Tie long notes across barlines in to_abc() — v0.41.4

Notes longer than one measure are split into tied pieces so abcjs
can render them correctly (e.g. 16-beat choir drone becomes four
tied whole notes).

Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>

CHANGELOG.md

@@ -2,6 +2,222 @@
 
 All notable changes to PyTheory are documented here.
 
+## 0.41.4
+
+- **Fix** — `to_abc()` now ties long notes across barlines instead of emitting
+  oversized durations that abcjs can't render (e.g. 16-beat notes become four
+  tied whole notes).
+
+## 0.41.3
+
+- **Fix** — `to_abc()` now skips parts with only drum tones or rests (no pitched
+  notes), fixing "pitch is undefined" errors in abcjs. Chords are correctly
+  recognized as pitched content.
+
+## 0.41.2
+
+- **Auto bass clef** — `to_abc()` detects low-register parts (808, bass, timpani)
+  and assigns `clef=bass` automatically based on average note octave.
+
+## 0.41.1
+
+- **Fix** — `to_abc()` no longer crashes on parts containing drum tones.
+
+## 0.41.0
+
+- **ABC notation export** — `Score.to_abc()` converts scores to ABC notation
+  strings. Supports multi-voice scores (via `V:` directives), chords, rests,
+  accidentals, and all standard durations. Pass `html=True` to get a
+  self-contained HTML page that renders sheet music in the browser via abcjs.
+
+## 0.40.9
+
+- **Mellotron synth** — tape-replay keyboard with wow/flutter, tape saturation,
+  bandwidth limiting, hiss, and 8-second tape fadeout. Three tape banks via the
+  `tape` parameter: `"strings"` (default), `"flute"`, and `"choir"`.
+- **Analog oscillator synths** — four new waveform generators for fat, alive,
+  analog-style sounds:
+  - `Synth.HARD_SYNC` — slave oscillator hard-synced to a master (Prophet-5
+    leads). `slave_ratio` parameter controls harmonic content.
+  - `Synth.RING_MOD` — two oscillators multiplied for metallic, bell-like
+    inharmonic tones. `mod_ratio` parameter.
+  - `Synth.WAVEFOLD` — west coast wavefolding (Buchla-style). `folds` parameter
+    sweeps from warm to gnarly.
+  - `Synth.DRIFT` — analog VCO with pitch drift, jitter, and noise floor.
+    `shape` parameter (`"saw"`, `"square"`, `"triangle"`, `"pulse"`) and
+    `drift_amount` for instability level.
+- **Synth kwargs passthrough** — `play()`, `save()`, and `_render()` now accept
+  `**synth_kw` for forwarding parameters to synth wave functions (e.g.
+  `play(tone, synth=Synth.MELLOTRON, tape="choir")`).
+- **14 new instrument presets** — `mellotron`, `mellotron_strings`,
+  `mellotron_flute`, `mellotron_choir`, `sync_lead`, `sync_lead_bright`,
+  `ring_mod_bell`, `ring_mod_metallic`, `wavefold_warm`, `wavefold_gnarly`,
+  `drift_saw`, `drift_square`, `analog_pad`, `analog_bass`.
+- **808 bass envelope fix** — changed from `pluck` (zero sustain, wrong for 808)
+  to `piano` (sharp attack with long decay tail).
+
+## 0.40.8
+
+- **Fix hold() inflating duration** — `Note.beats` was returning the full
+  duration for held notes (`_hold=True`), causing `Part.total_beats` and
+  `Score.duration_ms` to overcount. A part with `hold(Sa, WHOLE * 4)` followed
+  by `add(Pa, QUARTER)` would report 17 beats instead of 1. Now held notes
+  return 0 beats, matching the renderer which already skipped advancing the
+  timeline for held notes.
+
+## 0.40.7
+
+- **Expose missing Synth enum entries** — rhodes, wurlitzer, vibraphone,
+  pipe organ, and choir wave functions were already implemented but not
+  accessible via the Synth enum. Now available as `Synth.RHODES`,
+  `Synth.WURLITZER`, `Synth.VIBRAPHONE`, `Synth.PIPE_ORGAN`, `Synth.CHOIR`.
+
+## 0.40.6
+
+- **Saxophone presets cleaned up** — removed lowpass filters and vel_to_filter
+  from all sax instrument presets (saxophone, alto_sax, tenor_sax, bari_sax).
+  The saxophone wave function already shapes its own spectrum; the extra
+  filters were dulling the tone.
+
+## 0.40.5
+
+- **Saxophone synth overhaul** — reed nonlinearity (asymmetric soft clipping),
+  conical bore formant resonances, breath noise with attack envelope, separate
+  reed buzz, key click transient, and sub-harmonic warmth. Vibrato dialed back
+  to subtle, delayed onset.
+
+## 0.40.4
+
+- **Distortion overhaul** — multi-stage clipping (preamp → power amp →
+  asymmetric rectifier) replaces single-stage tanh. Crunch, distorted,
+  orange crunch, and metal guitar presets now sound properly driven.
+
+## 0.40.3
+
+- **Crotales synth** — tuned bronze discs with long ring and bright harmonics
+- **Tingsha synth** — paired Tibetan cymbals with beating from two detuned discs
+- **Rain stick** — cascading pebbles (steep and slow/shallow variants)
+- **Ocean drum** — steel beads rolling inside a frame drum, surf wash
+- **Cabasa** — metal bead chain on cylinder, bright metallic scrape
+- **Wind chimes** — multiple suspended metal tubes ringing at random offsets
+- **Finger cymbal** — single zill tap, bright metallic ping
+- `crotales`, `tingsha`, `singing_bowl`, `singing_bowl_ring` instrument presets
+- Audio demos in docs for all new sounds
+
+## 0.40.2
+
+- **Master compressor dialed back** — threshold raised from 0.5 to 0.7,
+  makeup gain capped at 3x. Sparse arrangements no longer get
+  over-amplified to clipping.
+
+## 0.40.1
+
+- **Singing bowl synth** — two variants: strike (mallet hit with chirp
+  and long decay) and ring (rim-rubbed sustained tone with slow build).
+  Inharmonic partials beat against near-degenerate mode pairs for
+  authentic Himalayan bowl shimmer.
+- `singing_bowl` and `singing_bowl_ring` instrument presets
+- Audio demos in docs for both variants
+
+## 0.40.0
+
+- **Rhodes electric piano synth** — tine + tonebar + electromagnetic
+  pickup model. `electric_piano` preset now uses dedicated `rhodes_synth`
+  instead of FM
+- **73 audio demos in docs** — every synth, every drum pattern, every
+  code example with `play_score()` now has an embedded audio player
+- Idiomatic demos: harp arpeggiates, guitars strum, cello bows, sitar
+  drones, strings use ensemble
+- Trailing silence trimming on all audio exports
+- Raw waveform demos (no envelope) for classic waveforms
+
+## 0.39.3
+
+- **33 audio samples in documentation** — every `play_score()` example
+  now has an embedded stereo audio player. Covers quickstart, sequencing,
+  drums (all world percussion), playback, and cookbook.
+- **`docs/generate_audio.py`** — renders all doc examples to WAV
+- Numpy vectorization: cached time arrays, decay envelopes, drum hits;
+  vectorized piano harmonic synthesis
+- Fixed acid legato example (removed pad envelope, added proper 303 recipe)
+
+## 0.39.2
+
+- **Marching percussion** — snare, rimshot, and stick click sounds with
+  high-tension kevlar synthesis and woody-metallic rimshot crack
+- **`Part.flam()`**, **`Part.diddle()`**, **`Part.cheese()`** — marching
+  rudiment methods for any drum sound
+- **`Part ensemble=`** — duplicate voices with per-player timing tendencies
+  and micro pitch drift. Works on any Part (drumline, string section, choir).
+  `ensemble=20` for a full snare line, `ensemble=4` for a string quartet.
+- **Sympathetic resonance** — marching snare buzz builds up with repeated
+  hits, decays during rests (like real snare wire response)
+- **4 marching patterns** — march, cadence, paradiddle, roll
+- **Chakradar tabla pattern** — 16-beat tihai of tihais composition
+- Song #32: Snare Cadence (flams, diddles, cheese, triplets, 32nds)
+
+## 0.39.1
+
+- **Chakradar tabla pattern** — 16-beat tihai of tihais composition with
+  3 escalating phrases and a crescendo triplet finale
+
+## 0.39.0
+
+- **Dropped `numeral` dependency** — Roman numeral helpers inlined,
+  reducing supply chain surface (#47)
+- **`Part.ramp()`** — smooth parameter automation with 4 interpolation
+  curves (linear, ease_in, ease_out, ease_in_out)
+- **Articulations** — staccato, legato, marcato, tenuto, accent, fermata
+- **Dynamic curves** — crescendo(), decrescendo(), swell(), dynamics()
+- **`Part.hit()`** — individual drum sounds with articulation support
+- **Cross-choke drum damping** — djembe, hi-hats, cajón, doumbek
+- **5 new djembe patterns** + 3 djembe fills (30 fills total)
+- **6 new drum fills** — 3 cajón, 3 metal
+- **Duration arithmetic** — multiply, divide, add
+- **Improved djembe slap** synthesis
+- Song #31: Acid Tabla
+
+## 0.38.2
+
+- **`Part.ramp()`** — smooth parameter automation from current value to
+  target over a duration. Works for lowpass, reverb, distortion, chorus,
+  delay, volume, and any `.set()` parameter. Four interpolation curves:
+  linear, ease_in, ease_out, ease_in_out.
+
+## 0.38.1
+
+- **Dynamic curves** — `Part.crescendo()`, `Part.decrescendo()`,
+  `Part.swell()`, and `Part.dynamics()` for velocity ramps and custom
+  curves across a sequence of notes
+
+## 0.38.0
+
+- **Articulations** — `staccato`, `legato`, `marcato`, `tenuto`, `accent`,
+  `fermata` via `articulation=` on `Part.add()` and `Part.hold()`
+- **`Part.hit()`** — place individual drum sounds in a Part's note stream
+  with articulation, velocity, and effects support
+- **5 new djembe patterns** — dununba, tiriba, yankadi, djansa, mendiani
+- **3 new djembe fills** — djembe call, djembe roll, djembe break (30 fills total)
+- **Cross-choke drum damping** — striking one sound fades out related sounds
+  (djembe, hi-hats, cajón, doumbek)
+- **Improved djembe slap** — dry goatskin pop instead of snare-like noise
+
+## 0.37.0
+
+- **5 new djembe patterns** — dununba, tiriba, yankadi, djansa, mendiani
+- **3 new djembe fills** — djembe call, djembe roll, djembe break (30 fills total)
+- **Cross-choke drum damping** — striking one sound on a hand drum fades
+  out the ring of related sounds (djembe slap kills bass resonance, closed
+  hat chokes open hat, cajón slap dampens bass, doumbek tek dampens dum)
+- **Improved djembe slap** — dry, high-pitched goatskin pop instead of
+  snare-like noise rattle
+
+## 0.36.6
+
+- **6 new drum fills** — 3 cajón (flam, rumble, breakdown) and 3 metal
+  (triplet, blast, cascade). 27 fills total.
+- Updated drums documentation with fill lists and examples
+
 ## 0.36.5
 
 - **Duration arithmetic** — `Duration.WHOLE * 2`, `Duration.HALF + Duration.QUARTER`,

demo_new_synths.py

@@ -0,0 +1,207 @@
+"""Demo the 5 new synths: Mellotron, Hard Sync, Ring Mod, Wavefold, Drift.
+
+Each synth gets a short musical phrase — not just a scale run — with
+reverb and rhythmic variety to show off its character.
+"""
+from pytheory import Score, Duration, play_score
+
+EIGHTH = Duration.EIGHTH
+QUARTER = Duration.QUARTER
+HALF = Duration.HALF
+DOTTED_Q = Duration.DOTTED_QUARTER
+WHOLE = Duration.WHOLE
+
+
+# ── Mellotron Strings ────────────────────────────────────────────────────────
+# Strawberry Fields vibes — slow, haunted, with rests that breathe.
+
+print("=== MELLOTRON STRINGS ===")
+s = Score("4/4", bpm=72)
+p = s.part("tape", instrument="mellotron_strings",
+           reverb=0.45, reverb_type="cathedral", reverb_decay=2.0)
+p.add("G4", HALF).add("B4", QUARTER).add("D5", QUARTER)
+p.add("C5", DOTTED_Q).add("B4", EIGHTH).add("A4", HALF)
+p.rest(QUARTER)
+p.add("G4", DOTTED_Q).add("F#4", EIGHTH).add("G4", WHOLE)
+play_score(s)
+
+
+# ── Mellotron Flute ──────────────────────────────────────────────────────────
+# Lonely, breathy, with space between phrases.
+
+print("\n=== MELLOTRON FLUTE ===")
+s = Score("3/4", bpm=84)
+p = s.part("flute", instrument="mellotron_flute",
+           reverb=0.5, reverb_type="taj_mahal", reverb_decay=2.5)
+p.add("E5", HALF).add("D5", QUARTER)
+p.add("C5", DOTTED_Q).add("B4", EIGHTH).rest(QUARTER)
+p.add("A4", HALF).add("G4", QUARTER)
+p.add("A4", HALF).rest(QUARTER)
+p.add("E5", QUARTER).add("D5", QUARTER).add("C5", QUARTER)
+p.add("B4", HALF + QUARTER)
+play_score(s)
+
+
+# ── Mellotron Choir ──────────────────────────────────────────────────────────
+# Ghostly pad — slow chords, big reverb.
+
+print("\n=== MELLOTRON CHOIR ===")
+s = Score("4/4", bpm=60)
+p = s.part("choir", instrument="mellotron_choir",
+           reverb=0.6, reverb_type="cathedral", reverb_decay=3.0)
+p.add("C4", WHOLE)
+p.add("E4", HALF).add("G4", HALF)
+p.add("A4", DOTTED_Q).add("G4", EIGHTH).add("F4", HALF)
+p.add("E4", WHOLE)
+play_score(s)
+
+
+# ── Hard Sync Lead ───────────────────────────────────────────────────────────
+# Aggressive, punchy — fast 16ths and syncopation.
+
+print("\n=== HARD SYNC LEAD ===")
+s = Score("4/4", bpm=128)
+p = s.part("sync", instrument="sync_lead",
+           reverb=0.25, reverb_type="plate")
+p.add("E4", EIGHTH).add("E4", EIGHTH).rest(EIGHTH).add("G4", EIGHTH)
+p.add("A4", QUARTER).add("G4", EIGHTH).add("E4", EIGHTH)
+p.add("D4", EIGHTH).rest(EIGHTH).add("E4", EIGHTH).add("G4", EIGHTH)
+p.add("A4", HALF)
+p.rest(QUARTER).add("B4", EIGHTH).add("A4", EIGHTH)
+p.add("G4", QUARTER).add("E4", QUARTER).add("D4", HALF)
+play_score(s)
+
+
+# ── Hard Sync Bright ─────────────────────────────────────────────────────────
+# Higher slave ratio — more harmonics, screaming lead.
+
+print("\n=== HARD SYNC BRIGHT ===")
+s = Score("4/4", bpm=138)
+p = s.part("sync2", instrument="sync_lead_bright",
+           reverb=0.2, reverb_type="plate")
+p.add("A4", EIGHTH).add("C5", EIGHTH).add("D5", QUARTER)
+p.rest(EIGHTH).add("E5", EIGHTH).add("D5", EIGHTH).add("C5", EIGHTH)
+p.add("A4", QUARTER).rest(QUARTER).add("G4", EIGHTH).add("A4", EIGHTH)
+p.add("C5", HALF)
+play_score(s)
+
+
+# ── Ring Mod Bell ────────────────────────────────────────────────────────────
+# Shimmery, metallic — sparse hits with long reverb tail.
+
+print("\n=== RING MOD BELL ===")
+s = Score("4/4", bpm=66)
+p = s.part("bell", instrument="ring_mod_bell",
+           reverb=0.6, reverb_type="cave", reverb_decay=3.0)
+p.add("C5", HALF).rest(QUARTER).add("G4", QUARTER)
+p.rest(HALF).add("E5", HALF)
+p.add("D5", QUARTER).rest(QUARTER).add("C5", HALF)
+p.rest(WHOLE)
+p.add("G4", QUARTER).add("A4", QUARTER).add("C5", HALF)
+play_score(s)
+
+
+# ── Ring Mod Metallic ────────────────────────────────────────────────────────
+# Alien, inharmonic — atonal stabs.
+
+print("\n=== RING MOD METALLIC ===")
+s = Score("4/4", bpm=100)
+p = s.part("metal", instrument="ring_mod_metallic",
+           reverb=0.4, reverb_type="parking_garage", reverb_decay=2.0)
+p.add("F4", EIGHTH).rest(EIGHTH).add("Ab4", EIGHTH).add("F4", EIGHTH)
+p.rest(QUARTER).add("Db5", QUARTER).rest(QUARTER)
+p.add("C5", EIGHTH).add("Ab4", EIGHTH).rest(QUARTER).add("F4", HALF)
+p.rest(HALF).add("Db5", QUARTER).add("C5", QUARTER)
+play_score(s)
+
+
+# ── Wavefold Warm ────────────────────────────────────────────────────────────
+# Gentle folds — round and musical, like a filtered saw with overtones.
+
+print("\n=== WAVEFOLD WARM ===")
+s = Score("4/4", bpm=108)
+p = s.part("fold", instrument="wavefold_warm",
+           reverb=0.3, reverb_type="plate")
+p.add("A3", QUARTER).add("C4", QUARTER).add("E4", QUARTER).add("A4", QUARTER)
+p.add("G4", DOTTED_Q).add("E4", EIGHTH).add("C4", HALF)
+p.add("D4", QUARTER).add("F4", QUARTER).add("A4", HALF)
+p.add("G4", WHOLE)
+play_score(s)
+
+
+# ── Wavefold Gnarly ──────────────────────────────────────────────────────────
+# Cranked folds — buzzy, aggressive, with syncopation.
+
+print("\n=== WAVEFOLD GNARLY ===")
+s = Score("4/4", bpm=130)
+p = s.part("gnarly", instrument="wavefold_gnarly",
+           reverb=0.2, reverb_type="spring")
+p.add("E3", EIGHTH).add("E3", EIGHTH).rest(EIGHTH).add("G3", EIGHTH)
+p.add("A3", EIGHTH).rest(EIGHTH).add("B3", EIGHTH).add("A3", EIGHTH)
+p.add("E3", QUARTER).add("G3", EIGHTH).add("A3", EIGHTH).add("B3", QUARTER)
+p.rest(QUARTER)
+p.add("E4", EIGHTH).add("D4", EIGHTH).add("B3", QUARTER).add("A3", HALF)
+play_score(s)
+
+
+# ── Drift Saw ────────────────────────────────────────────────────────────────
+# Warm, alive analog saw — the Minimoog pad.
+
+print("\n=== DRIFT SAW (vintage VCO) ===")
+s = Score("4/4", bpm=88)
+p = s.part("drift", instrument="drift_saw",
+           reverb=0.35, reverb_type="taj_mahal", reverb_decay=2.0)
+p.add("D4", HALF).add("F4", HALF)
+p.add("A4", DOTTED_Q).add("G4", EIGHTH).add("F4", QUARTER).rest(QUARTER)
+p.add("D4", QUARTER).add("E4", QUARTER).add("F4", HALF)
+p.add("D4", WHOLE)
+play_score(s)
+
+
+# ── Drift Square ─────────────────────────────────────────────────────────────
+# Hollow, wobbly — 8-bit with analog soul.
+
+print("\n=== DRIFT SQUARE ===")
+s = Score("4/4", bpm=110)
+p = s.part("dsq", instrument="drift_square",
+           reverb=0.25, reverb_type="plate")
+p.add("C4", EIGHTH).add("E4", EIGHTH).add("G4", QUARTER).add("E4", QUARTER)
+p.rest(QUARTER)
+p.add("A4", EIGHTH).add("G4", EIGHTH).add("E4", QUARTER).add("C4", HALF)
+p.add("D4", QUARTER).add("F4", EIGHTH).add("G4", EIGHTH).add("A4", HALF)
+p.add("G4", WHOLE)
+play_score(s)
+
+
+# ── Analog Pad ───────────────────────────────────────────────────────────────
+# Slow, drifting chords — Juno-style lushness.
+
+print("\n=== ANALOG PAD ===")
+s = Score("4/4", bpm=70)
+p = s.part("pad", instrument="analog_pad",
+           reverb=0.5, reverb_type="taj_mahal", reverb_decay=3.0)
+p.add("A3", WHOLE)
+p.add("C4", HALF).add("E4", HALF)
+p.add("F4", WHOLE)
+p.add("E4", HALF).add("D4", HALF)
+p.add("C4", WHOLE)
+play_score(s)
+
+
+# ── Analog Bass ──────────────────────────────────────────────────────────────
+# Tight, punchy — Moog bass with filter sweep.
+
+print("\n=== ANALOG BASS ===")
+s = Score("4/4", bpm=120)
+p = s.part("bass", instrument="analog_bass",
+           reverb=0.1, reverb_type="plate")
+p.add("E2", EIGHTH).add("E2", EIGHTH).rest(EIGHTH).add("G2", EIGHTH)
+p.add("A2", QUARTER).rest(QUARTER)
+p.add("E2", EIGHTH).rest(EIGHTH).add("B2", EIGHTH).add("A2", EIGHTH)
+p.add("G2", QUARTER).add("E2", QUARTER).rest(HALF)
+p.add("E2", EIGHTH).add("E2", EIGHTH).add("G2", EIGHTH).add("A2", EIGHTH)
+p.add("B2", QUARTER).add("A2", QUARTER).add("E2", HALF)
+play_score(s)
+
+
+print("\nDone!")

docs/_templates/audio.html

@@ -0,0 +1,4 @@
+<audio controls style="width: 100%; margin: 0.5em 0 1.5em 0;">
+  <source src="{{ pathto('_static/audio/' + file, 1) }}" type="audio/wav">
+  Your browser does not support the audio element.
+</audio>

docs/guide/cookbook.rst

@@ -411,6 +411,10 @@ Acid House Track
 
    play_score(score)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/acid_house.wav" type="audio/wav"></audio>
+
 Dub Reggae with Delay Madness
 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
@@ -443,6 +447,10 @@ Sparse notes into infinite echo:
 
    play_score(score)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/dub_reggae.wav" type="audio/wav"></audio>
+
 Jazz Ballad with Humanize
 ~~~~~~~~~~~~~~~~~~~~~~~~~~
 
@@ -480,6 +488,10 @@ The difference between a robot and a musician:
 
    play_score(score)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/jazz_ballad.wav" type="audio/wav"></audio>
+
 Song with Sections
 ~~~~~~~~~~~~~~~~~~~
 
@@ -513,6 +525,10 @@ Define once, arrange freely:
    play_score(score)
    score.save_midi("my_song.mid")
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/song_sections.wav" type="audio/wav"></audio>
+
 Export Everything to MIDI
 ~~~~~~~~~~~~~~~~~~~~~~~~~~
 

docs/guide/drums.rst

@@ -10,7 +10,7 @@ the genre -- they tell the listener's body how to move before a single
 melodic note is played.
 
 PyTheory includes a complete drum system -- 51 synthesized percussion
-sounds, 80+ pattern presets across dozens of genres, and 21 fill presets.
+sounds, 95+ pattern presets across dozens of genres, and 30 fill presets.
 Every sound is generated from waveforms; no samples needed.
 
 Drum Sounds
@@ -121,10 +121,18 @@ MRIDANGAM_THA (101)
 
 **Djembe:** DJEMBE_BASS (102), DJEMBE_TONE (103), DJEMBE_SLAP (104)
 
-**Cajón:** CAJON_SLAP (109), CAJON_TAP (110)
+**Cajón:** CAJON_BASS (108), CAJON_SLAP (109), CAJON_TAP (110)
 
 **Metal Kit:** METAL_KICK (105), METAL_SNARE (106), METAL_HAT (107)
 
+**Marching Snare:** MARCH_SNARE (115), MARCH_RIMSHOT (116), MARCH_CLICK (118)
+
+**Quads (Tenors):** QUAD_1 (119), QUAD_2 (120), QUAD_3 (121), QUAD_4 (122),
+QUAD_SPOCK (123)
+
+**Marching Bass:** BASS_1 (124), BASS_2 (125), BASS_3 (126), BASS_4 (127),
+BASS_5 (80)
+
 Drum Synthesis
 --------------
 
@@ -241,6 +249,13 @@ Playing Patterns
    play_pattern(Pattern.preset("salsa"), repeats=4, bpm=180)
    play_pattern(Pattern.preset("afrobeat"), repeats=8, bpm=110)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/rock_beat.wav" type="audio/wav"></audio>
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/bossa_nova_pattern.wav" type="audio/wav"></audio>
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/salsa_pattern.wav" type="audio/wav"></audio>
+   <audio controls style="width:100%;margin:0.3em 0 1.5em"><source src="../_static/audio/afrobeat_pattern.wav" type="audio/wav"></audio>
+
 Fills
 -----
 
@@ -252,14 +267,17 @@ ending and a new one is about to begin. Without fills, a drum pattern
 just loops. With them, it breathes and has structure.
 
 ``Pattern.fill()`` loads a 1-bar drum fill -- a short break that
-transitions between sections. 21 fill presets are available:
+transitions between sections. 30 fill presets are available:
 
 .. code-block:: pycon
 
    >>> Pattern.list_fills()
    ['afrobeat', 'blast', 'bossa nova', 'breakdown', 'buildup',
-    'cumbia', 'disco', 'funk', 'highlife', 'hip hop', 'house',
-    'jazz', 'jazz brush', 'metal', 'reggae', 'rock', 'rock crash',
+    'cajon breakdown', 'cajon flam', 'cajon rumble',
+    'cumbia', 'disco', 'djembe break', 'djembe call', 'djembe roll',
+    'funk', 'highlife', 'hip hop', 'house',
+    'jazz', 'jazz brush', 'metal', 'metal blast', 'metal cascade',
+    'metal triplet', 'reggae', 'rock', 'rock crash',
     'salsa', 'samba', 'second line', 'trap']
 
    >>> fill = Pattern.fill("rock")
@@ -328,6 +346,10 @@ drum pattern and all named parts are mixed together by ``play_score()``:
 
    play_score(score)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/salsa_layered.wav" type="audio/wav"></audio>
+
 World Percussion
 ----------------
 
@@ -371,6 +393,12 @@ bayan (deep bass bends showcase), tabla call (dayan/bayan call-and-response).
    score = Score("4/4", bpm=80)
    score.drums("teental", repeats=4)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/tabla_teental.wav" type="audio/wav"></audio>
+   <audio controls style="width:100%;margin:0.3em 0 0.5em"><source src="../_static/audio/tabla_keherwa.wav" type="audio/wav"></audio>
+   <audio controls style="width:100%;margin:0.3em 0 1.5em"><source src="../_static/audio/tabla_chakradar.wav" type="audio/wav"></audio>
+
 Dhol
 ~~~~
 
@@ -388,6 +416,10 @@ energetic, and physically impossible to sit still to.
    score = Score("4/4", bpm=160)
    score.drums("bhangra", repeats=4)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/dhol.wav" type="audio/wav"></audio>
+
 Dholak
 ~~~~~~
 
@@ -405,6 +437,10 @@ music) and dholak folk (a general folk groove).
    score = Score("4/4", bpm=120)
    score.drums("qawwali", repeats=4)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/dholak.wav" type="audio/wav"></audio>
+
 Mridangam
 ~~~~~~~~~
 
@@ -423,6 +459,10 @@ and mridangam korvai (a rhythmic cadence pattern).
    score = Score("4/4", bpm=90)
    score.drums("adi talam", repeats=4)
 
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/mridangam.wav" type="audio/wav"></audio>
+
 Djembe
 ~~~~~~
 
@@ -433,14 +473,23 @@ central to the drum ensemble traditions of Mali, Guinea, and Senegal.
 **3 sounds** -- bass (open center strike), tone (edge strike), and
 slap (sharp edge strike).
 
-**3 patterns:** djembe (a basic accompanying rhythm), kuku (a
-traditional rhythm from Guinea associated with fishing), and soli (a
-solo/celebration rhythm).
+**8 patterns:** djembe (basic accompanying rhythm), kuku (Guinean harvest
+dance), soli (powerful Mandinka rhythm), dununba (heavy bass-driven),
+tiriba (joyful Susu rhythm), yankadi (gentle greeting/welcome), djansa
+(fast Malinke dance), mendiani (women's celebratory dance).
+
+**3 fills:** djembe call (bass-tone-slap conversation building to climax),
+djembe roll (rapid slaps accelerating into bass), djembe break (syncopated
+West African-style break).
 
 .. code-block:: python
 
    score = Score("4/4", bpm=120)
-   score.drums("djembe", repeats=4)
+   score.drums("djembe", repeats=8, fill="djembe call", fill_every=4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/djembe.wav" type="audio/wav"></audio>
 
 Metal Kit
 ~~~~~~~~~
@@ -456,10 +505,19 @@ metal blast (blast beat with china cymbal accents), metal groove (a
 half-time groove with double kick fills), and metal gallop (the
 classic triplet-feel gallop rhythm).
 
+**4 fills:** metal (double kick 16ths with descending toms), metal triplet
+(double kick triplets with snare accents), metal blast (alternating
+snare/kick 32nds into half-time crash), metal cascade (descending snare
+roll → kick roll → alternating → crash ending).
+
 .. code-block:: python
 
    score = Score("4/4", bpm=200)
-   score.drums("metal blast", repeats=4)
+   score.drums("metal blast", repeats=8, fill="metal cascade", fill_every=4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/metal_blast.wav" type="audio/wav"></audio>
 
 Cajón
 ~~~~~
@@ -468,15 +526,76 @@ The cajón is a box-shaped percussion instrument from Peru, now
 ubiquitous in acoustic and unplugged settings worldwide. Players sit
 on the box and strike the front face with their hands.
 
-**2 sounds** -- slap (sharp, snare-like) and tap (bass-like).
+**3 sounds** -- bass (deep center thump), slap (sharp, snare-like edge
+hit with wire buzz), and tap (light finger tap).
 
 **3 patterns:** cajon (basic groove), cajon rumba (flamenco-style rumba),
 and cajon folk (folk/acoustic pattern).
 
+**3 fills:** cajon flam (slaps accelerating into bass hits), cajon rumble
+(fast taps building to slap accents), cajon breakdown (syncopated
+bass-slap groove).
+
 .. code-block:: python
 
    score = Score("4/4", bpm=100)
-   score.drums("cajon", repeats=4)
+   score.drums("cajon", repeats=8, fill="cajon flam", fill_every=4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/cajon.wav" type="audio/wav"></audio>
+
+Marching Percussion
+~~~~~~~~~~~~~~~~~~~
+
+A full drumline — snare, quads (tenors), and pitched bass drums.
+Every sound is synthesized: kevlar snare heads, aluminum shell ting
+on the quads, felt-beater thwack on the basses.
+
+**Snare** -- 3 sounds: MARCH_SNARE (tight kevlar tap), MARCH_RIMSHOT
+(woody-metallic crack), MARCH_CLICK (stick click for count-offs).
+
+**Quads** -- 5 sounds: QUAD_1 through QUAD_4 (high to low pitched
+tenors) plus QUAD_SPOCK (rim click on the shell).
+
+**Bass drums** -- 5 pitched drums: BASS_1 (highest/smallest) through
+BASS_5 (lowest/biggest), each with a prominent felt-beater thwack.
+
+**6 patterns:** march (basic 4/4), cadence (8-beat street beat),
+march paradiddle, march roll (buzz crescendo), quad sweep (run across
+all 4 drums), quad groove, bass split (cascading across the line),
+bass unison (all 5 hit together), drumline (snare + quads + bass).
+
+**Rudiment methods:** ``Part.flam()``, ``Part.diddle()``, and
+``Part.cheese()`` for marching rudiments on any drum sound.
+
+**Ensemble rendering:** ``ensemble=N`` on any Part duplicates the
+voice with per-player timing tendencies and micro pitch drift.
+``ensemble=8`` for a snare line, ``ensemble=20`` for a massive section.
+
+.. code-block:: python
+
+   # Full drumline with ensemble
+   snares = score.part("snares", synth="sine", volume=0.9,
+                       reverb=0.2, ensemble=8)
+   quads = score.part("quads", synth="sine", volume=0.5,
+                      reverb=0.2, ensemble=4)
+   basses = score.part("basses", synth="sine", volume=0.55,
+                       reverb=0.2, ensemble=5)
+
+   snares.flam(DrumSound.MARCH_SNARE, Duration.QUARTER, velocity=120)
+   snares.diddle(DrumSound.MARCH_SNARE, Duration.EIGHTH, velocity=60)
+
+   # Or use patterns
+   score.drums("drumline", repeats=4)
+
+.. raw:: html
+
+   <audio controls style="width:100%;margin:0.5em 0 1.5em"><source src="../_static/audio/march_snare.wav" type="audio/wav"></audio>
+
+**Sympathetic resonance:** The marching snare builds up snare wire
+buzz as hits accumulate, and the buzz decays during rests — just like
+a real drum.
 
 MIDI Export
 -----------