemble=4` for a string quartet.
+- **Sympathetic resonance** — marching snare buzz builds up with repeated
+  hits, decays during rests (like real snare wire response)
+- **4 marching patterns** — march, cadence, paradiddle, roll
+- **Chakradar tabla pattern** — 16-beat tihai of tihais composition
+- Song #32: Snare Cadence (flams, diddles, cheese, triplets, 32nds)
+
+## 0.39.1
+
+- **Chakradar tabla pattern** — 16-beat tihai of tihais composition with
+  3 escalating phrases and a crescendo triplet finale
+
+## 0.39.0
+
+- **Dropped `numeral` dependency** — Roman numeral helpers inlined,
+  reducing supply chain surface (#47)
+- **`Part.ramp()`** — smooth parameter automation with 4 interpolation
+  curves (linear, ease_in, ease_out, ease_in_out)
+- **Articulations** — staccato, legato, marcato, tenuto, accent, fermata
+- **Dynamic curves** — crescendo(), decrescendo(), swell(), dynamics()
+- **`Part.hit()`** — individual drum sounds with articulation support
+- **Cross-choke drum damping** — djembe, hi-hats, cajón, doumbek
+- **5 new djembe patterns** + 3 djembe fills (30 fills total)
+- **6 new drum fills** — 3 cajón, 3 metal
+- **Duration arithmetic** — multiply, divide, add
+- **Improved djembe slap** synthesis
+- Song #31: Acid Tabla
+
+## 0.38.2
+
+- **`Part.ramp()`** — smooth parameter automation from current value to
+  target over a duration. Works for lowpass, reverb, distortion, chorus,
+  delay, volume, and any `.set()` parameter. Four interpolation curves:
+  linear, ease_in, ease_out, ease_in_out.
+
+## 0.38.1
+
+- **Dynamic curves** — `Part.crescendo()`, `Part.decrescendo()`,
+  `Part.swell()`, and `Part.dynamics()` for velocity ramps and custom
+  curves across a sequence of notes
+
+## 0.38.0
+
+- **Articulations** — `staccato`, `legato`, `marcato`, `tenuto`, `accent`,
+  `fermata` via `articulation=` on `Part.add()` and `Part.hold()`
+- **`Part.hit()`** — place individual drum sounds in a Part's note stream
+  with articulation, velocity, and effects support
+- **5 new djembe patterns** — dununba, tiriba, yankadi, djansa, mendiani
+- **3 new djembe fills** — djembe call, djembe roll, djembe break (30 fills total)
+- **Cross-choke drum damping** — striking one sound fades out related sounds
+  (djembe, hi-hats, cajón, doumbek)
+- **Improved djembe slap** — dry goatskin pop instead of snare-like noise
+
+## 0.37.0
+
+- **5 new djembe patterns** — dununba, tiriba, yankadi, djansa, mendiani
+- **3 new djembe fills** — djembe call, djembe roll, djembe break (30 fills total)
+- **Cross-choke drum damping** — striking one sound on a hand drum fades
+  out the ring of related sounds (djembe slap kills bass resonance, closed
+  hat chokes open hat, cajón slap dampens bass, doumbek tek dampens dum)
+- **Improved djembe slap** — dry, high-pitched goatskin pop instead of
+  snare-like noise rattle
+
+## 0.36.6
+
+- **6 new drum fills** — 3 cajón (flam, rumble, breakdown) and 3 metal
+  (triplet, blast, cascade). 27 fills total.
+- Updated drums documentation with fill lists and examples
+
+## 0.36.5
+
+- **Duration arithmetic** — `Duration.WHOLE * 2`, `Duration.HALF + Duration.QUARTER`,
+  division, and reverse multiply all work now (previously raised TypeError)
+
+## 0.36.3
+
+- **`Part.hold()`** — polyphonic overlap on a single part. Add notes
+  without advancing the beat position so they play simultaneously.
+  Enables: piano sustain, sitar drone under melody, guitar strum texture.
+- **Strum uses hold()** — leading string plays simultaneously with chord,
+  no more timing gaps or choppiness
+- **Improved songs** 1-16: humanize, velocity dynamics, reverb, saxophone
+  for blues
+- **Ctrl-C handling** — clean stop on all playback functions
+- **REPL updates** — strum, roll, bend, temperament, reference commands
+- Song #28 Descent (generative), #29 Pop Rock, #30 Sitar Drone
+- 862 tests
+
+## 0.36.1
+
+- **7 new instrument synths:** pedal steel guitar, theremin, kalimba/thumb
+  piano, steel drum/pan, accordion (musette reeds), didgeridoo (drone +
+  shifting formants), bagpipes (chanter reed)
+- **9 new demo moods** in ``pytheory demo``: Theremin Noir, Caribbean,
+  Accordion Waltz, Kalimba Dreams, Outback Drone, Highland, Nashville
+  Tears, Tabla Fusion
+- Improved existing songs with dedicated instrument synths
+- 41 synth waveforms, 26+ songs, 21 demo moods
+
+## 0.36.0
+
+- **Banjo synth** — steel strings on drum-head body, nasal twang,
+  fast decay with membrane resonance
+- **Mandolin synth** — paired steel strings (natural chorus from
+  doubled courses), bright body resonance
+- **Ukulele synth** — nylon strings, small mid-heavy body, shorter
+  sustain than guitar
+- **Cajón drums** — bass (woody box thump), slap (snare wire buzz),
+  tap (ghost note). 3 patterns: cajon, cajon rumba, cajon folk
+- **Vocal/formant synth** — LF glottal model, 5 Peterson & Barney
+  formant peaks, jitter/shimmer, consonant onsets, per-note lyrics.
+  Presets: vocal, choir
+- **Granular synthesis** — grain cloud engine with scatter, pitch
+  variation, Hanning windows. Presets: granular_pad, granular_texture
+- **Strum sweep** — subtle grace notes before chord hit for natural
+  strum feel on all fretboard instruments
+- Mandola preset, 34 synth waveforms, 26 songs
+
+## 0.35.0
+
+- **8.5x faster import** — dropped pytuning/sympy, lazy-load scipy.
+  `import pytheory` now takes ~50ms instead of ~480ms (#44)
+- **Proper shruti JI ratios** — 22 positions with 5-limit just intonation
+  (pure 3/2 fifths, 5/4 thirds), not 22-TET approximation
+- **Arabic maqam JI ratios** — Zalzalian 11-limit ratios.
+  Mi↓ (the Rast third) is exactly 27/22 from Do
+- **B#/Cb octave boundary fix** — B#4 = C5, Cb4 = B3 (#45)
+- **Int tone names** — `Tone(0, system=TET(22))` works alongside strings.
+  Wrapping: `Tone(22)` → tone 0, octave+1. `System.tone()` convenience.
+- **Timpani synth** — inharmonic membrane modes, felt mallet, copper kettle
+  resonance, cathedral reverb
+- **Saxophone synth** — conical bore, reed buzz, brass body warmth.
+  4 presets: saxophone, alto_sax, tenor_sax, bari_sax
+- **Part.roll()** — rapid repeated notes with velocity ramp for crescendo/
+  decrescendo rolls on any instrument
+- **Vibrato tuning** — all instruments reduced to 0.001 depth for cleaner
+  ensemble sound
+- **Granular synthesis** — grain cloud engine with scatter, pitch
+  variation, and Hanning-windowed grains. Two presets: granular_pad,
+  granular_texture.
+- 30 synth waveforms, 838 tests
+
+## 0.34.0
+
+- **16 dedicated instrument synths** — physical modeling and specialized
+  synthesis for: piano (hammer + steel strings + soundboard), bass guitar
+  (thick KS + pickup), flute (breath + tube resonance), trumpet (lip buzz
+  + bell), clarinet (odd harmonics + reed), oboe (double reed + conical
+  bore), marimba (inharmonic bar modes), harpsichord (quill pluck),
+  cello (deep bowed + body), harp (soft pluck + soundboard bloom),
+  upright bass (pizzicato + wooden body), acoustic guitar (KS + body
+  resonance), electric guitar (KS + pickup comb filter), sitar (jawari
+  + chikari), plus organ and bowed strings
+- **Speaker cabinet simulation** — tames distorted guitar fizz
+- **Guitar strumming** — `Part.strum("Am")` with fretboard lookup
+- **Analog oscillator drift** — subtle per-note pitch wobble on synth presets
+- **World percussion:** dhol, dholak, mridangam, djembe, metal kit
+  with 22 new drum patterns
+- **Piano improvements:** brightness scales with pitch, two-stage decay,
+  hammer impact with felt character
+- **Vibrato tuning:** reduced across flute, oboe, trumpet, cello for
+  smoother ensemble sound
+- 27 synth waveforms, 10 envelopes, 40+ instrument presets, 80+ drum patterns
+
+## 0.33.1
+
+- **Electric guitar synth** — Karplus-Strong with magnetic pickup comb filter
+  simulation (single-coil honk, proper sustain)
+- **Speaker cabinet simulation** — steep rolloff above 4-5kHz with presence
+  bump. Makes distorted guitar sound warm instead of fizzy.
+- **6 guitar presets:** electric_guitar, clean_guitar, crunch_guitar,
+  distorted_guitar, orange_crunch, metal_guitar — all with proper cab sim
+- **Sitar synth** — Karplus-Strong with jawari bridge buzz, chikari
+  sympathetic strings, variable damping
+- **Guitar strumming** — `Part.strum("Am", Duration.HALF)` with
+  fretboard fingering lookup, down/up direction, adjustable strum speed
+- **World drums:** dhol (bhangra, chaal), dholak (qawwali, folk),
+  mridangam (adi talam, korvai), djembe (standard, kuku, soli)
+  — all with bandpass-filtered membrane noise for realistic drum head sound
+- **Metal drum kit** — clicky kick, bright snare, tight hats
+  with 4 patterns (double kick, metal blast, metal groove, metal gallop)
+- 15 synth waveforms, 10 envelopes, 40+ instrument presets
+
+## 0.33.0
+
+- **Non-12-TET support** — `TET(n)` factory creates any equal temperament
+- **11 microtonal systems:**
+  - `"shruti"` (22-TET Indian, 10 thaats with proper shruti intervals)
+  - `"maqam"` (24-TET Arabic, quarter-tone Rast/Bayati/Hijaz + 7 more)
+  - `"slendro"` (5-TET gamelan), `"pelog"` (9-TET gamelan with 3 pathet)
+  - `"thai"` (7-TET, 171 cents/step)
+  - `"makam"` (53-TET Turkish Arel-Ezgi-Uzdilek, 9 makams)
+  - `"carnatic"` (72-TET, 10 melakartas)
+  - `"19-tet"`, `"31-tet"` (historical Western)
+  - `"bohlen-pierce"` (13 divisions of the tritave 3:1 — non-octave!)
+- **Just intonation** — `temperament="just"` for pure 5-limit ratios
+- **Historical pitch** — `Score(reference_pitch=415.0)` for Baroque A=415
+- **`Score(system=, temperament=, reference_pitch=)`** flows through to all playback
+- Per-system `c_index` and `period` replace hardcoded constants
+- Fixed all hardcoded `12`s in tone arithmetic
+- Song #22: Greensleeves (Renaissance lute, meantone, A=415)
+- 22 new microtonal tests (819 total)
+
+## 0.32.1
+
+- `Tone("X")` now raises `ValueError` immediately instead of silently accepting invalid names (#39)
+- Support enharmonic spellings: `Cb`, `Fb`, `E#`, `B#` resolve correctly (#40)
+- Support double sharps (`C##`, `Fx`) and double flats (`Dbb`) via semitone arithmetic (#41)
+- Accept unicode music symbols: `♯` `♭` `𝄪` `𝄫`
+
+## 0.32.0
+
+- **8 new synth engine features:**
+  - Filter envelope: per-note lowpass sweep (`filter_amount`, `filter_attack`, `filter_decay`, `filter_sustain`)
+  - Velocity → brightness: harder notes = brighter filter (`vel_to_filter`)
+  - Sub-oscillator: octave-below sine for bass weight (`sub_osc`)
+  - Tremolo: amplitude LFO modulation (`tremolo_depth`, `tremolo_rate`)
+  - Saturation: even-harmonic tape/tube warmth (`saturation`)
+  - Noise layer: per-note breath/air texture (`noise_mix`)
+  - Phaser: swept allpass filter chain (`phaser`, `phaser_rate`)
+  - Configurable FM: `fm_ratio` and `fm_index` params
+- **Highpass filter** (12 dB/oct biquad) on any part
+- **2 new envelopes:** `bowed` (bow attack with sustain), `mallet` (strike with ringing sustain)
+- **Improved `strings_synth`:** additive synthesis with body resonance curve, per-harmonic phase randomization, delayed vibrato onset, bow pressure variation
+- **Instrument preset overhaul:** every preset sanity-checked against real instrument behavior
+  - Mallet instruments (vibraphone, celesta, music box, glockenspiel, tubular bells) now ring properly
+  - Trumpet uses sustaining envelope instead of pluck
+  - Woodwinds have breath noise, brass has velocity brightness
+  - Bass instruments have sub-oscillators, synth presets have filter envelopes
+  - Piano has velocity-to-brightness and subtle hammer noise
+- Signal chain: saturation → tremolo → distortion → chorus → phaser → highpass → lowpass → delay → reverb
+- Song #21: Cinematic Showcase (Orchestral)
+
+## 0.31.0
+
+- 3 new synth engines: Karplus-Strong pluck, Hammond organ, string ensemble with body formants
+- 38 instrument presets: `score.part("lead", instrument="violin")`
+- Keys, strings, woodwinds, brass, plucked, synth, and mallet categories
+- 13 total synth waveforms
+
+## 0.30.0
+
+- Drums are a real Part — same effects pipeline as any voice
+- `score.drums("rock", split=True)` splits kit into kick/snare/hats/toms/cymbals/percussion Parts
+- Each split Part gets independent effects (reverb on snare, LP on hats, etc.)
+- `set_drum_effects()` applies to all drum Parts (split or not)
+- Sidechain triggers on kick only — hats and snare don't duck the pad
+- MIDI import via `Score.from_midi(path)`
+
+## 0.29.3
+
+- Drums are now a real Part — same effects pipeline as any other voice, zero code duplication
+- `score.parts["drums"]` is a standard Part with reverb, delay, lowpass, etc.
+- `set_drum_effects()` is sugar over the Part's attributes
+
+## 0.29.2
+
+- Add `score.set_drum_effects()` — reverb, delay, lowpass, distortion, chorus on the drum bus
+- Same effects engine as parts, zero code duplication
+
+## 0.29.1
+
+- Rename song.py → songs.py
+- Polish all 20 example songs with stereo, convolution reverb, humanize, detune, sidechain
+
+## 0.29.0
+
+- Add `Score.from_midi(path)` — import any Standard MIDI File into a Score
+- Minimal zero-dependency MIDI parser (Type 0 and Type 1)
+- Each channel becomes a named Part, channel 10 becomes drum hits
+- Tempo, time signature, velocities, and note durations preserved
+- Roundtrip: save_midi → from_midi works
+
+## 0.28.3
+
+- Rewrite `pytheory demo` — 8 moods with stereo, effects, humanize, convolution reverb, sidechain
+- Added Dub and Temple moods
+
 ## 0.28.2
 
 - Lower drum_humanize default to 0.15 — tighter, more professional feel

CLAUDE.md

@@ -0,0 +1,38 @@
+# Claude Code Instructions
+
+## Release Process
+
+When releasing to PyPI, always do all three:
+
+1. **Tag the commit**: `git tag v0.X.Y`
+2. **Push the tag**: `git push origin --tags`
+3. **Create a GitHub release**: `gh release create v0.X.Y --title "v0.X.Y: Short description" --notes "Release notes" --latest`
+
+Don't forget to update `CHANGELOG.md` *before* the release commit.
+
+## Version Bumping
+
+- `pyproject.toml` and `pytheory/__init__.py` must match
+- Run `uv lock` after changing the version
+- Patch releases (0.X.Y) for bug fixes and small additions
+- Minor releases (0.X.0) for new features
+
+## Testing
+
+```
+uv run python -m pytest test_pytheory.py -x -q --tb=short -m "not slow"
+```
+
+## Publishing
+
+```
+uv build && uv publish --token <token> dist/pytheory-0.X.Y*
+```
+
+## Music Preferences
+
+- Detune: keep at 8-15, don't go above 25
+- Humanize: 0.2 is the sweet spot for melodic parts
+- Drum humanize: 0.15 default is good
+- No swing unless specifically asked
+- Sine and triangle are underrated — use them more

LICENSE

@@ -0,0 +1,21 @@
+MIT License
+
+Copyright (c) 2026 Kenneth Reitz
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

docs/_templates/audio.html

@@ -0,0 +1,4 @@
+<audio controls style="width: 100%; margin: 0.5em 0 1.5em 0;">
+  <source src="{{ pathto('_static/audio/' + file, 1) }}" type="audio/wav">
+  Your browser does not support the audio element.
+</audio>

docs/guide/chords.rst

@@ -322,6 +322,14 @@ against 17 known chord types (triads, 7ths, 9ths, sus, power chords).
    >>> Chord.from_tones("Bb", "D", "F").identify()
    'Bb major'
 
+Enharmonic spellings are fully supported — Cb, Fb, E#, B#, double
+sharps/flats, and unicode symbols (see :doc:`tones` for details):
+
+.. code-block:: pycon
+
+   >>> Chord.from_tones("Cb", "Eb", "Gb").identify()
+   'B minor'
+
 You can also access the root and quality separately:
 
 .. code-block:: pycon

docs/guide/cookbook.rst

@@ -411,6 +411,10 @@ Acid House Track
 
    play_score(score)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/acid_house.wav" type="audio/wav"></audio>
+
 Dub Reggae with Delay Madness
 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
@@ -443,6 +447,10 @@ Sparse notes into infinite echo:
 
    play_score(score)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/dub_reggae.wav" type="audio/wav"></audio>
+
 Jazz Ballad with Humanize
 ~~~~~~~~~~~~~~~~~~~~~~~~~~
 
@@ -480,6 +488,10 @@ The difference between a robot and a musician:
 
    play_score(score)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/jazz_ballad.wav" type="audio/wav"></audio>
+
 Song with Sections
 ~~~~~~~~~~~~~~~~~~~
 
@@ -513,6 +525,10 @@ Define once, arrange freely:
    play_score(score)
    score.save_midi("my_song.mid")
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/song_sections.wav" type="audio/wav"></audio>
+
 Export Everything to MIDI
 ~~~~~~~~~~~~~~~~~~~~~~~~~~
 

docs/guide/drums.rst

@@ -9,8 +9,8 @@ in Atlanta. Over a dancehall pattern, you're in Kingston. The drums ARE
 the genre -- they tell the listener's body how to move before a single
 melodic note is played.
 
-PyTheory includes a complete drum system -- 27 synthesized percussion
-sounds, 58 pattern presets across dozens of genres, and 21 fill presets.
+PyTheory includes a complete drum system -- 51 synthesized percussion
+sounds, 95+ pattern presets across dozens of genres, and 30 fill presets.
 Every sound is generated from waveforms; no samples needed.
 
 Drum Sounds
@@ -29,6 +29,50 @@ Score:
 
 The default is 0.15 — just enough to feel alive without sounding loose.
 
+Drums Are Parts
+~~~~~~~~~~~~~~~~
+
+Drums are a real Part — the same as any melodic voice. You can set
+effects on them the same way:
+
+.. code-block:: python
+
+   score.drums("rock", repeats=4)
+   score.parts["drums"].reverb_mix = 0.2
+   score.parts["drums"].reverb_type = "plate"
+
+Or use the shorthand:
+
+.. code-block:: python
+
+   score.set_drum_effects(reverb=0.2, reverb_type="plate", lowpass=8000)
+
+Split Drums
+~~~~~~~~~~~
+
+For maximum control, split the kit into separate Parts — kick, snare,
+hats, toms, cymbals, and percussion — each with independent effects:
+
+.. code-block:: python
+
+   score.drums("rock", repeats=4, split=True)
+
+   # Now each group is its own Part
+   score.parts["snare"].reverb_mix = 0.3
+   score.parts["snare"].reverb_type = "plate"
+   score.parts["hats"].lowpass = 7000
+   score.parts["kick"]  # dry, no effects
+
+   # set_drum_effects still works — applies to all drum Parts
+   score.set_drum_effects(reverb=0.1)
+
+This is how real studios work — the snare gets its own reverb send,
+the hats get their own EQ, the kick stays dry and punchy. Now you
+can do the same thing in Python.
+
+Sidechain compression triggers on kick hits only — hi-hats and snares
+don't duck the pad.
+
 Every drum sound is stereo-panned like a real kit — kick and snare
 center, hi-hat right, crash left, toms spread across the field,
 percussion instruments placed naturally. Put on headphones and you'll
@@ -47,7 +91,7 @@ The ``DrumSound`` enum maps to General MIDI percussion note numbers:
    >>> DrumSound.CLOSED_HAT.value
    42
 
-All 27 sounds, organized by type:
+All 51 sounds, organized by type:
 
 **Kicks:** KICK (36)
 
@@ -62,7 +106,32 @@ All 27 sounds, organized by type:
 **Percussion:** COWBELL (56), CLAVE (75), SHAKER (70), TAMBOURINE (54),
 CONGA_HIGH (63), CONGA_LOW (64), BONGO_HIGH (60), BONGO_LOW (61),
 TIMBALE_HIGH (65), TIMBALE_LOW (66), AGOGO_HIGH (67), AGOGO_LOW (68),
-GUIRO (73), MARACAS (70)
+GUIRO (73)
+
+**Tabla:** TABLA_NA (86), TABLA_TIN (87), TABLA_GE (88), TABLA_DHA (89),
+TABLA_TIT (90), TABLA_KE (91), TABLA_GE_BEND (108 -- bayan with upward
+pitch bend from palm pressing into the head)
+
+**Dhol:** DHOL_DAGGA (92), DHOL_TILLI (93), DHOL_BOTH (94)
+
+**Dholak:** DHOLAK_GE (95), DHOLAK_NA (96), DHOLAK_TIT (97)
+
+**Mridangam:** MRIDANGAM_THAM (98), MRIDANGAM_NAM (99), MRIDANGAM_DIN (100),
+MRIDANGAM_THA (101)
+
+**Djembe:** DJEMBE_BASS (102), DJEMBE_TONE (103), DJEMBE_SLAP (104)
+
+**Cajón:** CAJON_BASS (108), CAJON_SLAP (109), CAJON_TAP (110)
+
+**Metal Kit:** METAL_KICK (105), METAL_SNARE (106), METAL_HAT (107)
+
+**Marching Snare:** MARCH_SNARE (115), MARCH_RIMSHOT (116), MARCH_CLICK (118)
+
+**Quads (Tenors):** QUAD_1 (119), QUAD_2 (120), QUAD_3 (121), QUAD_4 (122),
+QUAD_SPOCK (123)
+
+**Marching Bass:** BASS_1 (124), BASS_2 (125), BASS_3 (126), BASS_4 (127),
+BASS_5 (80)
 
 Drum Synthesis
 --------------
@@ -101,8 +170,8 @@ Each sound has a dedicated synthesizer:
 Pattern Presets
 ---------------
 
-58 patterns spanning genres from rock to Afro-Cuban to electronic.
-Load them with ``Pattern.preset()``:
+80+ patterns spanning genres from rock to Afro-Cuban to electronic to
+world percussion. Load them with ``Pattern.preset()``:
 
 .. code-block:: pycon
 
@@ -149,9 +218,16 @@ adds syncopation.
 rattling hi-hats of trap, the breakneck tempo of drum and bass. These
 patterns were born in drum machines and they still live there.
 
-**Metal/Punk:** metal, blast beat, punk -- Speed and aggression.
-The blast beat is both feet and both hands going as fast as humanly
-possible. Punk strips everything to its essentials.
+**Metal/Punk:** metal, blast beat, punk, double kick, metal blast,
+metal groove, metal gallop -- Speed and aggression. The blast beat is
+both feet and both hands going as fast as humanly possible. Punk strips
+everything to its essentials. The metal kit adds 3 dedicated sounds
+(double kick, china cymbal, stack) and 4 patterns for extreme metal
+subgenres.
+
+**World Percussion:** tabla, dhol, dholak, mridangam, djembe, cajón --
+Deep traditions from across the globe, each with authentic sound sets and
+idiomatic patterns. See the World Percussion section below for details.
 
 **Other:** funk, hip hop, bo diddley, second line, new orleans, waltz,
 12/8 blues, country, gospel, flamenco -- Everything else. The syncopated
@@ -173,6 +249,13 @@ Playing Patterns
    play_pattern(Pattern.preset("salsa"), repeats=4, bpm=180)
    play_pattern(Pattern.preset("afrobeat"), repeats=8, bpm=110)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/rock_beat.wav" type="audio/wav"></audio>
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/bossa_nova_pattern.wav" type="audio/wav"></audio>
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/salsa_pattern.wav" type="audio/wav"></audio>
+   <audio controls style="width:100%;margin:0.3em 0 1.5em"><source src="../_static/audio/afrobeat_pattern.wav" type="audio/wav"></audio>
+
 Fills
 -----
 
@@ -184,14 +267,17 @@ ending and a new one is about to begin. Without fills, a drum pattern
 just loops. With them, it breathes and has structure.
 
 ``Pattern.fill()`` loads a 1-bar drum fill -- a short break that
-transitions between sections. 21 fill presets are available:
+transitions between sections. 30 fill presets are available:
 
 .. code-block:: pycon
 
    >>> Pattern.list_fills()
    ['afrobeat', 'blast', 'bossa nova', 'breakdown', 'buildup',
-    'cumbia', 'disco', 'funk', 'highlife', 'hip hop', 'house',
-    'jazz', 'jazz brush', 'metal', 'reggae', 'rock', 'rock crash',
+    'cajon breakdown', 'cajon flam', 'cajon rumble',
+    'cumbia', 'disco', 'djembe break', 'djembe call', 'djembe roll',
+    'funk', 'highlife', 'hip hop', 'house',
+    'jazz', 'jazz brush', 'metal', 'metal blast', 'metal cascade',
+    'metal triplet', 'reggae', 'rock', 'rock crash',
     'salsa', 'samba', 'second line', 'trap']
 
    >>> fill = Pattern.fill("rock")
@@ -260,6 +346,257 @@ drum pattern and all named parts are mixed together by ``play_score()``:
 
    play_score(score)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/salsa_layered.wav" type="audio/wav"></audio>
+
+World Percussion
+----------------
+
+PyTheory includes dedicated sound sets and pattern presets for
+traditional percussion instruments from around the world. Each
+instrument has its own synthesized sounds that capture the timbral
+character of the real instrument, plus idiomatic rhythmic patterns
+drawn from their musical traditions.
+
+Tabla
+~~~~~
+
+The tabla is a pair of hand drums from the Indian subcontinent -- the
+smaller, higher-pitched *dayan* and the larger, bass *bayan*. It is
+the rhythmic backbone of Hindustani classical music, and one of the
+most expressive percussion instruments ever created. A single tabla
+player can produce an astonishing range of tones by varying finger
+placement, pressure, and striking technique.
+
+**7 sounds** -- covering the primary tabla strokes (na, tin, tun, ge,
+dha, ke, tit) plus a bayan pitch bend sound (TABLA_GE_BEND) that
+models the technique of pressing the palm into the bayan head to bend
+the pitch upward.
+
+**7 patterns:** teental (16 beats, the most common taal), jhaptaal
+(10 beats), rupak (7 beats), dadra (6 beats), keherwa (8 beats, folk
+and light classical), tabla solo, and tiri kita (fast ornamental
+pattern).
+
+**5 fills:** tihai (3x crescendo landing on sam), chakkardar (32nd
+triplet cascade into slam), tiri kita (rapid 16th-note dayan burst),
+bayan (deep bass bends showcase), tabla call (dayan/bayan call-and-response).
+
+.. code-block:: python
+
+   score.drums("teental", repeats=4, fill="tihai")
+   score.drums("keherwa", repeats=4, fill="chakkardar")
+
+.. code-block:: python
+
+   score = Score("4/4", bpm=80)
+   score.drums("teental", repeats=4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/tabla_teental.wav" type="audio/wav"></audio>
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/tabla_keherwa.wav" type="audio/wav"></audio>
+   <audio controls style="width:100%;margin:0.3em 0 1.5em"><source src="../_static/audio/tabla_chakradar.wav" type="audio/wav"></audio>
+
+Dhol
+~~~~
+
+The dhol is a double-headed barrel drum from Punjab, played with
+sticks. It is the driving force behind bhangra music -- loud,
+energetic, and physically impossible to sit still to.
+
+**3 sounds** -- bass stroke, treble stroke, and rimshot.
+
+**2 patterns:** bhangra (the classic bhangra groove) and dhol chaal
+(a processional rhythm).
+
+.. code-block:: python
+
+   score = Score("4/4", bpm=160)
+   score.drums("bhangra", repeats=4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/dhol.wav" type="audio/wav"></audio>
+
+Dholak
+~~~~~~
+
+The dholak is a smaller, lighter two-headed drum used across South
+Asia in folk music, qawwali, and Bollywood. Played with bare hands,
+it produces a warm, melodic tone.
+
+**3 sounds** -- bass, treble, and slap.
+
+**2 patterns:** qawwali (the rhythmic foundation of Sufi devotional
+music) and dholak folk (a general folk groove).
+
+.. code-block:: python
+
+   score = Score("4/4", bpm=120)
+   score.drums("qawwali", repeats=4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/dholak.wav" type="audio/wav"></audio>
+
+Mridangam
+~~~~~~~~~
+
+The mridangam is a double-headed drum from South India, the
+rhythmic anchor of Carnatic classical music. Its tuning system is
+extraordinarily precise, and its rhythmic vocabulary is among the
+most mathematically complex in the world.
+
+**4 sounds** -- tha, thom, nam, and din.
+
+**2 patterns:** adi talam (the most common Carnatic talam, 8 beats)
+and mridangam korvai (a rhythmic cadence pattern).
+
+.. code-block:: python
+
+   score = Score("4/4", bpm=90)
+   score.drums("adi talam", repeats=4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/mridangam.wav" type="audio/wav"></audio>
+
+Djembe
+~~~~~~
+
+The djembe is a rope-tuned goblet drum from West Africa, capable of
+producing a wide range of tones from deep bass to sharp slaps. It is
+central to the drum ensemble traditions of Mali, Guinea, and Senegal.
+
+**3 sounds** -- bass (open center strike), tone (edge strike), and
+slap (sharp edge strike).
+
+**8 patterns:** djembe (basic accompanying rhythm), kuku (Guinean harvest
+dance), soli (powerful Mandinka rhythm), dununba (heavy bass-driven),
+tiriba (joyful Susu rhythm), yankadi (gentle greeting/welcome), djansa
+(fast Malinke dance), mendiani (women's celebratory dance).
+
+**3 fills:** djembe call (bass-tone-slap conversation building to climax),
+djembe roll (rapid slaps accelerating into bass), djembe break (syncopated
+West African-style break).
+
+.. code-block:: python
+
+   score = Score("4/4", bpm=120)
+   score.drums("djembe", repeats=8, fill="djembe call", fill_every=4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/djembe.wav" type="audio/wav"></audio>
+
+Metal Kit
+~~~~~~~~~
+
+A dedicated percussion kit for extreme metal subgenres, with
+specialized sounds and patterns that go beyond the standard drum kit.
+
+**3 sounds** -- double kick (triggered, tight attack), china cymbal,
+and stack (a short, trashy cymbal choke).
+
+**4 patterns:** double kick (relentless double bass drum pattern),
+metal blast (blast beat with china cymbal accents), metal groove (a
+half-time groove with double kick fills), and metal gallop (the
+classic triplet-feel gallop rhythm).
+
+**4 fills:** metal (double kick 16ths with descending toms), metal triplet
+(double kick triplets with snare accents), metal blast (alternating
+snare/kick 32nds into half-time crash), metal cascade (descending snare
+roll → kick roll → alternating → crash ending).
+
+.. code-block:: python
+
+   score = Score("4/4", bpm=200)
+   score.drums("metal blast", repeats=8, fill="metal cascade", fill_every=4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/metal_blast.wav" type="audio/wav"></audio>
+
+Cajón
+~~~~~
+
+The cajón is a box-shaped percussion instrument from Peru, now
+ubiquitous in acoustic and unplugged settings worldwide. Players sit
+on the box and strike the front face with their hands.
+
+**3 sounds** -- bass (deep center thump), slap (sharp, snare-like edge
+hit with wire buzz), and tap (light finger tap).
+
+**3 patterns:** cajon (basic groove), cajon rumba (flamenco-style rumba),
+and cajon folk (folk/acoustic pattern).
+
+**3 fills:** cajon flam (slaps accelerating into bass hits), cajon rumble
+(fast taps building to slap accents), cajon breakdown (syncopated
+bass-slap groove).
+
+.. code-block:: python
+
+   score = Score("4/4", bpm=100)
+   score.drums("cajon", repeats=8, fill="cajon flam", fill_every=4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/cajon.wav" type="audio/wav"></audio>
+
+Marching Percussion
+~~~~~~~~~~~~~~~~~~~
+
+A full drumline — snare, quads (tenors), and pitched bass drums.
+Every sound is synthesized: kevlar snare heads, aluminum shell ting
+on the quads, felt-beater thwack on the basses.
+
+**Snare** -- 3 sounds: MARCH_SNARE (tight kevlar tap), MARCH_RIMSHOT
+(woody-metallic crack), MARCH_CLICK (stick click for count-offs).
+
+**Quads** -- 5 sounds: QUAD_1 through QUAD_4 (high to low pitched
+tenors) plus QUAD_SPOCK (rim click on the shell).
+
+**Bass drums** -- 5 pitched drums: BASS_1 (highest/smallest) through
+BASS_5 (lowest/biggest), each with a prominent felt-beater thwack.
+
+**6 patterns:** march (basic 4/4), cadence (8-beat street beat),
+march paradiddle, march roll (buzz crescendo), quad sweep (run across
+all 4 drums), quad groove, bass split (cascading across the line),
+bass unison (all 5 hit together), drumline (snare + quads + bass).
+
+**Rudiment methods:** ``Part.flam()``, ``Part.diddle()``, and
+``Part.cheese()`` for marching rudiments on any drum sound.
+
+**Ensemble rendering:** ``ensemble=N`` on any Part duplicates the
+voice with per-player timing tendencies and micro pitch drift.
+``ensemble=8`` for a snare line, ``ensemble=20`` for a massive section.
+
+.. code-block:: python
+
+   # Full drumline with ensemble
+   snares = score.part("snares", synth="sine", volume=0.9,
+                       reverb=0.2, ensemble=8)
+   quads = score.part("quads", synth="sine", volume=0.5,
+                      reverb=0.2, ensemble=4)
+   basses = score.part("basses", synth="sine", volume=0.55,
+                       reverb=0.2, ensemble=5)
+
+   snares.flam(DrumSound.MARCH_SNARE, Duration.QUARTER, velocity=120)
+   snares.diddle(DrumSound.MARCH_SNARE, Duration.EIGHTH, velocity=60)
+
+   # Or use patterns
+   score.drums("drumline", repeats=4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/march_snare.wav" type="audio/wav"></audio>
+
+**Sympathetic resonance:** The marching snare builds up snare wire
+buzz as hits accumulate, and the buzz decays during rests — just like
+a real drum.
+
 MIDI Export
 -----------
 

docs/guide/effects.rst

@@ -32,13 +32,27 @@ It's a well-tested order that sounds good by default.
 
 Effects are applied in this fixed order::
 
-    Signal --> Distortion --> Chorus --> Lowpass Filter --> Delay --> Reverb --> Mix
+    Signal --> Saturation --> Tremolo --> Distortion --> Cabinet --> Chorus
+          --> Phaser --> Highpass --> Lowpass --> Delay --> Reverb --> Mix
 
-- **Distortion** first: drives the raw signal before filtering (like
-  plugging a guitar into a fuzz pedal before the amp).
-- **Chorus** second: thickens the distorted signal.
-- **Lowpass** third: shapes the tone (like a tone knob on an amp).
-- **Delay** fourth: echoes the shaped signal (tap delay / tape echo).
+Additionally, these per-note effects are applied before the part effects chain:
+
+- **Sub-oscillator**: octave-below sine mixed in at the oscillator stage
+- **Noise layer**: filtered noise mixed per-note for breath/transients
+- **Filter envelope**: per-note lowpass sweep (attack/decay/sustain)
+- **Velocity → brightness**: harder velocity = brighter filter cutoff
+
+Part-level effects:
+
+- **Saturation** first: subtle even-harmonic warmth (tape/tube color).
+- **Tremolo** second: amplitude LFO modulation.
+- **Distortion** third: drives the signal before filtering.
+- **Cabinet** fourth: speaker cab simulation (rolloff + presence bump).
+- **Chorus** fifth: thickens the signal.
+- **Phaser** sixth: swept allpass notches.
+- **Highpass** seventh: removes low-frequency mud.
+- **Lowpass** eighth: shapes the tone (like a tone knob on an amp).
+- **Delay** ninth: echoes the shaped signal (tap delay / tape echo).
 - **Reverb** last: places everything in a space (room / hall).
 
 Distortion
@@ -83,6 +97,89 @@ Parameters:
        distortion_drive=10.0,
    )
 
+Cabinet Simulation
+------------------
+
+A real guitar amp doesn't just distort the signal -- the speaker
+cabinet shapes the tone dramatically. A 12-inch speaker in a closed
+cabinet rolls off the harsh high frequencies above 5 kHz and adds a
+presence bump around 2--3 kHz that gives the sound its "in the room"
+quality. Without a cabinet, distortion sounds thin and fizzy. With
+one, it sounds like a real amp.
+
+PyTheory's cabinet simulation applies a speaker rolloff curve (lowpass
+at ~5 kHz) combined with a presence resonance bump, placed in the
+signal chain immediately after distortion -- exactly where it sits in
+a real amp.
+
+Parameters:
+
+- ``cabinet``: Wet/dry mix, 0.0--1.0 (default 0, off).
+
+  - 0.3--0.5 = subtle speaker coloring
+  - 0.6--0.8 = classic amp-in-a-room
+  - 1.0 = full cabinet, no dry signal
+
+.. code-block:: python
+
+   # Classic rock amp tone: distortion into cabinet
+   guitar = score.part(
+       "guitar",
+       synth="saw",
+       envelope="pluck",
+       distortion=0.6,
+       distortion_drive=5.0,
+       cabinet=0.8,
+   )
+
+   # Clean amp with just cabinet warmth (no distortion)
+   clean = score.part(
+       "clean",
+       synth="triangle",
+       envelope="pluck",
+       cabinet=0.5,
+   )
+
+Analog Drift
+------------
+
+Real analog synthesizers are never perfectly in tune. The voltage-
+controlled oscillators drift slightly over time as components warm up
+and temperature fluctuates. This imperfection is actually a big part
+of why vintage analog synths sound so appealing -- the subtle pitch
+wandering gives each note a unique, living quality that static digital
+oscillators lack.
+
+The ``analog_drift`` parameter adds slow, random pitch variation to
+each oscillator, modeling this vintage behavior.
+
+Parameters:
+
+- ``analog_drift``: Drift amount, 0.0--1.0 (default 0, off).
+
+  - 0.05--0.1 = subtle warmth (studio-grade analog)
+  - 0.15--0.25 = noticeable drift (vintage gear warming up)
+  - 0.3+ = unstable, wobbly (broken tape machine)
+
+.. code-block:: python
+
+   # Warm vintage pad
+   pad = score.part(
+       "pad",
+       synth="supersaw",
+       envelope="pad",
+       analog_drift=0.1,
+       chorus=0.3,
+   )
+
+   # Lo-fi detuned lead
+   lead = score.part(
+       "lead",
+       synth="saw",
+       envelope="pluck",
+       analog_drift=0.25,
+   )
+
 Chorus
 ------
 
@@ -498,6 +595,221 @@ whole mix will gasp for air:
        delay=0.2,
    )
 
+Saturation
+----------
+
+Saturation is the warm, subtle harmonic enhancement of analog tape
+machines and tube preamps. Unlike distortion (which uses ``tanh`` and
+adds harsh odd harmonics), saturation uses a polynomial waveshaper
+that adds even harmonics -- 2nd and 4th -- which the ear perceives as
+warmth and fullness. It's why records mixed through a Neve console
+sound "bigger" than the same mix done in the box.
+
+Parameters:
+
+- ``saturation``: Amount, 0.0--1.0 (default 0, off).
+
+  - 0.05--0.15 = subtle analog warmth (tape machine)
+  - 0.2--0.4 = noticeable color (tube preamp)
+  - 0.5+ = heavy coloring
+
+.. code-block:: python
+
+   # Warm up a bass
+   bass = score.part("bass", synth="saw", saturation=0.2)
+
+   # Glue a string ensemble
+   strings = score.part("strings", instrument="string_ensemble",
+                        saturation=0.1)
+
+Tremolo
+-------
+
+Amplitude modulation by a sine LFO. The classic vibrating-amp sound.
+Essential for vibraphone (the rotating discs in the resonator tubes),
+Rhodes electric piano, and surf guitar. Not to be confused with
+vibrato (pitch modulation).
+
+Parameters:
+
+- ``tremolo_depth``: Modulation depth, 0.0--1.0 (default 0, off).
+- ``tremolo_rate``: LFO speed in Hz (default 5.0).
+
+  - 3--5 Hz = classic tremolo
+  - 5--7 Hz = vibraphone motor speed
+  - 8+ Hz = ring-mod territory
+
+.. code-block:: python
+
+   # Classic Fender amp tremolo
+   guitar = score.part("guitar", synth="saw", envelope="pluck",
+                       tremolo_depth=0.3, tremolo_rate=4.0)
+
+   # Vibraphone with motor
+   vib = score.part("vib", instrument="vibraphone")  # built in
+
+Phaser
+------
+
+A chain of allpass filters whose center frequencies are swept by an
+LFO, creating moving notches in the spectrum. The classic "jet
+engine" or "underwater" effect. Think Small Stone, MXR Phase 90, or
+the intro to "Eruption." Different from chorus -- chorus adds a
+detuned copy, phaser cancels specific frequencies.
+
+Parameters:
+
+- ``phaser``: Wet/dry mix, 0.0--1.0 (default 0, off).
+- ``phaser_rate``: LFO sweep speed in Hz (default 0.5).
+
+  - 0.1--0.3 = slow, lush sweep
+  - 0.5--1.0 = classic phaser
+  - 2.0+ = fast, Leslie-like
+
+.. code-block:: python
+
+   # Slow sweep on a pad
+   pad = score.part("pad", synth="supersaw", envelope="pad",
+                    phaser=0.4, phaser_rate=0.2)
+
+   # Leslie sim on organ (built in)
+   organ = score.part("organ", instrument="organ")
+
+Highpass Filter
+---------------
+
+The opposite of lowpass -- removes low-frequency content below the
+cutoff. Useful for cleaning up mud from pads, keeping multiple bass
+parts from masking each other, or thinning out a sound to sit better
+in a mix.
+
+Parameters:
+
+- ``highpass``: Cutoff frequency in Hz (0 = off).
+
+  - 80--150 Hz = clean up sub rumble
+  - 200--400 Hz = thin out a pad
+  - 500+ Hz = telephone / radio effect
+
+- ``highpass_q``: Resonance / Q factor (default 0.707).
+
+.. code-block:: python
+
+   # Clean up sub rumble from a pad
+   pad = score.part("pad", synth="supersaw", highpass=120)
+
+   # Thin out rhythm guitar to leave room for bass
+   rhythm = score.part("rhythm", synth="saw", highpass=250)
+
+Filter Envelope
+---------------
+
+A per-note lowpass filter whose cutoff sweeps over time. This is the
+core of subtractive synthesis -- the reason a Moog bass goes "bwow"
+instead of "boop." The filter opens on the attack and closes during
+decay, giving each note a distinctive timbral shape.
+
+Parameters:
+
+- ``filter_amount``: Sweep range in Hz (0 = off). How far the filter
+  opens above the base cutoff.
+- ``filter_attack``: Time to reach peak cutoff, in seconds (default 0.01).
+- ``filter_decay``: Time to fall to sustain level (default 0.3).
+- ``filter_sustain``: Sustain level as fraction of amount, 0.0--1.0
+  (default 0.0 = filter closes completely after decay).
+
+.. code-block:: python
+
+   # Classic synth bass "bwow"
+   bass = score.part("bass", instrument="synth_bass")  # built in
+
+   # Acid squelch
+   acid = score.part("acid", instrument="acid_bass")  # built in
+
+   # Custom filter sweep on a lead
+   lead = score.part("lead", synth="saw",
+                     filter_amount=4000, filter_attack=0.01,
+                     filter_decay=0.4, filter_sustain=0.1)
+
+Velocity to Brightness
+~~~~~~~~~~~~~~~~~~~~~~
+
+Real instruments get brighter when played harder. ``vel_to_filter``
+maps note velocity to filter cutoff boost, so louder notes have more
+high-frequency content.
+
+- ``vel_to_filter``: Cutoff boost in Hz at max velocity (default 0, off).
+
+.. code-block:: python
+
+   # Piano: soft = mellow, loud = bright
+   piano = score.part("piano", instrument="piano")  # built in
+
+   # Manual: custom velocity mapping on a lead
+   lead = score.part("lead", synth="saw", vel_to_filter=3000)
+
+Sub-Oscillator
+--------------
+
+An octave-below sine wave mixed in with the main oscillator. Adds
+low-end weight without muddiness -- the sub fills in the fundamental
+while the main oscillator provides harmonic character above.
+
+- ``sub_osc``: Mix level, 0.0--1.0 (default 0, off).
+
+  - 0.1--0.2 = subtle weight (tuba, bass guitar)
+  - 0.3--0.5 = heavy sub (808, synth bass)
+
+.. code-block:: python
+
+   # Fat 808 kick-bass
+   bass = score.part("bass", instrument="808_bass")  # built in
+
+   # Add weight to any part
+   lead = score.part("lead", synth="saw", sub_osc=0.3)
+
+Noise Layer
+-----------
+
+White noise mixed into each note, following the same amplitude
+envelope. Adds breath for woodwinds, hammer/felt noise for piano,
+bow rosin for strings, and attack transients for percussion.
+
+- ``noise_mix``: Mix level, 0.0--1.0 (default 0, off).
+
+  - 0.02--0.04 = subtle texture (strings, piano)
+  - 0.05--0.08 = noticeable breath (woodwinds)
+  - 0.1+ = heavy air/texture
+
+.. code-block:: python
+
+   # Breathy flute
+   flute = score.part("flute", instrument="flute")  # noise_mix=0.08
+
+   # Add air to any synth
+   pad = score.part("pad", synth="supersaw", noise_mix=0.05)
+
+Configurable FM
+---------------
+
+The FM synth now accepts ``fm_ratio`` and ``fm_index`` parameters,
+letting you dial in specific FM timbres instead of using the defaults.
+
+- ``fm_ratio``: Modulator frequency as multiple of carrier (default 2.0).
+  Integer ratios = harmonic timbres; non-integer = metallic/inharmonic.
+- ``fm_index``: Modulation depth (default 3.0). Higher = more harmonics.
+
+.. code-block:: python
+
+   # Warm electric piano (low ratio, low index)
+   ep = score.part("ep", synth="fm", fm_ratio=1.0, fm_index=1.5)
+
+   # Bright metallic bell (high ratio, high index)
+   bell = score.part("bell", synth="fm", fm_ratio=3.5, fm_index=5.0)
+
+   # Glockenspiel
+   glock = score.part("glock", instrument="glockenspiel")  # built in
+
 Automation
 ----------
 
@@ -528,9 +840,12 @@ processes each section independently:
    lead.set(lowpass=4000, distortion=0.7, reverb=0.3)
    lead.arpeggio("Gm", bars=4, pattern="updown", octaves=2)
 
-Any parameter can be automated: ``lowpass``, ``lowpass_q``, ``reverb``,
-``reverb_decay``, ``delay``, ``delay_time``, ``delay_feedback``,
-``distortion``, ``distortion_drive``, ``chorus``, ``volume``.
+Any parameter can be automated: ``lowpass``, ``lowpass_q``, ``highpass``,
+``reverb``, ``reverb_decay``, ``reverb_type``, ``delay``, ``delay_time``,
+``delay_feedback``, ``distortion``, ``distortion_drive``, ``chorus``,
+``phaser``, ``phaser_rate``, ``saturation``, ``tremolo_depth``,
+``tremolo_rate``, ``cabinet``, ``cabinet_brightness``, ``analog_drift``,
+``volume``.
 
 LFO Automation
 --------------

docs/guide/playback.rst

@@ -66,6 +66,21 @@ the mix louder and punchier:
        chords.add(Chord.from_symbol(sym), Duration.WHOLE)
    play_score(score)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/playback_basic.wav" type="audio/wav"></audio>
+
+The render pipeline respects the Score's ``temperament`` and
+``reference_pitch`` settings, so Baroque or microtonal scores play back
+at the correct tuning:
+
+.. code-block:: python
+
+   score = Score("4/4", bpm=80, temperament="meantone", reference_pitch=415.0)
+
+Press **Ctrl+C** at any time during playback to stop — PyTheory catches
+``KeyboardInterrupt`` and stops audio cleanly.
+
 See :doc:`sequencing` for how to build scores and parts.
 
 render_score() -- Headless Rendering
@@ -153,7 +168,7 @@ Play a drum pattern through the speakers:
    play_pattern(Pattern.preset("rock"), repeats=4, bpm=120)
    play_pattern(Pattern.preset("bossa nova"), repeats=4, bpm=140)
 
-See :doc:`drums` for the full list of 58 presets and 21 fills.
+See :doc:`drums` for the full list of 80+ presets and 21 fills.
 
 play_progression() -- Quick Chord Playback
 ------------------------------------------
@@ -177,3 +192,33 @@ Optional synth, envelope, and gap parameters:
    play_progression(chords, t=2000, envelope=Envelope.PAD)
 
 That's the workflow: hear it, tweak it, hear it again. When it sounds right, export to WAV or MIDI and take it somewhere bigger.
+
+MIDI Import
+-----------
+
+Load any Standard MIDI File into a Score — then play it through
+PyTheory's synth engine with effects, or analyze the theory:
+
+.. code-block:: python
+
+   from pytheory import Score
+   from pytheory.play import play_score
+
+   score = Score.from_midi("song.mid")
+
+   # See what's inside
+   for name, part in score.parts.items():
+       print(f"{name}: {len(part.notes)} notes")
+
+   # Change the synth and add effects
+   score.parts["ch1"].synth = "saw"
+   score.parts["ch1"].reverb_mix = 0.3
+
+   play_score(score)
+
+Each MIDI channel becomes a named Part (``ch1``, ``ch2``, etc.).
+Channel 10 (drums) becomes drum hits. Tempo, time signature,
+note durations, and velocities are all preserved.
+
+Download any MIDI file from the internet, load it, play it through
+the synth engine with reverb and delay. That's the whole idea.

docs/guide/quickstart.rst

@@ -143,48 +143,34 @@ chords, melody, bass, each with their own synth and effects:
 
 .. code-block:: python
 
-   from pytheory import Score, Pattern, Key, Duration, Chord
+   from pytheory import Score, Key, Duration
    from pytheory.play import play_score
 
-   score = Score("4/4", bpm=140)
-   score.drums("bossa nova", repeats=4)
+   score = Score("4/4", bpm=120)
+   score.drums("rock", repeats=8, fill="rock", fill_every=4)
 
-   chords = score.part(
-       "chords",
-       synth="fm",
-       envelope="pad",
-       reverb=0.4,
-   )
-   lead = score.part(
-       "lead",
-       synth="saw",
-       envelope="pluck",
-       delay=0.3,
-       lowpass=3000,
-       humanize=0.2,
-   )
-   bass = score.part(
-       "bass",
-       synth="sine",
-       lowpass=500,
-   )
+   piano = score.part("piano", instrument="piano", reverb=0.3)
+   lead = score.part("lead", synth="saw", envelope="pluck",
+                     delay=0.2, reverb=0.2, lowpass=4000)
+   bass = score.part("bass", synth="triangle", lowpass=900)
 
-   key = Key("A", "minor")
-   for chord in key.progression("i", "iv", "V", "i"):
-       chords.add(chord, Duration.WHOLE)
-       chords.add(chord, Duration.WHOLE)
+   for chord in Key("G", "major").progression("I", "V", "vi", "IV") * 2:
+       piano.add(chord, Duration.WHOLE)
 
-   lead.arpeggio("Am", bars=2, pattern="updown", octaves=2)
-   lead.arpeggio("Dm", bars=2, pattern="updown", octaves=2)
-   lead.set(lowpass=5000, reverb=0.3)
-   lead.arpeggio("E7", bars=2, pattern="up", octaves=2)
-   lead.arpeggio("Am", bars=2, pattern="updown", octaves=2)
+   lead.add("D5", 1).add("B4", 0.5).add("D5", 0.5)
+   lead.add("G5", 1).add("E5", 1)
+   lead.add("D5", 0.5).add("B4", 0.5).add("A4", 1)
+   lead.add("G4", 2).rest(2)
 
-   for n in ["A2", "E2", "A2", "C3"] * 4:
-       bass.add(n, Duration.QUARTER)
+   for n in ["G2", "G2", "D2", "D2", "E2", "E2", "C2", "C2"] * 2:
+       bass.add(n, Duration.HALF)
 
    play_score(score)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/quickstart.wav" type="audio/wav"></audio>
+
 Export to Your DAW
 ------------------
 
@@ -233,7 +219,7 @@ drum voices with stereo panning.
 mandolin family, violin family, banjo, harp, oud, sitar, erhu, and
 more) with chord fingering generation and scale diagrams.
 
-**Output** — stereo playback, WAV export, MIDI export.
+**Output** — stereo playback, WAV export, MIDI import/export.
 
 **Interface** — REPL with tab completion (``pytheory repl``), CLI with
 15 commands. ``pytheory demo``, ``pytheory key``, ``pytheory chord``,

docs/guide/sequencing.rst

@@ -47,6 +47,18 @@ A ``Duration`` represents a note length in beats (quarter note = 1 beat):
    >>> Duration.TRIPLET_QUARTER.value
    0.6666666666666666
 
+Duration supports arithmetic — multiply, divide, and add to create
+compound durations:
+
+.. code-block:: pycon
+
+   >>> Duration.WHOLE * 2
+   8.0
+   >>> Duration.HALF + Duration.QUARTER
+   3.0
+   >>> Duration.WHOLE / 2
+   2.0
+
 Time Signatures
 ---------------
 
@@ -149,6 +161,10 @@ Chords work just like tones — pass any ``Chord`` object:
    for chord in chords:
        score.add(chord, Duration.WHOLE)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/chords_basic.wav" type="audio/wav"></audio>
+
 .. code-block:: pycon
 
    >>> score.measures
@@ -232,6 +248,31 @@ Chords and Tone objects work the same way:
    for note in ["A2", "C3", "E3", "A2", "D2", "F2", "A2", "D2"]:
        bass.add(note, Duration.QUARTER)
 
+Polyphonic Hold
+---------------
+
+``Part.hold()`` adds a note without advancing the beat position —
+the next note starts at the *same* time. This enables polyphonic
+overlap on a single part: piano sustain, sitar drone under melody,
+guitar strum texture.
+
+.. code-block:: python
+
+   piano = score.part("piano", instrument="piano", reverb=0.3)
+
+   # Hold a C major chord for 8 beats
+   piano.hold("C3", Duration.WHOLE * 2, velocity=60)
+   piano.hold("E3", Duration.WHOLE * 2, velocity=55)
+   piano.hold("G3", Duration.WHOLE * 2, velocity=55)
+
+   # Melody plays simultaneously on top
+   for n in ["E4", "G4", "C5", "G4", "E4", "D4", "C4", "E4"]:
+       piano.add(n, Duration.QUARTER, velocity=80)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/piano_hold.wav" type="audio/wav"></audio>
+
 Arpeggiator
 ------------
 
@@ -280,6 +321,10 @@ Chain arpeggios through a progression:
    for sym in ["Cm", "Fm", "Abm", "Gm"]:
        lead.arpeggio(sym, bars=2, pattern="updown", octaves=2)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/arpeggio.wav" type="audio/wav"></audio>
+
 Combined with legato, glide, distortion, and a resonant lowpass, this
 produces the classic acid/trance arpeggiator sound.
 
@@ -310,12 +355,18 @@ portamento (pitch slides between notes):
    acid = score.part(
        "acid",
        synth="saw",
-       envelope="pad",
        legato=True,
        glide=0.04,
+       lowpass=3000,
+       lowpass_q=6.0,
+       distortion=0.3,
    )
    acid.add("C2", 0.25).add("C3", 0.25).add("G2", 0.25).add("C2", 0.25)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/legato_glide.wav" type="audio/wav"></audio>
+
 - ``legato``: If True, no envelope retrigger between notes (default False).
 - ``glide``: Portamento time in seconds (default 0, instant).
   0.03--0.05 = quick 303 slide, 0.1--0.2 = slow glide.
@@ -323,63 +374,51 @@ portamento (pitch slides between notes):
 Complete Example
 ----------------
 
-A full multi-part arrangement built from scratch — bossa nova with FM
-rhodes, triangle lead, and filtered bass:
+A full multi-part arrangement — rock beat with piano chords, saw
+lead, and filtered bass:
 
 .. code-block:: python
 
-   from pytheory import Score, Pattern, Key, Duration, Chord
+   from pytheory import Score, Key, Duration, Chord
    from pytheory.play import play_score
 
-   score = Score("4/4", bpm=140)
-   score.drums("bossa nova", repeats=4)
+   score = Score("4/4", bpm=120)
+   score.drums("rock", repeats=8, fill="rock", fill_every=4)
 
-   # FM rhodes with reverb
-   rhodes = score.part(
-       "rhodes",
-       synth="fm",
-       envelope="piano",
-       volume=0.3,
-       reverb=0.4,
-       reverb_decay=1.8,
-   )
+   # Piano chords with reverb
+   piano = score.part("piano", instrument="piano", volume=0.4, reverb=0.3)
 
-   # Triangle lead with delay
+   # Saw lead with delay
    lead = score.part(
-       "lead",
-       synth="triangle",
-       envelope="pluck",
-       volume=0.45,
-       delay=0.25,
-       delay_time=0.32,
-       delay_feedback=0.35,
-       reverb=0.2,
+       "lead", synth="saw", envelope="pluck", volume=0.4,
+       delay=0.2, delay_time=0.33, reverb=0.2, lowpass=3000,
    )
 
    # Filtered bass
-   bass = score.part(
-       "bass",
-       synth="sine",
-       envelope="pluck",
-       volume=0.45,
-       lowpass=600,
-   )
+   bass = score.part("bass", synth="triangle", envelope="pluck",
+                     volume=0.45, lowpass=1200)
 
-   for sym in ["Am", "Am", "Dm", "Dm", "E7", "E7", "Am", "Am"]:
-       rhodes.add(Chord.from_symbol(sym), Duration.WHOLE)
+   for chord in Key("G", "major").progression("I", "V", "vi", "IV") * 2:
+       piano.add(chord, Duration.WHOLE)
 
-   for n, d in [
-       ("E5", 0.67), ("D5", 0.33), ("C5", 0.67), ("B4", 0.33),
-       ("A4", 1), ("C5", 0.67), ("E5", 0.33), ("D5", 0.67), ("C5", 0.33),
-       ("A4", 1),
-   ]:
-       lead.add(n, d)
+   lead.add("D5", 1).add("B4", 0.5).add("D5", 0.5)
+   lead.add("G5", 1).add("E5", 1)
+   lead.add("D5", 0.5).add("B4", 0.5).add("A4", 1)
+   lead.add("G4", 2).rest(2)
+   lead.add("D5", 1).add("B4", 0.5).add("D5", 0.5)
+   lead.add("G5", 1).add("A5", 1)
+   lead.add("G5", 0.5).add("E5", 0.5).add("D5", 1)
+   lead.add("B4", 2).rest(2)
 
-   for n in ["A2", "E2", "A2", "C3", "D2", "A2", "D2", "F2"]:
-       bass.add(n, Duration.QUARTER)
+   for n in ["G2", "G2", "D2", "D2", "E2", "E2", "C2", "C2"] * 2:
+       bass.add(n, Duration.HALF)
 
    play_score(score)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/complete_rock.wav" type="audio/wav"></audio>
+
 Velocity
 --------
 
@@ -399,6 +438,157 @@ The arpeggiator also accepts velocity:
 
    lead.arpeggio("Am", bars=2, pattern="up", velocity=80)
 
+Articulations
+-------------
+
+Articulations change *how* a note is played — its attack, duration, and
+weight. A staccato note is short and bouncy. A marcato note hits hard.
+A legato note melts into the next one. This is the difference between
+a melody that sounds like a MIDI file and one that sounds like a
+musician played it.
+
+Pass ``articulation=`` to ``Part.add()``:
+
+.. code-block:: python
+
+   piano.add("C4", Duration.QUARTER, articulation="staccato")   # short, bouncy
+   piano.add("D4", Duration.QUARTER, articulation="legato")     # smooth, overlaps
+   piano.add("E4", Duration.QUARTER, articulation="marcato")    # heavy accent
+   piano.add("F4", Duration.QUARTER, articulation="tenuto")     # held, soft attack
+   piano.add("G4", Duration.QUARTER, articulation="accent")     # louder
+   piano.add("C5", Duration.HALF, articulation="fermata")       # held longer
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/articulations.wav" type="audio/wav"></audio>
+
+What each articulation does:
+
+- **staccato** — plays ~40% of the note duration with a quick fade-out. Short and detached.
+- **legato** — extends ~15% into the next note. Smooth and connected.
+- **marcato** — 25% velocity boost + sharper attack. Heavy and accented.
+- **tenuto** — full duration with a softer attack ramp. Held and deliberate.
+- **accent** — 20% velocity boost, no duration change.
+- **fermata** — stretches the note 50% longer.
+
+Articulations work on ``Part.hold()`` and ``Part.hit()`` too.
+
+Dynamic Curves
+--------------
+
+Real music breathes — phrases get louder, get quieter, swell and
+recede. Dynamic curves let you shape the velocity across a sequence
+of notes instead of setting each one manually.
+
+.. code-block:: python
+
+   # Crescendo: quiet to loud
+   piano.crescendo(["C4","D4","E4","F4","G4","A4","B4","C5"],
+                   Duration.QUARTER, start_vel=30, end_vel=110)
+
+   # Decrescendo: loud to quiet
+   piano.decrescendo(["C5","B4","A4","G4","F4","E4","D4","C4"],
+                     Duration.QUARTER, start_vel=110, end_vel=30)
+
+   # Swell: up then back down (orchestral < > shape)
+   strings.swell(["C4","D4","E4","F4","G4","F4","E4","D4"],
+                 Duration.QUARTER, low_vel=35, peak_vel=110)
+
+   # Custom curve: explicit velocity per note
+   piano.dynamics(["C4","E4","G4","C5"], Duration.QUARTER,
+                  velocities=[50, 80, 110, 90])
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/dynamics.wav" type="audio/wav"></audio>
+
+Four methods:
+
+- **crescendo()** — linear velocity ramp from ``start_vel`` to ``end_vel``.
+- **decrescendo()** — same thing, but typically loud to quiet.
+- **swell()** — ramps up to the midpoint, then back down. The classic
+  orchestral crescendo-decrescendo.
+- **dynamics()** — the general form. Pass a ``(start, end)`` tuple for
+  a linear ramp, or a list of velocities for a custom curve.
+
+All four accept ``articulation=`` to combine dynamics with articulations:
+
+.. code-block:: python
+
+   # Staccato crescendo — bouncy notes getting louder
+   piano.crescendo(["C4","E4","G4","C5","E5","G5","C6","E6"],
+                   Duration.EIGHTH, start_vel=40, end_vel=110,
+                   articulation="staccato")
+
+Part.hit() — Manual Drum Placement
+-----------------------------------
+
+The pattern system is great for grooves, but sometimes you want to
+place individual drum hits with full control — articulations, effects,
+and all. ``Part.hit()`` puts a drum sound into a Part's note stream:
+
+.. code-block:: python
+
+   from pytheory import DrumSound
+
+   kit = score.part("kit", synth="sine", volume=0.7)
+
+   kit.hit(DrumSound.KICK, Duration.QUARTER, articulation="accent")
+   kit.hit(DrumSound.CLOSED_HAT, Duration.EIGHTH, velocity=60)
+   kit.hit(DrumSound.SNARE, Duration.EIGHTH, articulation="marcato")
+
+Because hits go through the normal Part renderer, they get humanize,
+effects, and articulations for free. Use this for custom beats that
+don't fit a preset pattern, or for one-shot accent hits layered on
+top of a pattern.
+
+Rudiments — Flam, Diddle, Cheese
+---------------------------------
+
+Marching percussion rudiments as methods on any Part:
+
+.. code-block:: python
+
+   from pytheory import DrumSound
+
+   p = score.part("snares", synth="sine", volume=0.9)
+
+   # Flam: grace note + main hit (gap controls tightness)
+   p.flam(DrumSound.MARCH_SNARE, Duration.QUARTER, velocity=120)
+
+   # Diddle: two equal strokes in one note duration
+   p.diddle(DrumSound.MARCH_SNARE, Duration.EIGHTH, velocity=60)
+
+   # Cheese: flam + diddle combined
+   p.cheese(DrumSound.MARCH_SNARE, Duration.QUARTER, velocity=120)
+
+Ensemble
+--------
+
+Any Part can be rendered as an ensemble — multiple players with
+per-player timing tendencies and micro pitch drift:
+
+.. code-block:: python
+
+   # 8-player snare line
+   snares = score.part("snares", synth="sine", volume=0.9, ensemble=8)
+
+   # 20-player string section
+   strings = score.part("strings", instrument="string_ensemble", ensemble=20)
+
+   # Single player (default)
+   solo = score.part("solo", instrument="violin")
+
+Each ensemble voice gets a consistent timing personality (some rush,
+some drag) plus small per-note wobble, and slightly different tuning.
+The result sounds like a real section — together but alive.
+
+Solo snare, then an 8-player section plays the same pattern:
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/ensemble.wav" type="audio/wav"></audio>
+
 Swing and Groove
 ----------------
 
@@ -478,6 +668,54 @@ integrate naturally with the rest of the automation system:
    pad.rest(Duration.WHOLE)
    pad.rest(Duration.WHOLE)
 
+Parameter Ramps
+---------------
+
+Fades only control volume. ``Part.ramp()`` smoothly sweeps *any*
+parameter from its current value to a target — filters, reverb,
+distortion, chorus, delay, anything ``.set()`` accepts. This is how
+you build filter sweeps, gradual effect sends, and EDM buildups.
+
+.. code-block:: python
+
+   lead = score.part("lead", synth="saw", lowpass=200, lowpass_q=3.0)
+
+   # Open the filter over 8 bars
+   lead.ramp(over=Duration.WHOLE * 8, lowpass=8000)
+
+   # Ramp multiple params at once
+   pad.ramp(over=Duration.WHOLE * 4, reverb=0.5, chorus=0.3)
+
+   # Close the filter with distortion fading in
+   lead.ramp(over=Duration.WHOLE * 4, lowpass=400, distortion=0.5)
+
+Four interpolation curves:
+
+- **linear** — constant rate of change (default).
+- **ease_in** — starts slow, accelerates. Good for buildups.
+- **ease_out** — starts fast, decelerates. Good for releases.
+- **ease_in_out** — slow at both ends. Smooth and natural.
+
+.. code-block:: python
+
+   # EDM buildup: slow start, accelerating filter sweep
+   lead.ramp(over=Duration.WHOLE * 8, curve="ease_in", lowpass=8000)
+
+   # Smooth reverb wash fading in and settling
+   pad.ramp(over=Duration.WHOLE * 4, curve="ease_in_out", reverb=0.6)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/filter_ramp.wav" type="audio/wav"></audio>
+
+``ramp()`` generates automation points every quarter-beat by default.
+Set ``resolution=0.125`` for smoother curves (every 32nd note), or
+``resolution=1.0`` for lighter automation (every beat).
+
+Combine with ``lfo()`` for cyclic modulation and ``ramp()`` for
+one-shot sweeps — together they cover the full range of parameter
+automation.
+
 Humanize
 --------
 
@@ -574,3 +812,115 @@ Define sections with ``score.section()`` and repeat them with
 Use any names you want — ``"intro"``, ``"verse"``, ``"chorus"``,
 ``"bridge"``, ``"drop"``, ``"breakdown"``, ``"outro"``, or anything
 that makes sense for your song. The names are just labels.
+
+Guitar Strumming
+----------------
+
+Any part with a fretboard can strum chords using real fingering
+positions. The ``strum()`` method looks up the chord on the fretboard,
+gets the correct voicing, and plays all strings as a chord.
+
+.. code-block:: python
+
+   from pytheory import Fretboard
+
+   guitar = score.part("guitar", instrument="acoustic_guitar",
+                       fretboard=Fretboard.guitar())
+
+   guitar.strum("Am", Duration.HALF, direction="down")
+   guitar.strum("G", Duration.HALF, direction="up")
+   guitar.strum("F", Duration.WHOLE)
+
+Works with any fretboard instrument — guitar, ukulele, banjo, mandolin.
+Works with any guitar preset — clean, crunch, distorted, orange, metal.
+
+Pitch Bends
+-----------
+
+Bend a note's pitch up or down over its duration. Essential for guitar
+bends, sitar meends, trombone slides, and vocal-style expression.
+
+.. code-block:: python
+
+   # Guitar bend: D up to E (2 semitones)
+   guitar.add("D4", Duration.HALF, bend=2, bend_type="smooth")
+
+   # Release bend: E back down to D
+   guitar.add("E4", Duration.HALF, bend=-2)
+
+   # Blues curl: hold then bend at the end
+   guitar.add("C4", Duration.HALF, bend=1, bend_type="late")
+
+Three bend types:
+
+- ``"smooth"`` — logarithmic (default). Perceptually even pitch change.
+- ``"linear"`` — linear frequency interpolation. Mechanical/synth feel.
+- ``"late"`` — holds the starting pitch for 60%, bends in the last 40%.
+  The classic blues "curl."
+
+Rolls
+-----
+
+Rapid repeated notes with a velocity ramp — perfect for timpani
+rolls, snare rolls, tremolo on any instrument. The velocity ramps
+from ``velocity_start`` to ``velocity_end`` for crescendo or
+decrescendo effects.
+
+.. code-block:: python
+
+   # Timpani crescendo roll
+   timp = score.part("timp", instrument="timpani")
+   timp.roll("C3", Duration.WHOLE, velocity_start=20, velocity_end=110)
+   timp.add("C3", Duration.HALF, velocity=127)  # big accent
+
+   # Snare roll with 32nd notes
+   snare = score.part("snare", synth="noise", envelope="pluck")
+   snare.roll("C4", Duration.HALF, speed=0.125,
+              velocity_start=40, velocity_end=100)
+
+   # Decrescendo (loud to quiet)
+   timp.roll("G2", Duration.WHOLE, velocity_start=100, velocity_end=30)
+
+Parameters:
+
+- ``velocity_start``: Starting velocity (default 40).
+- ``velocity_end``: Ending velocity (default 100).
+- ``speed``: Note subdivision (default ``Duration.SIXTEENTH``).
+  Use ``0.125`` for 32nd notes, ``Duration.EIGHTH`` for 8th notes.
+
+Tuning Systems
+--------------
+
+A Score can use any tuning system and temperament:
+
+.. code-block:: python
+
+   # Baroque harpsichord — meantone tuning, A=415
+   score = Score("4/4", bpm=80, temperament="meantone",
+                 reference_pitch=415.0)
+
+   # Indian classical — 22-shruti system
+   score = Score("4/4", bpm=75, system="shruti")
+
+   # Just intonation — pure intervals
+   score = Score("4/4", bpm=90, temperament="just")
+
+The Score constructor accepts these tuning parameters:
+
+- ``system``: Musical system name (default ``"western"``). Any system
+  from :doc:`systems` works — ``"indian"``, ``"shruti"``, ``"maqam"``,
+  ``"carnatic"``, etc. Note strings in ``Part.add()`` are parsed against
+  this system.
+- ``temperament``: Tuning temperament — ``"equal"`` (default),
+  ``"pythagorean"``, ``"meantone"``, ``"just"``.
+- ``reference_pitch``: Concert pitch in Hz (default 440.0). Use 415.0
+  for Baroque tuning, 432.0 for "Verdi tuning", etc.
+
+Custom equal temperaments via the ``TET()`` factory:
+
+.. code-block:: python
+
+   from pytheory import TET
+
+   edo19 = TET(19)  # 19-tone equal temperament
+   score = Score("4/4", bpm=100, system=edo19)

docs/guide/synths.rst

@@ -1,7 +1,7 @@
 Synthesizers
 ============
 
-PyTheory includes 10 built-in waveforms and 8 ADSR envelope presets.
+PyTheory includes 41 built-in waveforms and 10 ADSR envelope presets.
 Every sound is generated from scratch -- no samples or external audio
 files needed.
 
@@ -37,6 +37,10 @@ building block of all other waveforms (Fourier's theorem).
    tone = Tone.from_string("C4", system="western")
    play(tone, synth=Synth.SINE)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_sine.wav" type="audio/wav"></audio>
+
 Sawtooth
 ~~~~~~~~
 
@@ -50,6 +54,10 @@ Named for its ramp shape.
 
    play(tone, synth=Synth.SAW)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_saw.wav" type="audio/wav"></audio>
+
 Triangle
 ~~~~~~~~
 
@@ -63,6 +71,10 @@ described as "woody" or "hollow."
 
    play(tone, synth=Synth.TRIANGLE)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_triangle.wav" type="audio/wav"></audio>
+
 Square
 ~~~~~~
 
@@ -76,6 +88,10 @@ pulse wave with a 50% duty cycle.
 
    play(tone, synth=Synth.SQUARE)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_square.wav" type="audio/wav"></audio>
+
 Extended Waveforms
 ------------------
 
@@ -98,6 +114,10 @@ the classic NES-style buzzy tone.
 
    lead = score.part("lead", synth="pulse", envelope="pluck")
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_pulse.wav" type="audio/wav"></audio>
+
 FM Synthesis
 ~~~~~~~~~~~~
 
@@ -109,18 +129,24 @@ the electric piano in every Whitney Houston ballad, the bass in every
 Depeche Mode track, the bells in a thousand TV jingles. If you heard
 pop music in the 80s, you heard FM synthesis.
 
-**Use for:** electric piano (rhodes), bells, metallic leads, jazz chords.
+**Use for:** bells, metallic leads, glassy pads, DX7-style sounds.
 
 .. code-block:: python
 
-   rhodes = score.part(
-       "rhodes",
+   bells = score.part(
+       "bells",
        synth="fm",
-       envelope="piano",
+       envelope="bell",
+       fm_ratio=3.0,
+       fm_index=5.0,
        volume=0.3,
        reverb=0.4,
    )
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_fm.wav" type="audio/wav"></audio>
+
 Noise
 -----
 
@@ -142,6 +168,10 @@ Useful as a texture layer, a percussion source, or a wind/ocean effect.
        lowpass=2000,
    )
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_noise.wav" type="audio/wav"></audio>
+
 Ensemble Waveforms
 ------------------
 
@@ -174,6 +204,10 @@ supersaw.
        reverb=0.5,
    )
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_supersaw.wav" type="audio/wav"></audio>
+
 PWM Slow
 ~~~~~~~~
 
@@ -195,6 +229,10 @@ from Boards of Canada to Drake? PWM with a slow LFO.
        reverb=0.4,
    )
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_pwm_slow.wav" type="audio/wav"></audio>
+
 PWM Fast
 ~~~~~~~~
 
@@ -207,6 +245,10 @@ produces a natural chorus/vibrato effect built into the waveform itself.
 
    lead = score.part("lead", synth="pwm_fast", envelope="pluck", volume=0.5)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_pwm_fast.wav" type="audio/wav"></audio>
+
 ADSR Envelopes
 --------------
 
@@ -233,7 +275,7 @@ shapes the amplitude over time for natural-sounding notes:
 - **Sustain** -- the held volume while the note is on.
 - **Release** -- how quickly it fades to silence after the note ends.
 
-PyTheory includes 8 presets:
+PyTheory includes 10 presets:
 
 .. code-block:: python
 
@@ -247,6 +289,8 @@ PyTheory includes 8 presets:
    play(tone, envelope=Envelope.ORGAN)     # Instant on/off, no shaping
    play(tone, envelope=Envelope.BELL)      # Instant attack, long ring
    play(tone, envelope=Envelope.STRINGS)   # Gradual bow attack
+   play(tone, envelope=Envelope.BOWED)     # Bow bite into sustain
+   play(tone, envelope=Envelope.MALLET)    # Strike with ringing sustain
    play(tone, envelope=Envelope.STACCATO)  # Short and punchy
    play(tone, envelope=Envelope.NONE)      # Raw waveform, no shaping
 
@@ -260,8 +304,10 @@ Name             Character
 ``"pluck"``      Sharp attack, fast decay -- guitar pick, harp
 ``"pad"``        Slow fade in, lush sustain -- strings, synth pads
 ``"organ"``      Instant on/off -- Hammond organ, no shaping
-``"bell"``       Instant attack, long ring -- vibraphone, tubular
+``"bell"``       Instant attack, no sustain -- short metallic ring
 ``"strings"``    Gradual bow attack -- orchestral strings, slow
+``"bowed"``      Bow bite into sustain -- solo strings, brass
+``"mallet"``     Strike with ringing sustain -- vibraphone, celesta
 ``"staccato"``   Short and punchy -- funk stabs, percussive hits
 ``"none"``       Raw waveform, no amplitude shaping at all
 ===============  ================================================
@@ -341,6 +387,655 @@ Reverb is also stereo — the left and right channels get different
 early reflection patterns, so the reverb tail occupies real space
 in the stereo field rather than sitting dead center.
 
+Physical Modeling
+-----------------
+
+Three synths go beyond traditional waveform synthesis into physical
+modeling territory — they simulate how real instruments produce sound.
+
+Karplus-Strong Pluck
+~~~~~~~~~~~~~~~~~~~~
+
+A burst of noise fed into a short delay line. The delay length sets
+the pitch, the feedback filter models the string decaying. This is
+how every physical modeling synth since 1983 does plucked strings.
+It sounds genuinely like a real guitar, harp, or koto.
+
+.. code-block:: python
+
+   guitar = score.part("guitar", synth="pluck_synth")
+   harp = score.part("harp", instrument="harp")  # uses pluck_synth
+
+Hammond Organ
+~~~~~~~~~~~~~
+
+Additive synthesis with drawbar harmonics — sine waves at the
+fundamental plus 2nd, 3rd, 4th, 5th, 6th, and 8th harmonics mixed
+at musical levels. Warm, round, unmistakably organ.
+
+.. code-block:: python
+
+   organ = score.part("organ", synth="organ_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_organ.wav" type="audio/wav"></audio>
+
+String Ensemble
+~~~~~~~~~~~~~~~
+
+Filtered sawtooth with body resonance formants at ~500 Hz and ~1500 Hz,
+modeling the way a violin or cello body shapes the sound. Warmer and
+more "wooden" than a raw saw wave.
+
+.. code-block:: python
+
+   violin = score.part("violin", synth="strings_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_strings.wav" type="audio/wav"></audio>
+
+Dedicated Instrument Synths
+--------------------------
+
+Beyond the classic and physical modeling waveforms, PyTheory includes
+31 dedicated instrument synths. Each one uses tailored synthesis
+techniques -- additive harmonics, formant shaping, body resonance
+modeling, and specialized envelopes -- to capture the character of a
+specific acoustic instrument. These are the waveforms that bring the
+total count to 41.
+
+Piano Synth
+~~~~~~~~~~~
+
+Hammer-strike envelope with body resonance and subtle inharmonicity.
+Models the way a felt hammer excites steel strings inside a wooden
+soundboard.
+
+.. code-block:: python
+
+   piano = score.part("piano", synth="piano_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_piano.wav" type="audio/wav"></audio>
+
+Rhodes Electric Piano
+~~~~~~~~~~~~~~~~~~~~~
+
+The Fender Rhodes — a rubber-tipped hammer strikes a steel tine
+next to a tonebar, picked up by an electromagnetic pickup. Warm,
+bell-like, with a bright metallic attack that mellows into a
+singing sustain. The sound of jazz clubs, soul, and neo-soul.
+
+.. code-block:: python
+
+   rhodes = score.part("rhodes", synth="rhodes_synth")
+   # Or use the instrument preset (adds tremolo + chorus)
+   rhodes = score.part("rhodes", instrument="electric_piano")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_rhodes.wav" type="audio/wav"></audio>
+
+Wurlitzer Electric Piano
+~~~~~~~~~~~~~~~~~~~~~~~~
+
+The Wurlitzer uses a vibrating steel reed (not a tine like Rhodes)
+picked up by an electrostatic pickup. More nasal, reedy, and biting
+— it barks and growls when played hard. Think Supertramp, Ray Charles.
+
+.. code-block:: python
+
+   wurli = score.part("wurli", synth="wurlitzer_synth")
+   wurli = score.part("wurli", instrument="wurlitzer")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_wurlitzer.wav" type="audio/wav"></audio>
+
+Vibraphone Synth
+~~~~~~~~~~~~~~~~
+
+Struck aluminum bars with motor-driven tremolo discs. The spinning
+motor modulates the sound through the resonator tubes, creating the
+signature vibraphone shimmer. Inharmonic bar modes at 1x, 2.76x, 5.4x.
+
+.. code-block:: python
+
+   vib = score.part("vib", synth="vibraphone_synth")
+   vib = score.part("vib", instrument="vibraphone")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_vibraphone.wav" type="audio/wav"></audio>
+
+Pipe Organ Synth
+~~~~~~~~~~~~~~~~
+
+Multiple ranks of pipes — principal 8', octave 4', fifteenth 2'.
+Constant air pressure means no dynamics. Wind chiff at the attack.
+Best with cathedral reverb.
+
+.. code-block:: python
+
+   organ = score.part("organ", synth="pipe_organ_synth")
+   organ = score.part("organ", instrument="pipe_organ")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_pipe_organ.wav" type="audio/wav"></audio>
+
+Choir Synth
+~~~~~~~~~~~
+
+Voices singing vowels shaped by formant bandpass filters. The glottal
+source is filtered through vocal tract resonances — F1, F2, F3, F4 —
+which is what makes "ah" sound different from "oo". Use ``lyric=``
+to control the vowel. Best with ``ensemble=`` for a full section.
+
+.. code-block:: python
+
+   choir = score.part("choir", synth="choir_synth")
+   choir = score.part("choir", instrument="choir")  # ensemble=6 + cathedral reverb
+   choir.add("C4", Duration.WHOLE, lyric="ah")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_choir.wav" type="audio/wav"></audio>
+
+Bass Guitar Synth
+~~~~~~~~~~~~~~~~~
+
+Plucked string model with finger-damped harmonics and low-end warmth.
+
+.. code-block:: python
+
+   bass = score.part("bass", synth="bass_guitar_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_bass_guitar.wav" type="audio/wav"></audio>
+
+Flute Synth
+~~~~~~~~~~~~
+
+Breathy noise excitation through a resonant tube model, with
+overblowing behavior at higher velocities.
+
+.. code-block:: python
+
+   flute = score.part("flute", synth="flute_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_flute.wav" type="audio/wav"></audio>
+
+Trumpet Synth
+~~~~~~~~~~~~~
+
+Brass lip-buzz model with spectral brightness that increases with
+velocity, plus a characteristic brassy edge from shaped harmonics.
+
+.. code-block:: python
+
+   trumpet = score.part("trumpet", synth="trumpet_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_trumpet.wav" type="audio/wav"></audio>
+
+Clarinet Synth
+~~~~~~~~~~~~~~
+
+Cylindrical bore model producing mostly odd harmonics, giving the
+characteristic hollow, woody tone.
+
+.. code-block:: python
+
+   clarinet = score.part("clarinet", synth="clarinet_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_clarinet.wav" type="audio/wav"></audio>
+
+Oboe Synth
+~~~~~~~~~~~
+
+Double-reed model with nasal formant shaping and a buzzy, penetrating
+timbre.
+
+.. code-block:: python
+
+   oboe = score.part("oboe", synth="oboe_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_oboe.wav" type="audio/wav"></audio>
+
+Marimba Synth
+~~~~~~~~~~~~~
+
+Tuned bar model with a soft mallet attack and a warm, resonant decay
+that emphasizes the fundamental.
+
+.. code-block:: python
+
+   marimba = score.part("marimba", synth="marimba_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_marimba.wav" type="audio/wav"></audio>
+
+Harpsichord Synth
+~~~~~~~~~~~~~~~~~
+
+Plucked-string model with a bright, immediate attack and rapid decay
+-- the characteristic "plink" of a quill plucking a string.
+
+.. code-block:: python
+
+   harpsi = score.part("harpsi", synth="harpsichord_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_harpsichord.wav" type="audio/wav"></audio>
+
+Cello Synth
+~~~~~~~~~~~
+
+Bowed string model with body formants at cello resonance frequencies,
+producing a rich, warm, sustained tone.
+
+.. code-block:: python
+
+   cello = score.part("cello", synth="cello_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_cello.wav" type="audio/wav"></audio>
+
+Harp Synth
+~~~~~~~~~~
+
+Plucked string with longer sustain and gentle high-frequency rolloff,
+modeling nylon strings on a resonant frame.
+
+.. code-block:: python
+
+   harp = score.part("harp", synth="harp_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_harp.wav" type="audio/wav"></audio>
+
+Upright Bass Synth
+~~~~~~~~~~~~~~~~~~
+
+Pizzicato double bass with woody body resonance and a thumpy low end.
+
+.. code-block:: python
+
+   bass = score.part("bass", synth="upright_bass_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_upright_bass.wav" type="audio/wav"></audio>
+
+Acoustic Guitar Synth
+~~~~~~~~~~~~~~~~~~~~~
+
+Steel-string model with pick transient, body resonance, and natural
+string decay.
+
+.. code-block:: python
+
+   guitar = score.part("guitar", synth="acoustic_guitar_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_acoustic_guitar.wav" type="audio/wav"></audio>
+
+Electric Guitar Synth
+~~~~~~~~~~~~~~~~~~~~~
+
+Magnetic pickup model with brighter harmonics and less body resonance
+than the acoustic, ready for effects processing.
+
+.. code-block:: python
+
+   eguitar = score.part("eguitar", synth="electric_guitar_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_electric_guitar.wav" type="audio/wav"></audio>
+
+Sitar Synth
+~~~~~~~~~~~~
+
+Sympathetic string resonance with the characteristic buzzy "jawari"
+bridge, producing a shimmering, metallic sustain.
+
+.. code-block:: python
+
+   sitar = score.part("sitar", synth="sitar_synth")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_sitar.wav" type="audio/wav"></audio>
+
+Timpani Synth
+~~~~~~~~~~~~~
+
+Large kettle drum with definite pitch. Inharmonic membrane modes
+(1.0, 1.5, 1.99, 2.44), felt mallet attack, copper kettle resonance.
+Use ``Part.roll()`` for crescendo timpani rolls.
+
+.. code-block:: python
+
+   timp = score.part("timp", synth="timpani_synth")
+   timp.roll("C3", Duration.WHOLE, velocity_start=20, velocity_end=110)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_timpani.wav" type="audio/wav"></audio>
+
+Saxophone Synth
+~~~~~~~~~~~~~~~
+
+Single reed through a conical brass bore. All harmonics with strong
+mids, reed buzz, and brass body warmth. Four presets: ``saxophone``,
+``alto_sax``, ``tenor_sax``, ``bari_sax``.
+
+.. code-block:: python
+
+   sax = score.part("sax", instrument="tenor_sax")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_saxophone.wav" type="audio/wav"></audio>
+
+Pedal Steel Synth
+~~~~~~~~~~~~~~~~~
+
+The Nashville crying sound — singing harmonics with slow vibrato
+and long sustain. Pairs naturally with spring reverb.
+
+.. code-block:: python
+
+   steel = score.part("steel", instrument="pedal_steel")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_pedal_steel.wav" type="audio/wav"></audio>
+
+Theremin Synth
+~~~~~~~~~~~~~~
+
+Pure sine with natural hand wobble — the eerie sci-fi sound.
+Best used with legato and glide for continuous pitch.
+
+.. code-block:: python
+
+   theremin = score.part("theremin", instrument="theremin")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_theremin.wav" type="audio/wav"></audio>
+
+Kalimba Synth
+~~~~~~~~~~~~~
+
+Metal tines on a wooden body. Bright, bell-like attack with
+inharmonic overtones (modes at 1x, 2.92x, 5.4x).
+
+.. code-block:: python
+
+   kalimba = score.part("kalimba", instrument="kalimba")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_kalimba.wav" type="audio/wav"></audio>
+
+Steel Drum Synth
+~~~~~~~~~~~~~~~~
+
+Hammered metal pan with bright, ringing, tropical character.
+Inharmonic partials at 2.0x, 3.01x, 4.1x, 5.3x.
+
+.. code-block:: python
+
+   pan = score.part("pan", instrument="steel_drum")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_steel_drum.wav" type="audio/wav"></audio>
+
+Accordion Synth
+~~~~~~~~~~~~~~~
+
+Musette-tuned doubled reeds — two slightly detuned reed sets
+create natural beating. Bellows pressure swell modulates amplitude.
+
+.. code-block:: python
+
+   acc = score.part("acc", instrument="accordion")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_accordion.wav" type="audio/wav"></audio>
+
+Didgeridoo Synth
+~~~~~~~~~~~~~~~~
+
+Deep cylindrical drone with shifting formant overtones. The
+overtone singing effect sweeps a resonant peak between 500-1500Hz.
+Best with cave reverb.
+
+.. code-block:: python
+
+   didg = score.part("didg", instrument="didgeridoo")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_didgeridoo.wav" type="audio/wav"></audio>
+
+Bagpipe Synth
+~~~~~~~~~~~~~
+
+Bright chanter reed with constant bag pressure. All harmonics
+peaked around 3-7 (the piercing brightness). No dynamics — always ff.
+
+.. code-block:: python
+
+   pipes = score.part("pipes", instrument="bagpipe")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_bagpipe.wav" type="audio/wav"></audio>
+
+Banjo Synth
+~~~~~~~~~~~
+
+Steel strings on a drum-head membrane body. The membrane gives
+nasal, ringy resonance with faster decay than guitar.
+
+.. code-block:: python
+
+   banjo = score.part("banjo", instrument="banjo")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_banjo.wav" type="audio/wav"></audio>
+
+Mandolin Synth
+~~~~~~~~~~~~~~
+
+Paired steel strings in 4 courses — natural chorus from the
+doubled unison strings. Bright, ringing, fast attack.
+
+.. code-block:: python
+
+   mando = score.part("mando", instrument="mandolin")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_mandolin.wav" type="audio/wav"></audio>
+
+Ukulele Synth
+~~~~~~~~~~~~~
+
+Nylon strings on a small body. Mid-heavy resonance (no deep bass),
+softer attack than guitar, shorter sustain.
+
+.. code-block:: python
+
+   uke = score.part("uke", instrument="ukulele")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_ukulele.wav" type="audio/wav"></audio>
+
+Granular Synth
+~~~~~~~~~~~~~~
+
+Grain cloud synthesis — chops a source waveform into tiny overlapping
+grains (10-200ms), each windowed and optionally pitch/time scattered.
+Creates textures impossible with other synthesis: frozen tones,
+shimmering clouds, evolving pads, glitchy stutters.
+
+.. code-block:: python
+
+   # Atmospheric granular pad
+   pad = score.part("pad", instrument="granular_pad")
+
+   # Granular with filter envelope sweep + resonance
+   texture = score.part("texture", synth="granular_synth", envelope="pad",
+                        filter_amount=4000, filter_attack=0.5,
+                        filter_decay=1.5, filter_sustain=0.3,
+                        lowpass=600, lowpass_q=3.0,
+                        reverb=0.5, reverb_type="taj_mahal")
+
+Parameters (passed as synth kwargs):
+
+- ``grain_size``: Duration per grain in seconds (default 0.04).
+- ``density``: Grains per second (default 50). Higher = denser cloud.
+- ``scatter``: Random position jitter 0-1 (default 0.5).
+- ``pitch_var``: Per-grain pitch randomization in cents (default 12).
+- ``source``: Base waveform — ``"saw"``, ``"sine"``, ``"triangle"``,
+  ``"square"``, ``"noise"``.
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_granular.wav" type="audio/wav"></audio>
+
+Singing Bowl (Strike)
+~~~~~~~~~~~~~~~~~~~~~
+
+Tibetan/Himalayan singing bowl struck with a mallet. The impact excites
+inharmonic partials that ring and slowly beat against each other as
+near-degenerate mode pairs interfere. Higher modes fade quickly, leaving
+the fundamental shimmering for seconds.
+
+.. code-block:: python
+
+   bowl = score.part("bowl", synth="singing_bowl_strike_synth", envelope="none",
+                     reverb=0.4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_singing_bowl_strike.wav" type="audio/wav"></audio>
+
+Singing Bowl (Ring)
+~~~~~~~~~~~~~~~~~~~
+
+Rim-rubbed singing bowl — the mallet traces the rim, slowly building the
+fundamental into a sustained, pulsing tone. Upper harmonics shimmer in
+and out as the bowl resonates.
+
+.. code-block:: python
+
+   bowl = score.part("bowl", synth="singing_bowl_ring_synth", envelope="none",
+                     reverb=0.4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/synth_singing_bowl_ring.wav" type="audio/wav"></audio>
+
+Analog Oscillator Drift
+~~~~~~~~~~~~~~~~~~~~~~~~
+
+All waveform synths support the ``analog_drift`` parameter, which adds
+subtle, slow random pitch variation to each oscillator -- modeling the
+voltage instability of vintage analog circuits. This is what makes a
+real Minimoog sound slightly different on every note, and why analog
+synths feel "alive" compared to their digital counterparts.
+
+.. code-block:: python
+
+   # Subtle vintage drift
+   pad = score.part("pad", synth="saw", analog_drift=0.1)
+
+   # More pronounced, wobbly analog character
+   lead = score.part("lead", synth="square", analog_drift=0.3)
+
+Drift values:
+
+- **0.05--0.1** = subtle warmth (studio-grade analog)
+- **0.15--0.25** = noticeable drift (vintage gear warming up)
+- **0.3+** = unstable, wobbly (broken tape machine)
+
+Instrument Presets
+------------------
+
+Instead of choosing synth + envelope + effects manually, use an
+instrument preset — 60+ predefined combinations that approximate real
+instruments:
+
+.. code-block:: python
+
+   piano = score.part("piano", instrument="piano")
+   violin = score.part("violin", instrument="violin")
+   guitar = score.part("guitar", instrument="acoustic_guitar")
+   organ = score.part("organ", instrument="organ")
+   bass = score.part("bass", instrument="upright_bass")
+
+Available instruments:
+
+**Keys**: piano, electric_piano, organ, harpsichord, celesta, music_box,
+accordion
+
+**Strings**: violin, viola, cello, contrabass, string_ensemble
+
+**Woodwinds**: flute, clarinet, oboe, bassoon, saxophone, alto_sax,
+tenor_sax, bari_sax
+
+**Brass**: trumpet, trombone, french_horn, tuba, brass_ensemble
+
+**Plucked**: acoustic_guitar, electric_guitar, clean_guitar, crunch_guitar,
+distorted_guitar, orange_crunch, metal_guitar, bass_guitar, upright_bass,
+harp, sitar, koto, banjo, mandolin, mandola, ukulele
+
+**World/Exotic**: pedal_steel, theremin, kalimba, steel_drum, didgeridoo,
+bagpipe, singing_bowl, singing_bowl_ring
+
+**Synth**: synth_lead, synth_pad, synth_bass, acid_bass, 808_bass,
+granular_pad, granular_texture, vocal, choir
+
+**Percussion**: vibraphone, marimba, xylophone, glockenspiel, tubular_bells,
+timpani
+
+Explicit kwargs override preset defaults:
+
+.. code-block:: python
+
+   # Piano with extra reverb
+   piano = score.part("piano", instrument="piano", reverb=0.5)
+
+   # Violin panned left
+   violin = score.part("v", instrument="violin", pan=-0.4)
+
 Choosing Synth and Envelope Combos
 ----------------------------------
 

docs/guide/systems.rst

@@ -1,10 +1,11 @@
 Musical Systems
 ===============
 
-PyTheory supports **six musical systems**, each with its own tone names,
-scale patterns, and centuries of tradition behind them. Every system
-maps onto the same 12-tone equal temperament backbone, so you can
-compare scales across cultures and even combine them in your own music.
+PyTheory supports **16 musical systems** — 6 core systems mapped onto
+12-tone equal temperament, plus 10 microtonal systems with their own
+native tunings. The core systems let you compare scales across cultures;
+the microtonal systems go beyond 12-TET into genuinely different pitch
+universes.
 
 Western
 -------
@@ -271,4 +272,117 @@ produce the same pitches:
    >>> do4.frequency
    261.6255653005986
 
+Microtonal Systems
+------------------
+
+Beyond the six 12-TET core systems, PyTheory includes 10 microtonal
+systems that use their own native tunings — more notes per octave,
+just intonation ratios, or entirely alien pitch structures.
+
+Shruti (22 tones per octave)
+~~~~~~~~~~~~~~~~~~~~~~~~~~~~
+
+The Indian 22-shruti system divides the octave into 22 unequal steps
+using just intonation ratios. These microtonal inflections are what
+give classical Indian music its characteristic expressiveness — pitches
+that fall "between the cracks" of the piano.
+
+.. code-block:: python
+
+   score = Score("4/4", bpm=75, system="shruti")
+
+Maqam (24 tones per octave)
+~~~~~~~~~~~~~~~~~~~~~~~~~~~~
+
+The Arabic 24-tone system adds Zalzalian quarter-tone intervals
+(derived from just intonation ratios of 11 and 13) to the standard
+12 tones. These "neutral" intervals — halfway between major and minor —
+are the soul of maqam music.
+
+.. code-block:: python
+
+   score = Score("4/4", bpm=90, system="maqam")
+
+Slendro (5-TET)
+~~~~~~~~~~~~~~~~
+
+The Javanese slendro scale — 5 equal divisions of the octave. Each
+step is 240 cents, wider than any Western interval. Ethereal and
+floating.
+
+Pelog (9-TET)
+~~~~~~~~~~~~~
+
+Approximation of the Javanese pelog tuning as 9 equal divisions of
+the octave.
+
+Thai (7-TET)
+~~~~~~~~~~~~~
+
+Thai classical music divides the octave into 7 equal steps of ~171
+cents each — every interval is the same size.
+
+Makam (53-TET)
+~~~~~~~~~~~~~~
+
+Turkish makam music uses 53 equal divisions of the octave — fine
+enough to approximate virtually any just interval. The system that
+underlies Ottoman classical music.
+
+Carnatic (72-TET)
+~~~~~~~~~~~~~~~~~
+
+South Indian Carnatic music theory describes 72 melakarta ragas.
+The 72-TET system provides enough resolution to represent all the
+microtonal inflections of Carnatic practice.
+
+19-TET and 31-TET
+~~~~~~~~~~~~~~~~~~
+
+Extended equal temperaments that offer better approximations of
+just intonation intervals than 12-TET. 19-TET has excellent major
+thirds; 31-TET closely matches quarter-comma meantone.
+
+.. code-block:: python
+
+   score = Score("4/4", bpm=100, system="19-tet")
+
+Bohlen-Pierce (13 equal divisions of the tritave)
+~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
+
+A genuinely alien tuning system — 13 equal divisions of the
+**tritave** (3:1 ratio) instead of the octave (2:1). No octaves, no
+fifths, built on 3:5:7 harmonics. Used by experimental composers.
+
+.. code-block:: python
+
+   score = Score("4/4", bpm=100, system="bohlen-pierce")
+
+The TET() Factory
+~~~~~~~~~~~~~~~~~
+
+Create any equal temperament on the fly with the ``TET()`` factory:
+
+.. code-block:: python
+
+   from pytheory import TET
+
+   edo19 = TET(19)   # 19-tone equal temperament
+   edo31 = TET(31)   # 31-tone equal temperament
+   score = Score("4/4", bpm=100, system=edo19)
+
+Tone names in custom TET systems are integers (0, 1, 2, ..., n-1).
+
+System.tone() Method
+~~~~~~~~~~~~~~~~~~~~
+
+Any system can create a Tone directly:
+
+.. code-block:: python
+
+   from pytheory import SYSTEMS
+
+   western = SYSTEMS["western"]
+   c4 = western.tone("C", octave=4)
+
 Music is universal, but every culture hears it differently. These systems are different maps of the same territory -- explore one you've never played in before and see what you find.

docs/guide/tones.rst

@@ -357,6 +357,45 @@ every tone knows its enharmonic spelling:
    >>> Tone.from_string("C4", system="western").enharmonic is None
    True
 
+Extended Enharmonics
+~~~~~~~~~~~~~~~~~~~~
+
+PyTheory supports the full range of enharmonic spellings used in real
+music theory:
+
+- **Cb** and **Fb** — musically valid flats (Cb = B, Fb = E)
+- **E#** and **B#** — musically valid sharps (E# = F, B# = C)
+- **Double sharps** (``##`` or ``x``) — e.g. F## = G
+- **Double flats** (``bb``) — e.g. Dbb = C
+- **Unicode symbols** — ``♯`` (sharp), ``♭`` (flat), ``𝄪`` (double sharp),
+  ``𝄫`` (double flat) are all recognized and normalized to ASCII
+
+.. code-block:: pycon
+
+   >>> Tone.from_string("Cb4")   # resolves to B3 (octave boundary fix)
+   <Tone B3>
+   >>> Tone.from_string("B#4")   # resolves to C5 (octave boundary fix)
+   <Tone C5>
+   >>> Tone.from_string("E#4")   # resolves to F4
+   <Tone F4>
+   >>> Tone.from_string("Fb4")   # resolves to E4
+   <Tone E4>
+
+The octave boundary is correctly handled: B# crosses up to the next
+octave (B#4 = C5), and Cb crosses down (Cb4 = B3), matching standard
+scientific pitch notation where the octave number increments at C.
+
+Tone Validation
+~~~~~~~~~~~~~~~
+
+Tones are validated on construction — if a tone name is not recognized
+in its system, a ``ValueError`` is raised:
+
+.. code-block:: pycon
+
+   >>> Tone.from_string("X4")   # not a valid tone name
+   ValueError: ...
+
 The Circle of Fifths
 --------------------
 

docs/index.rst

@@ -18,8 +18,8 @@ Theory
 ------
 
 The theory layer works everywhere Python runs — no audio setup needed.
-Tones, scales, chords, keys, intervals, harmony, 6 musical systems,
-25 instruments:
+Tones, scales, chords, keys, intervals, harmony, 16 musical systems,
+60+ instruments:
 
 .. code-block:: pycon
 
@@ -46,23 +46,33 @@ it through your speakers, export MIDI, finish in your DAW:
 
 .. code-block:: python
 
-   from pytheory import Score, Pattern, Key, Duration, Chord
+   from pytheory import Score, Key, Duration
    from pytheory.play import play_score
 
-   score = Score("4/4", bpm=140)
-   score.drums("bossa nova", repeats=4)
+   score = Score("4/4", bpm=120)
+   score.drums("rock", repeats=8, fill="rock", fill_every=4)
 
-   chords = score.part("chords", synth="fm", envelope="pad", reverb=0.4)
-   lead = score.part("lead", synth="saw", envelope="pluck", delay=0.3)
-   bass = score.part("bass", synth="sine", lowpass=500)
+   piano = score.part("piano", instrument="piano", reverb=0.3)
+   lead = score.part("lead", synth="saw", envelope="pluck",
+                     delay=0.2, reverb=0.2, lowpass=4000)
+   bass = score.part("bass", synth="triangle", lowpass=900)
 
-   for chord in Key("A", "minor").progression("i", "iv", "V", "i"):
-       chords.add(chord, Duration.WHOLE)
+   for chord in Key("G", "major").progression("I", "V", "vi", "IV") * 2:
+       piano.add(chord, Duration.WHOLE)
 
-   lead.arpeggio("Am", bars=4, pattern="updown", octaves=2)
+   lead.add("D5", 1).add("B4", 0.5).add("D5", 0.5)
+   lead.add("G5", 1).add("E5", 1)
+   lead.add("D5", 0.5).add("B4", 0.5).add("A4", 1)
+   lead.add("G4", 2).rest(2)
+
+   for n in ["G2", "G2", "D2", "D2", "E2", "E2", "C2", "C2"] * 2:
+       bass.add(n, Duration.HALF)
 
    play_score(score)
-   score.save_midi("sketch.mid")
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="_static/audio/quickstart.wav" type="audio/wav"></audio>
 
 Or hear a randomly generated track from the command line — different
 every time::
@@ -72,19 +82,29 @@ every time::
 What's Inside
 -------------
 
-- **Theory** — tones, scales (40+ across 6 systems), chords (17 types),
+- **Theory** — tones, scales (40+ across 16 systems), chords (17 types),
   keys, Roman numeral analysis, figured bass, pitch class sets (Forte
-  numbers), scale recommendation, modulation, voice leading
+  numbers), scale recommendation, modulation, voice leading, enharmonic
+  support (Cb, Fb, E#, B#, double sharps/flats, unicode symbols)
 - **Sequencing** — Score, Parts, arpeggiator, legato/glide, velocity,
-  swing, humanize, tempo changes, song sections with repeat
-- **Synthesis** — 10 waveforms, 8 envelopes, detune, stereo pan/spread,
-  58 drum patterns (stereo panned), 21 fills
+  swing, humanize, tempo changes, song sections with repeat, strumming,
+  pitch bends (3 types), rolls, tuning systems (TET factory, 4
+  temperaments, reference_pitch)
+- **Synthesis** — 41 waveforms (including Karplus-Strong pluck, Hammond organ,
+  bowed string, granular, vocal/formant, and 31 dedicated instrument synths),
+  10 envelopes, 60+ instrument presets, configurable FM, sub-oscillator,
+  noise layer, filter envelope, velocity-to-brightness, analog oscillator
+  drift, detune, stereo pan/spread, 80+ drum patterns (stereo panned,
+  including world percussion and cajón), 21 fills, 11 microtonal systems
 - **Effects** — reverb (algorithmic + 7 convolution IRs, stereo), delay,
-  lowpass (with resonance), distortion, chorus, sidechain compression,
+  lowpass/highpass (with resonance), distortion, guitar cabinet simulation,
+  saturation, chorus, phaser, tremolo, analog drift, sidechain compression,
   automation, LFOs. Master bus compressor/limiter
-- **Instruments** — 25 presets with fingering generation
-- **Output** — stereo playback, WAV, MIDI export
-- **Interface** — REPL with tab completion, CLI (15 commands), ``pytheory demo``
+- **Instruments** — 60+ presets with fingering generation, guitar strumming,
+  pitch bends, note choking
+- **Output** — stereo playback, WAV export, MIDI import/export
+- **Interface** — REPL with tab completion, CLI (15 commands), ``pytheory demo``,
+  KeyboardInterrupt handling for clean stop
 - **AI-friendly** — Claude Code can compose
   and play music through PyTheory from natural language
 

examples/sprunki.py

@@ -0,0 +1,69 @@
+"""Sprunki Simon Phase 1 — melody reference.
+
+Notes transcribed from MIDI. Use as a base for arrangements.
+
+Usage:
+    python examples/sprunki.py
+"""
+
+import sounddevice as sd
+
+from pytheory import Score, Duration
+from pytheory.play import render_score, SAMPLE_RATE
+
+
+def sprunki_simon():
+    score = Score("4/4", bpm=200)
+
+    lead = score.part("lead", synth="square", envelope="pluck", volume=0.5,
+                      lowpass=4500, detune=3, reverb=0.1)
+
+    # Phrase A
+    lead.add("E4", 1.0)
+    lead.add("G4", 1.0)
+    lead.rest(1.5)
+    lead.add("A4", 0.5)
+    lead.add("B4", 1.0)
+    lead.add("A4", 1.0)
+    lead.add("G4", 1.0)
+    lead.add("D4", 1.0)
+
+    # Phrase B
+    lead.add("E4", 1.0)
+    lead.add("G4", 1.0)
+    lead.rest(1.5)
+    lead.add("A4", 0.5)
+    lead.add("D4", 2.0)
+    lead.add("B3", 1.0)
+    lead.add("A3", 0.5)
+    lead.add("D4", 0.5)
+
+    # Phrase C
+    lead.add("E4", 1.0)
+    lead.add("G4", 1.0)
+    lead.rest(1.5)
+    lead.add("A4", 0.5)
+    lead.add("B4", 1.0)
+    lead.add("A4", 1.0)
+    lead.add("G4", 1.0)
+    lead.add("B4", 1.0)
+
+    # Phrase D
+    lead.add("A4", 2.0)
+    lead.add("G4", 1.0)
+    lead.add("E4", 1.0)
+    lead.add("B3", 2.0)
+    lead.add("D4", 2.0)
+
+    return score
+
+
+if __name__ == "__main__":
+    score = sprunki_simon()
+    print("  Sprunki Simon Phase 1")
+    try:
+        buf = render_score(score)
+        sd.play(buf, SAMPLE_RATE)
+        sd.wait()
+    except KeyboardInterrupt:
+        sd.stop()

play_recording.py

@@ -0,0 +1,55 @@
+"""Play a recorded MIDI file through pytheory's full renderer.
+
+Takes a MIDI file captured by the live engine and plays it back
+through the complete synthesis pipeline — with ensemble, effects,
+reverb, and master compression.
+
+Usage:
+    python play_recording.py recording.mid
+    python play_recording.py recording.mid --bpm 110
+"""
+
+import sys
+import sounddevice as sd
+
+from pytheory import Score
+from pytheory.play import render_score, SAMPLE_RATE
+
+
+def main():
+    if len(sys.argv) < 2:
+        print("  Usage: python play_recording.py <file.mid> [--bpm N]")
+        return
+
+    filename = sys.argv[1]
+    bpm = None
+    if "--bpm" in sys.argv:
+        idx = sys.argv.index("--bpm")
+        if idx + 1 < len(sys.argv):
+            bpm = int(sys.argv[idx + 1])
+
+    print(f"  Loading {filename}...")
+    score = Score.from_midi(filename)
+
+    if bpm:
+        score.bpm = bpm
+
+    print(f"  {score}")
+    print(f"  Rendering...")
+
+    buf = render_score(score)
+    duration = len(buf) / SAMPLE_RATE
+
+    print(f"  Playing ({duration:.1f}s)...")
+    try:
+        sd.play(buf, SAMPLE_RATE)
+        sd.wait()
+    except KeyboardInterrupt:
+        sd.stop()
+        print("\n  Stopped.")
+
+    print("  Done.")
+
+
+if __name__ == "__main__":
+    main()